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                <text>Contraportada de &lt;em&gt;Los polvos de la madre Celestina,&lt;/em&gt; novela de Rafael del Castillo (1862)</text>
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                <text>Del Castillo, Rafael, &lt;em&gt;Los polvos de la madre Celestina. Novela Histórica&lt;/em&gt;, Madrid, &lt;span&gt;Librería de &lt;/span&gt;Miguel Guijarro, 1862. Hay otras láminas en el interior del libro.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Google books &lt;br /&gt;&lt;a href="https://books.google.ca/books?id=lnH4zs-SznUC&amp;amp;pg=PA634-IA2&amp;amp;source=gbs_selected_pages&amp;amp;cad=3#v=onepage&amp;amp;q&amp;amp;f=false"&gt;https://books.google.ca/books?id=lnH4zs-SznUC&amp;amp;pg=PA634-IA2&amp;amp;source=gbs_selected_pages&amp;amp;cad=3#v=onepage&amp;amp;q&amp;amp;f=false&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>W. D. Hooft, Heden-daeghsche verlooren soon, 1630,&#13;
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                    <text>&lt;span&gt;Título original:&amp;nbsp;&lt;/span&gt;&lt;em&gt;De verdrijving van de verloren zoon&lt;/em&gt;&lt;span&gt; ("La expulsión del hijo pródigo").&amp;nbsp;&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Museo Rijks, Amsterdam, Países Bajos:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301"&gt;https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220823204915/https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301"&gt;https://web.archive.org/web/20220823204915/https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de objeto: RP-P-OB-2301; http://hdl.handle.net/10934/RM0001.COLLECT.37326&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Título original:&amp;nbsp;&lt;/span&gt;&lt;em&gt;De verloren zoon weggejaagd bij de hoeren&lt;/em&gt;&lt;span&gt;&amp;nbsp;("El hijo pródigo ahuyentado de las prostitutas").&amp;nbsp;&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Museo Rijks, Amsterdam, Países Bajos:&lt;br /&gt;&lt;/span&gt;&lt;a href="https://www.rijksmuseum.nl/en/collection/RP-P-1983-45-29"&gt;https://www.rijksmuseum.nl/en/collection/RP-P-1983-45-29&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220823212226/https://www.rijksmuseum.nl/en/collection/RP-P-1983-45-29"&gt;https://web.archive.org/web/20220823212226/https://www.rijksmuseum.nl/en/collection/RP-P-1983-45-29&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de objeto:&amp;nbsp;RP-P-1983-45-29; http://hdl.handle.net/10934/RM0001.COLLECT.420476&lt;/span&gt;</text>
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                <text>&lt;p&gt;Imagen 1: &lt;span&gt;Título original:&amp;nbsp;&lt;em&gt;De verdrijving van de verloren zoon&lt;/em&gt; ("La expulsión del hijo pródigo").&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Imagen 1: Anthonisz, Cornelis (c. 1505-1553)&#13;
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                <text>Imagen 1: 1535, c.&#13;
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                <text>Imagen 1:&#13;
Papel.&#13;
Dimensiones: 27.2 × 21.1 cm&#13;
&#13;
Imagen 2:&#13;
Grabado.&#13;
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                <text>Las imágenes representan la parábola bíblica del hijo pródigo. En ambas imágenes aparece una figura que representa una alcahueta. En la primera imagen, la mujer vieja con la cabeza tapada que aparece a la derecha, se puede interpretar como la alcahueta de las prostitutas. En la segunda imagen la mujer vieja con la cabeza tapada que aparece en el centro y ahuyentando al hijo pródigo con una escoba.</text>
