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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Factotums de árbol, tres personajes (dos hombres y una mujer) y casas, y encima escrito Pleberio, Lucrecia, Melibea y repetido Pleberio por ser el primero en hablar en el acto.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto XIV de la edición de Venecia (1541)</text>
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                <text>Cinco factotums de personajes, dos mujeres y tres hombres, y encima los nombres de Melibea, Lucrecia, Sosia, Trístanico, Calisto y Melibea repetida por ser la primera que habla en el acto. El orden de los personajes parece coincidir, pero la primera mujer está cubierta y no puede ser Melibea.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto XIII de la edición de Venecia (1541)</text>
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                <text>Giovanni Antonio, Pietro de Niccolini da Sabio, Alphonso Hordognez e ilustrador anónimo</text>
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          <element elementId="41">
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                <text>Cinco factotums de casas, tres presonajes y árbol. Encima los nombres Calisto, Tristanico, Sosia y repetido Calisto, por ser el primero que habla en el acto. Uno de los factotums es una mujer.</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="16213">
                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto XII de la edición de Venecia (1541)</text>
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                <text>Giovanni Antonio, Pietro de Niccolini da Sabio, Alphonso Hordognez e ilustrador anónimo</text>
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                <text>Cinco factotums y encima los nombres de Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, y repetido Calisto por ser el primero que habla en el acto.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Giovanni Antonio, Pietro de Niccolini da Sabio, Alphonso Hordognez e ilustrador anónimo</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Cinco factotums y encima los nombres Celestina, Sempronio, Calisto, Pármeno y Elicia, que parecen coincidir con los imágenes en orden. El nombre de Celestina repetido dos veces por ser la primera que interviene en el acto.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto X de la edición de Venecia (1541)</text>
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                <text>Cuatro factotums y casas. Encima cuatro nombres: Melibea, Celestina, Lucrecia, Elisa y repetido Melibea para indicar que es la primera que habla en el acto. Hay un personaje masculino entre las imágenes.</text>
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                  <text>1541</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto IX de la edición de Venecia (1541)</text>
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            <name>Creator</name>
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                <text>Giovanni Antonio, Pietro de Niccolini da Sabio, Alphonso Hordognez e ilustrador anónimo</text>
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                <text>1541</text>
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                <text>Cinco factotums y encima los nombres de los personajes que intervienen en el acto: Sempronio, Pármeno, Elicia, Celestina y Lucrecia, y luego repetido Sempronio para indicar que es el primero que habla en el acto.</text>
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                    <text>Ilustración del acto VIII de la edición de Venecia (1541)</text>
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                  <text>Venecia (1541)</text>
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              <name>Creator</name>
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                  <text>1541</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto VIII de la edición de Venecia (1541)</text>
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                <text>Giovanni Antonio, Pietro de Niccolini da Sabio, Alphonso Hordognez e ilustrador anónimo</text>
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                <text>1541</text>
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                <text>Cuatro factotums de personajes --tres hombres y una mujer--y casas. Encima los nombres Pármeno, Areúsa, Sempronio, Calisto, y repetido Pármeno, el que empieza a hablar en este acto.</text>
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                    <text>Ilustración del acto IV de la edición de Venecia (1541)</text>
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                  <text>Venecia (1541)</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>1541</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto IV de la edición de Venecia (1541)</text>
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                <text>Cuatro factotums de personajes y casas. Encima, sin coincidir con las imágenes --dos de hombres y dos de mujeres'--, los nombres Celestina, Lucrecia, Elicia y Melibea.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto II de la edición de Venecia (1541)</text>