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                    <text>&lt;span&gt;Portada en&amp;nbsp;&lt;/span&gt;&lt;em&gt;Ligazón, auto para siluetas&lt;/em&gt;&lt;span&gt;, de Rivero. Madrid: La Novela Mundial, 1926.&lt;br /&gt;Reproducción de la imágen en "Las dos celestinas de&amp;nbsp;&lt;em&gt;Las galas del difunto&lt;/em&gt;&amp;nbsp;de Valle-Inclán&lt;em&gt;"&lt;/em&gt;, de Enrique Fernández Rivera,&amp;nbsp;&lt;em&gt;Celestinesca&lt;/em&gt;, Vol. 39, 2015,&amp;nbsp;p. 192 y 193&amp;nbsp;(Joseph T. Snow, ed.).&lt;br /&gt;&lt;a href="https://ojs.uv.es/index.php/celestinesca/article/view/20184"&gt;https://ojs.uv.es/index.php/celestinesca/article/view/20184&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220802185310/https://ojs.uv.es/index.php/celestinesca/article/view/20184"&gt;https://web.archive.org/web/20220802185310/https://ojs.uv.es/index.php/celestinesca/article/view/20184&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Ilustración II del personaje de la Raposa en&amp;nbsp;&lt;/span&gt;&lt;em&gt;Ligazón, auto para&lt;/em&gt;&lt;br /&gt;&lt;em&gt;siluetas&lt;/em&gt;&lt;span&gt;, de Rivero. Madrid: La Novela Mundial, 1926.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Reproducción de la imágen en "Las dos celestinas de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Las galas del difunto&lt;/em&gt;&lt;span&gt;&amp;nbsp;de Valle-Inclán&lt;/span&gt;&lt;em&gt;"&lt;/em&gt;&lt;span&gt;, de Enrique Fernández Rivera,&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;, Vol. 39, 2015,&amp;nbsp;p. 192 y 193&amp;nbsp;(Joseph T. Snow, ed.).&lt;/span&gt;&lt;br /&gt;&lt;a href="https://ojs.uv.es/index.php/celestinesca/article/view/20184"&gt;https://ojs.uv.es/index.php/celestinesca/article/view/20184&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220802185310/https://ojs.uv.es/index.php/celestinesca/article/view/20184"&gt;https://web.archive.org/web/20220802185310/https://ojs.uv.es/index.php/celestinesca/article/view/20184&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Ilustración I de la saludadora en el cuento "Beatriz", de V. Ibáñez. &lt;/span&gt;&lt;span&gt;Madrid: Tip. de Juan Pérez Torres, 1913.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Reproducción de la imágen en "Las dos celestinas de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Las galas del difunto&lt;/em&gt;&lt;span&gt;&amp;nbsp;de Valle-Inclán&lt;/span&gt;&lt;em&gt;"&lt;/em&gt;&lt;span&gt;, de Enrique Fernández Rivera,&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;, Vol. 39, 2015,&amp;nbsp;p. 192 y 193&amp;nbsp;(Joseph T. Snow, ed.).&lt;/span&gt;&lt;br /&gt;&lt;a href="https://ojs.uv.es/index.php/celestinesca/article/view/20184"&gt;https://ojs.uv.es/index.php/celestinesca/article/view/20184&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220802185310/https://ojs.uv.es/index.php/celestinesca/article/view/20184"&gt;https://web.archive.org/web/20220802185310/https://ojs.uv.es/index.php/celestinesca/article/view/20184&lt;/a&gt;</text>
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                <text>Imagen 1:&lt;br /&gt;Portada en &lt;em&gt;Ligazón, auto para siluetas&lt;/em&gt;, de Rivero. Madrid: La Novela Mundial, 1926.&lt;br /&gt;&lt;br /&gt;Imagen 2:&lt;br /&gt;Ilustración II del personaje de la Raposa en &lt;em&gt;Ligazón, auto para&lt;/em&gt;&lt;br /&gt;&lt;em&gt;siluetas&lt;/em&gt;, de Rivero. Madrid: La Novela Mundial, 1926.&lt;br /&gt;&lt;br /&gt;Imagen 3:&lt;br /&gt;Ilustración I de la saludadora en el cuento "Beatriz", de V. Ibáñez. Madrid: Tip. de Juan Pérez Torres, 1913.&lt;br /&gt;&lt;br /&gt;Reproducciónes de las imágenes en "Las dos celestinas de &lt;em&gt;Las galas del difunto&lt;/em&gt; de Valle-Inclán&lt;em&gt;"&lt;/em&gt;, de Enrique Fernández Rivera, &lt;em&gt;Celestinesca&lt;/em&gt;, Vol. 39, 2015, &lt;span&gt;p. 192 y 193 &lt;/span&gt;&lt;span&gt;(Joseph T. Snow, ed.).&lt;br /&gt;&lt;a href="https://ojs.uv.es/index.php/celestinesca/article/view/20184"&gt;https://ojs.uv.es/index.php/celestinesca/article/view/20184&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220802185310/https://ojs.uv.es/index.php/celestinesca/article/view/20184"&gt;https://web.archive.org/web/20220802185310/https://ojs.uv.es/index.php/celestinesca/article/view/20184&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Viejas alcahuetas en ilustraciones que aparecen en obras de Valle Inclán. En la primera imagen aparece la vieja alcahueta sujetando a una joven que puede actuar de prostituta. En la segunda y tercera imagen aparecen las viejas alcahuetas solas, y en la tercera, la alcahueta aparece con la cabeza tapada a modo de Celestina y con un gato negro y buho.</text>
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                    <text>&lt;span&gt;Museo Nacional de Arte de Letonia, Riga, Letonia.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en Google Arts and Culture:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg"&gt;https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210328024940/https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg"&gt;https://web.archive.org/web/20210328024940/https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Encontrado en Twitter, cuenta de kushkomikss, 8 de abril, 2015&lt;/span&gt;&lt;br /&gt;&lt;a href="https://twitter.com/kushkomikss/status/585760183713976321"&gt;https://twitter.com/kushkomikss/status/585760183713976321&lt;/a&gt;</text>
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                <text>&lt;span&gt;Imagen 1:&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Museo Nacional de Arte de Letonia, Riga, Letonia.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en Google Arts and Culture:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg"&gt;https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210328024940/https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg"&gt;https://web.archive.org/web/20210328024940/https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Imagen 2:&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en Twitter, cuenta de kushkomikss, 8 de abril, 2015&lt;br /&gt;&lt;a href="https://twitter.com/kushkomikss/status/585760183713976321"&gt;https://twitter.com/kushkomikss/status/585760183713976321&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Imagen 1:&#13;
Dibujo en acuarela.&#13;
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&#13;
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Desconocido.&#13;
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                    <text>Ana Roncero como La Celestina.</text>
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&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;Edición, prólogo y notas de Martín de Riquer.&lt;/p&gt;&#13;
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&lt;p&gt;Diez ilustraciones a color para&lt;em&gt;&amp;nbsp;La Celestina.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Ejemplar en la Biblioteca Nacional de España, Madrid: &lt;a href="http://catalogo.bne.es/uhtbin/cgisirsi/?ps=V0eMEfybjC/BNMADRID/160530583/20/T^2F55044/1/X1000367056/"&gt;T/55044&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>Disponible en la Biblioteca Nacional de Espa&amp;ntilde;a, Madrid: T/55044 &lt;a href="http://catalogo.bne.es/uhtbin/cgisirsi/?ps=V0eMEfybjC/BNMADRID/160530583/20/T^2F55044/1/X1000367056/"&gt;http://catalogo.bne.es/uhtbin/cgisirsi/?ps=V0eMEfybjC/BNMADRID/160530583/20/T^2F55044/1/X1000367056/&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Esta edici&amp;oacute;n est&amp;aacute; conectada con Celestinesca. Encontrado en Celestinesca, 2003, Vol. 27, Num. 1, Pa. 125. El 6 de octubre 2016. http://parnaseo.uv.es/Celestinesca/Numeros/2003/Celestinesca27.pdf</text>
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                <text>Encontrado en www.artnet.com el 2 de Noviembre 2016. &lt;a href="http://www.artnet.com/artists/franz-christoph-janneck/a-pair-of-scene-galante-in-a-park-ff5qzyU-Up0knQtQ8oo0vg2"&gt;http://www.artnet.com/artists/franz-christoph-janneck/a-pair-of-scene-galante-in-a-park-ff5qzyU-Up0knQtQ8oo0vg2&lt;/a&gt;</text>
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                <text>Óleo sobre cobre. 25.5 x 35.5 cm.</text>