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                <text>Cuatro factotums de personajes y uno de casas. Encima sólo los nombres de Calisto, Sempronio y Pármeno, que no coinciden con los personajes sobre los que están situados.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Cinco factotums y encima escritos todos los nombres de los personajes del acto, repitiéndose el de Calisto dos veces para indicar que es el que habla primero en el acto. El nombre de Calisto es el único que coincide con el factotum de una imagen, aunque no sea necesariamente el que lo representa. Los otros no llevan nombre aunque es evidente que Celestina es el segundo factotum, que representa una vieja con el rosario.</text>
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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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                <text>Encontrado en el sitio www.artnet.de el 26 de agosto 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://www.artnet.de/k%C3%BCnstler/antonio-mar%C3%ADa-esquivel-su%C3%A1rez-de-urbina/celestina-g3Drz0Tae9M9dBbHyxlSVg2"&gt;http://www.artnet.de/k%C3%BCnstler/antonio-mar%C3%ADa-esquivel-su%C3%A1rez-de-urbina/celestina-g3Drz0Tae9M9dBbHyxlSVg2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200608160308/http://www.artnet.de/k%C3%BCnstler/antonio-mar%C3%ADa-esquivel-su%C3%A1rez-de-urbina/celestina-g3Drz0Tae9M9dBbHyxlSVg2"&gt;https://web.archive.org/web/20200608160308/http://www.artnet.de/k%C3%BCnstler/antonio-mar%C3%ADa-esquivel-su%C3%A1rez-de-urbina/celestina-g3Drz0Tae9M9dBbHyxlSVg2&lt;/a&gt;</text>
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Dimensiones: 125 × 94.5 cm</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tres personajes masculinos con barba contemplan el cuerpo yacente boca abajo de Melibea y, junto a ésta, Lucrecia, Alisa y Pleberio. Dos personajes sin identificar asomados al muro también contemplan la escena.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Melibea se arroja de un lugar elevado con puertas cerradas mientras que Pleberio junta las manos en señal de rogar.</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Pleberio y detrás de él Alisa en cama, llamando a la puerta de la cámara de Melibea. Lucrecia contestando y Melibea entristecida sentada en el estrado.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Lucrecia y Melibea, sobre un cojín, al otro lado de una puerta escuchan la conversación entre Pleberio y Alisa, sentados en otra habitación.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Dos escenas consecutivas en el tiempo. A la izquierda Celestina, con el rosario, llega a casa de Melibea con Lucrecia. En el lado derecho, dentro de la casa, Celestina habla con Melibea sobre el estrado, y Alisa entra por la puerta.</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Ilustración del acto III de la edición de Zaragoza (1545)</text>
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                <text>Sempronio, acompañado de Celestina, llega a casa de ésta, donde está Elicia en el interior, ocupada en una labor. Afuera, de fondo, un muro almenado con árboles detrás.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Ilustración del acto II de la edición de Zaragoza (1545)</text>
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                <text>Tres hombres hablando en la calle y una mujer a la ventana que los ve. No está muy claro a qué escena de la obra se refiere pues la imagen es demasiado genérica.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tres escenas separadas por columnas. La primera es una pareja hablando en el interior de un edificio, ella sentada en un estrado, y que se supone que representa de alguna manera el encuentro inicial entre Calisto y Melibea. La segunda es un hombre con actitud melancólica, con la cabeza apoyada en la mano, y otro con espada, que se suponen  Calisto y Sempronio. La tercera es Celestina con el rosario.</text>
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                  <text>&lt;div&gt;&lt;a title="Zaragoza, 1545" href="http://celestinavisual.org/exhibits/show/zaragoza1545/zaragoza1545"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/06fae322e31d0d668bf8a2f13ac1474d.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Tragicomedia de Calisto y Melibea. Zaragoza: en casa de Jorge Coci &amp;amp; Pedro Bernuz &amp;amp; Bartolomé de Nájera, 1545.&lt;/p&gt;&#13;
&lt;p&gt;Total de 26 grabados, incluido el de la &amp;nbsp;portada.&lt;/p&gt;&#13;
&lt;p&gt;Ficha en &lt;a title="utsc334235" href="http://ustc.ac.uk/editions/344235"&gt;UTSC 344235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Un analisis de la portada se puede ver&amp;nbsp;en:&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Álbalá Pelegrín, Marta. “Gestures as a Transnational Language through Woodcuts:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;’s Title Pages.”&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;&amp;nbsp;39, “Sección especial: La cultura visual de&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestina&lt;/em&gt;&lt;span&gt;” (2015): 79-112.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/01_Albala_Pelegrin.pdf"&gt;en línea.&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Existe una edición con los mismos grabados, fechada en Zaragoza en 1554, de Pedro Bernuz,&amp;nbsp; de la que sólo ha sobrevivido una copia (fotocopia) y que ha sido editada recientemente como facsímil&amp;nbsp; con estudio preliminar:&amp;nbsp; La Celestina de Fernando de Rojas sale de nuevo a la luz en facsímil con una introducción de Mª Remedios Moralejo Álvarez. [Edición a expensas y al cuidado de Alfonso Fernández González, bibliófilo]. Zaragoza-Sabadell. Establecimiento tipográfico de Francesc Fusté Serena. 2018.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/418"&gt;https://icocel.linhd.uned.es/s/celestina/item/418&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