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                <text>Encontrado en la página web Arte bíblica www.artebiblica.com el 10 de Agosto 2016. &lt;br /&gt;&lt;a href="http://artebiblica.blogspot.ca/2015/08/parabola-del-hijo-prodigo.html"&gt;http://artebiblica.blogspot.ca/2015/08/parabola-del-hijo-prodigo.html&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191114110140/http://artebiblica.blogspot.com/2015/08/parabola-del-hijo-prodigo.html"&gt;https://web.archive.org/web/20191114110140/http://artebiblica.blogspot.com/2015/08/parabola-del-hijo-prodigo.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en la página web Sotheby's (&lt;a href="http://www.sothebys.com/"&gt;http://www.sothebys.com/&lt;/a&gt;):&lt;br /&gt;&lt;a href="http://www.sothebys.com/en/auctions/ecatalogue/lot.41.html/2015/tale-two-cities-venice-dresden-l15320"&gt;http://www.sothebys.com/en/auctions/ecatalogue/lot.41.html/2015/tale-two-cities-venice-dresden-l15320&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:Franz_Christoph_Janneck_-_The_Prodigal_Son_Spending_his_Money_in_Riotous_Living.jpg"&gt;https://en.wikipedia.org/wiki/File:Franz_Christoph_Janneck_-_The_Prodigal_Son_Spending_his_Money_in_Riotous_Living.jpg&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200622195322/https://en.wikipedia.org/wiki/File:Franz_Christoph_Janneck_-_The_Prodigal_Son_Spending_his_Money_in_Riotous_Living.jpg"&gt;https://web.archive.org/web/20200622195322/https://en.wikipedia.org/wiki/File:Franz_Christoph_Janneck_-_The_Prodigal_Son_Spending_his_Money_in_Riotous_Living.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Más información disponible en: &lt;br /&gt;&lt;a href="http://quod.lib.umich.edu/m/moa/abx9651.0001.001/58?rgn=full+text;view=image;q1=Franz+Christoph+Janneck"&gt;http://quod.lib.umich.edu/m/moa/abx9651.0001.001/58?rgn=full+text;view=image;q1=Franz+Christoph+Janneck&lt;/a&gt;</text>
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                <text>En una habitación, un hombre joven sentado y cogiendo de la mano a una mujer joven. Entre estos dos personajes, una mujer vieja actúa como alcahueta presentado a la joven.</text>
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                <text>Encontrado en el sitio Artnet www.artnet.com el 14 de Agosto 2016. &lt;br /&gt;&lt;a href="http://www.artnet.com/artists/franz-christoph-janneck/galante-szene-ajQBxa44BivqP4qagGhg7Q2"&gt;http://www.artnet.com/artists/franz-christoph-janneck/galante-szene-ajQBxa44BivqP4qagGhg7Q2&lt;/a&gt;</text>
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                <text>&lt;a href="https://teatromadrid.com/espectaculo/la-celestina-de-mujeres-y-brujas"&gt;https://teatromadrid.com/espectaculo/la-celestina-de-mujeres-y-brujas&lt;/a&gt;</text>
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                <text>Encontrado en el sitio www.deviantart.com el 12 de agosto 2016. &lt;a href="http://www.deviantart.com/art/Marivi-bilbao-389165564"&gt;http://www.deviantart.com/art/Marivi-bilbao-389165564&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Achivado en: &lt;a href="http://web.archive.org/save/_embed/http://jesuss1.deviantart.com/art/Marivi-bilbao-389165564"&gt;http://web.archive.org/save/_embed/http://jesuss1.deviantart.com/art/Marivi-bilbao-389165564&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Diario de Valladolid &lt;/span&gt;&lt;br /&gt;&lt;span&gt;KeiJinguji: ‘La Celestina’ es una obra fundamental, su ideal pervive hasta el XX 27-07-2008, pp.54 &lt;/span&gt;&lt;a href="http://www.olmedo.es/extra/descargas/des_92/EL_MUNDO_22_07.pdf"&gt;http://www.olmedo.es/extra/descargas/des_92/EL_MUNDO_22_07.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20100408013341/http://www.olmedo.es/extra/descargas/des_92/EL_MUNDO_22_07.pdf"&gt;https://web.archive.org/web/20100408013341/http://www.olmedo.es/extra/descargas/des_92/EL_MUNDO_22_07.pdf&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Encontrado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://estaticos01.elmundo.es/elmundo/imagenes/2008/07/21/1216669534_0.jpg"&gt;http://estaticos01.elmundo.es/elmundo/imagenes/2008/07/21/1216669534_0.jpg&lt;/a&gt;</text>
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                <text>Traducción y adaptación: Yoichi Tajiri &lt;br /&gt;Dirección escénica: Hirofumi Suzuki &lt;br /&gt;Iluminación: Shunsuke Yoshito &lt;br /&gt;Sonido: Mitsuhiro Nakagawa &lt;br /&gt;&lt;br /&gt;Elenco: &lt;br /&gt;Masaya Nagano- Coro 1, Calisto &lt;br /&gt;Kazunori Tokida- Coro 2, Sempronio &lt;br /&gt;Daisuke Higuchi- Coro 3, Pármeno &lt;br /&gt;Tadayoshi Sakakibara- Coro 4, Narrador &lt;br /&gt;Senko Hida- Coro 5, Celestina &lt;br /&gt;Eriko Shimizu- Coro 6, Melibea &lt;br /&gt;Chiaki Kita- Coro 7, Areúsa &lt;br /&gt;Hayato Osaki- Coro 8 &lt;br /&gt;Intérprete: Yoko Dambara &lt;br /&gt;Intérprete: Daisuke Kato &lt;br /&gt;Intérprete: Hitomi Toyohara &lt;br /&gt;Intérprete: Akihiro Yano&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Ficha del CDAEM, Teatro Español:&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.teatro.es/estrenos-teatro/la-celestina-33833"&gt;https://www.teatro.es/estrenos-teatro/la-celestina-33833&lt;/a&gt;</text>
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                <text>Variante muy elaborada del modelo compuesto que arranca de &lt;a href="/exhibits/show/portadasantiguas/item/381"&gt;Valencia, 1514&lt;/a&gt; y &lt;a href="/exhibits/show/portadasantiguas/item/384"&gt;Sevilla, 1523&lt;/a&gt;.&lt;br /&gt;Edici&amp;oacute;n ilustrada con 26 grabados (m&amp;aacute;s portada) que&amp;nbsp; se pueden ver pulsando aqu&amp;iacute;: &lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545"&gt;Zaragoza, 1545.&lt;br /&gt;&lt;/a&gt;La misma imagen se usa para portada de Zaragoza 1554, de Pedro Bernuz, aunque las composciones tipogr&amp;aacute;ficas y su contenido son distintos</text>
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                <text>&lt;em&gt;Tragicomedia de Calisto y Melibea.&lt;/em&gt; Jorge Coci: Zaragoza, 1507&lt;br /&gt;&lt;br /&gt;Wikimedia Commons &lt;a href="https://commons.wikimedia.org/wiki/File:Celestina1.JPG"&gt;https://commons.wikimedia.org/wiki/File:Celestina1.JPG&lt;/a&gt;</text>
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                <text>Jorge Coci e ilustrador anónimo</text>
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                <text>Calisto arrodillado frente a Melibea, ésta en una silla cubierta, y los nombres de los personajes escritos debajo.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;span style="color: #5a5a5a; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; word-spacing: 0px; float: none; display: inline !important; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;"&gt;Variante muy elaborada del modelo compuesto que arranca de&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a style="border-width: 0px 0px 1px; border-style: solid; border-color: black; border-radius: 0px; width: 209px; color: #43adb8; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;" href="http://celestinavisual.org/exhibits/show/portadasantiguas/item/381"&gt;Valencia (1514)&lt;/a&gt;&lt;span style="color: #5a5a5a; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; word-spacing: 0px; float: none; display: inline !important; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;"&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;y&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a style="border-width: 0px 0px 1px; border-style: solid; border-color: black; border-radius: 0px; width: 209px; color: #43adb8; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;" href="http://celestinavisual.org/exhibits/show/portadasantiguas/item/384"&gt;Sevilla (1523)&lt;/a&gt;&lt;span style="color: #5a5a5a; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; word-spacing: 0px; float: none; display: inline !important; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;span style="color: #5a5a5a; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; word-spacing: 0px; float: none; display: inline !important; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;"&gt;Edici&amp;oacute;n ilustrada con 26 grabados (m&amp;aacute;s portada) que se pueden ver pulsando aqu&amp;iacute;:&amp;nbsp;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a style="border-width: 0px 0px 1px; border-style: solid; border-color: black; border-radius: 0px; width: 209px; color: #43adb8; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;" title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545"&gt;Zaragoza (1545).