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&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
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&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
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&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
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&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Ausburg, 1520" href="http://celestinavisual.org/exhibits/show/paris1527/paris1527"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/f3fc8e86f902ed0d9eb817fa3638a68a.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Ausburg, 1520" href="http://celestinavisual.org/exhibits/show/paris1527/paris1527"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/f3fc8e86f902ed0d9eb817fa3638a68a.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Ausburg, 1520" href="http://celestinavisual.org/exhibits/show/paris1527/paris1527"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/f3fc8e86f902ed0d9eb817fa3638a68a.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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                <elementText elementTextId="16201">
                  <text>&lt;div&gt;&lt;a title="Ausburg, 1520" href="http://celestinavisual.org/exhibits/show/paris1527/paris1527"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/f3fc8e86f902ed0d9eb817fa3638a68a.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="16202">
                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
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          <element elementId="50">
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                <text>Ilustración del acto IV de la edición de París (1527)</text>
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                <text>Nicolas Cousteau, Galliot Du Pré e ilustrador anónimo</text>
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                <text>Factotum de Lucrecia (en realidad la misma imagen que se usa en el acto I para Melibea) y de Celestina, que es una mujer con una flor en la mano.</text>
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                  <text>&lt;div&gt;&lt;a title="Ausburg, 1520" href="http://celestinavisual.org/exhibits/show/paris1527/paris1527"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/f3fc8e86f902ed0d9eb817fa3638a68a.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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                <text>Nicolas Cousteau, Galliot Du Pré e ilustrador anónimo</text>
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                <text>1527</text>
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                <text>Mismo grabado del factotum de Celestina que aparece en la cubierta y en otros muchos actos. Factotum de Sempronio que representa a un joven con ropas que parecen indicar un señor y no un sirviente. Se repite en otros actos esta misma imagen.</text>
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                    <text>Ilustración del acto I de la edición de París (1527)</text>
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                  <text>París (1527)</text>
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                  <text>1527</text>
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              <description>An account of the resource</description>
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                  <text>&lt;div&gt;&lt;a title="Ausburg, 1520" href="http://celestinavisual.org/exhibits/show/paris1527/paris1527"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/f3fc8e86f902ed0d9eb817fa3638a68a.png" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Celestine en laquelle est traicte des deceptions des serviteurs envers leurs&amp;nbsp; maistres et des macquerelles envers les amoureux. Paris: Nicolas Cousteau, Galliot Du Pré.&lt;/p&gt;&#13;
&lt;p&gt;Total de 22 grabados, uno por acto&amp;nbsp;y&amp;nbsp;uno para la portada. Casi todos factotums y las mismas imágenes se repiten varias veces, muchas veces usando las mismas imágenes para dos personajes diferentes y cambiando de manera inconsistente la imagen usada para un personaje. Sólo la ilustración del acto XX no es factotum y parece proceder de otro libro ilustrado.&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Ejemplar digitlizado completo en &lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;, del que proceden estas imágenes.&lt;/li&gt;&#13;
&lt;li&gt;Ficha en la &lt;a title="París 1527" href="http://bp16.bnf.fr/ark:/12148/cb41878520c/"&gt;Biblioteca Nacional de Francia&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Ficha en&amp;nbsp;&lt;a title="París 1527" href="http://ustc.ac.uk/editions/21038"&gt;USTC&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/6986"&gt;https://icocel.linhd.uned.es/s/celestina/item/6986&lt;/a&gt;</text>
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                  <text>&lt;a title="París 1527" href="http://gallica.bnf.fr/ark:/12148/btv1b86263586/f12.image"&gt;BNF Gallica&lt;/a&gt;</text>
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                <text>Ilustración del acto I de la edición de París (1527)</text>
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                <text>Nicolas Cousteau, Galliot Du Pré e ilustrador anónimo</text>
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                <text>Dos factotums de Melibea y Calisto con sus nombres, en tinta negra, en orlas. Paisaje rocoso tras Melibea y Calisto con vara o bastón y zapatos de puntera redondeada.</text>
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