&lt;/a&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tres escenas separadas por columnas. La primera es una pareja hablando en el interior de un edificio, ella sentada en un estrado, y que se supone que representa de alguna manera el encuentro inicial entre Calisto y Melibea. La segunda es un hombre con actitud melancólica, con la cabeza apoyada en la mano, y otro con espada, que se suponen  Calisto y Sempronio. La tercera es Celestina con el rosario.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tres hombres hablando en la calle y una mujer a la ventana que los ve. No está muy claro a qué escena de la obra se refiere pues la imagen es demasiado genérica.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Celestina en casa de Melibea, y ésta con Lucrecia en un estrado, mientras Alisa se va con el mensajero que la viene a llamar. Un animal de compañía junto a una de las mujeres.</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Sempronio y Celestina llegan a la casa de Calisto. Éste, en el interior, sentado, habla con Pármeno. Cama de fondo.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Escena doble. A la derecha Pármeno se ha levantado para ir a casa de su amo tras pasar la noche con Areúsa. A la izquierda, escena posterior del encuentro y concierto de Pármeno y Sempronio.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Celestina, acompañada por Pármeno y Sempronio, por la calle. Calisto arrodillado en la iglesia de la Magdalena.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Calisto subiendo por una escalera mientras Melibea y Lucrecia están asomadas a dos arcos. A la derecha, Sosia y Tristán, de guardia afuera. Se repite la misma imagen de nuevo en el acto XIX.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Elicia y Areúsa conciertan la venganza contra Calisto con Centurio, representado con espada. De fondo una cama y escaleras. Se vuelve a usar la imagen en el acto XVIII.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Lucrecia y Melibea, sobre un cojín, al otro lado de una puerta escuchan la conversación entre Pleberio y Alisa, sentados en otra habitación.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Ilustración segunda del acto XIX de la edición de Zaragoza (1545)</text>
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                <text>Sosia y Tristán retiran el cuerpo muerto de Calisto.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Pleberio y detrás de él Alisa en cama, llamando a la puerta de la cámara de Melibea. Lucrecia contestando y Melibea entristecida sentada en el estrado.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Melibea se arroja de un lugar elevado con puertas cerradas mientras que Pleberio junta las manos en señal de rogar.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Juan Bautista Varesio e ilustrador anónmo</text>
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                <text>Grabado usado en la edici&amp;oacute;n de Burgos de Fadrique de Basilea para la primera p&amp;aacute;gina en su edici&amp;oacute;n de La Celestina de 1499. Usado aqu&amp;iacute; casi cien a&amp;ntilde;os m&amp;aacute;s tarde para un pliego suelto del "Romance del Conde Claros de Moltauan : con vn villancico pastoril al cabo, muy gracioso"&amp;nbsp;&lt;br /&gt;&lt;br /&gt;"Fern&amp;aacute;ndez Valladares, 706: "El grab. xil. de la portadilla corresponde al de la Celestina, en un estado de desgaste y deterioro muy notable" Datos de pie de imp. despu&amp;eacute;s del t&amp;iacute;t. Fern&amp;aacute;ndez Valladares, Mercedes. La imprenta en Burgos, n. 706: "Sin indicaci&amp;oacute;n del a&amp;ntilde;o pero no antes de 1593" Sign.: [ ]&amp;plusmn;4&amp;divide; Texto a dos col. Letra g&amp;oacute;tica" (Descripcion del cat&amp;aacute;logo de la BN)</text>
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                <text>BN R/8183 &lt;a href="http://bdh.bne.es/bnesearch/detalle/bdh0000050922"&gt;http://bdh.bne.es/bnesearch/detalle/bdh0000050922&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Completo en Biblioteca Digital Hisp&amp;aacute;nica</text>
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                  <text>Teatro y opera</text>
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              <description>An account of the resource</description>
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                  <text>Programas, carteles anunciadores, recortes de prensa, fotos y otras im&amp;aacute;genes de representaciones dram&amp;aacute;ticas y adaptaciones musicales de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                <text>Representación de Celestina, de Teatro de Mercado (2025)</text>
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                <text>&lt;a href="https://web.archive.org/web/20260128013218/https://teatrodelmercadozaragoza.com/celestina/"&gt;https://web.archive.org/web/20260128013218/https://teatrodelmercadozaragoza.com/celestina/&lt;/a&gt;</text>
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                <text>Juan Bolea </text>
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                <text>Celestina es una reinterpretación contemporánea del clásico La Celestina, escrito y dirigido por Juan Bolea. Ambientada en la España moderna, Celestina es una empresaria, Melibea, una joven diseñadora de moda, y Calixto, un adinerado ejecutivo. La historia invita a los personajes a habitar un mundo moderno, actualizando la dinámica moral y emocional de los personajes para el siglo XXI, mostrando cómo el impulso por el amor, la influencia y el éxito puede conducir a resultados inesperados. </text>
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                    <text>Ilustración del acto XX de la edición de Toledo (1538)</text>
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                  <text>&lt;p&gt;&lt;a title="Toledo, 1538" href="http://celestinavisual.org/exhibits/show/toledo1538/toledo1538"&gt;&lt;img style="width: 304px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/99f90d0979ca99b4a309581b4044923f.jpeg" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea [..] con el tratado de Centurio y el auto de Traso&lt;/em&gt;. Toledo: Juan de Ayala, 1538&lt;/p&gt;&#13;
&lt;p&gt;Son los mismos tacos usados en la edición de &lt;a title="Toledo 1526" href="http://celestinavisual.org/exhibits/show/toledo1526"&gt;Toledo (1526)&amp;nbsp;&lt;/a&gt;de Remón&amp;nbsp;de Petras. Hay sin embargo curiosos cambios de factotums en el orden de los personajes, elección de una imagen determinada, etc.&lt;/p&gt;&#13;
&lt;p&gt;24 imágenes, la mayoría factotums con los nombres de los personajes escritos encima. Se incluyen como imágenes completas la portada o introducción, la muerte de Celestina y la detención de Sempronio y Pármeno (act XII, ilustración segunda), la ejecución de éstos en otro grabado (act XIII, ilustración segunda), Calisto escalando el huerto (acto XIV, ilustración segunda), caída y muerte de Calisto (acto XX, ilustración segunda), y suicidio de Melibea (acto XXII).&lt;/p&gt;&#13;
&lt;p&gt;Descripción en la&lt;em&gt; Edición e introducción crítica&lt;/em&gt; de Miguel Marciales (Urbana and Chicago: University of Illinois Press, 1985), tomo I, pg. 8: "Bb. Cuarta de Toledo, febrero 28, 1538. Juan de Ayala. Edición que incluye el Auto de Traso. Carece de materia conclusoria. Un ejemplar en la Hispanic Society of America y otro la BNE R4423."&lt;/p&gt;&#13;
&lt;div&gt;Ver signatura de otros ejemplares en ficha de&lt;a title="UTSC341403" href="http://ustc.ac.uk/editions/341403"&gt; UTSC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/464"&gt;https://icocel.linhd.uned.es/s/celestina/item/464&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Factotums de Sosia, Tristán,  Calisto, Melibea y Lucrecia. En la edición de Toledo (1526) el primer personaje de la izquierda es Tristán tiene una imagen diferente.</text>
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