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Dimensiones: 32 × 24.5 cm</text>
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                <text>Nótese el dedo aleccionador de la alcahueta en forma de gancho, así como el pañuelo en la mano izquierda de la muchacha sentada, que parece estar llorando.</text>
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                <text>Elenco:&lt;br /&gt;Fanny Mikey- Celestina&lt;br /&gt;Santiago Moure- Calisto&lt;br /&gt;Margarita Ortega- Melibea &lt;br /&gt;Ramiro Meneses- Pármeno&lt;br /&gt;Álvaro Rodríguez- Sempronio&lt;br /&gt;Ana Soler- Areúsa&lt;br /&gt;Luly Bossa- Elicia&lt;br /&gt;Alberto León Jaramillo- Pleberio&lt;br /&gt;Viviana Navas- Lucrecia&lt;br /&gt;Sandra Guzmán- Alisa</text>
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                <text>Encontrado en el sitio www.deviantart.com el 7 de agosto 2016. &lt;a href="http://www.deviantart.com/art/La-Celestina-53606290"&gt;http://www.deviantart.com/art/La-Celestina-53606290&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;a href="http://web.archive.org/save/_embed/http://aliceinnightmareland.deviantart.com/art/La-Celestina-53606290"&gt;http://web.archive.org/save/_embed/http://aliceinnightmareland.deviantart.com/art/La-Celestina-53606290&lt;/a&gt;</text>
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                <text>Encontrado en: &lt;a href="https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/actualite-m-ame-thiers-entremetteuse-a-versailles-la-chambre-au-fond-du?utm_source=chatgpt.com#infos-principales"&gt;https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/actualite-m-ame-thiers-entremetteuse-a-versailles-la-chambre-au-fond-du?utm_source=chatgpt.com#infos-principales&lt;/a&gt;&lt;br /&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/save/https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/actualite-m-ame-thiers-entremetteuse-a-versailles-la-chambre-au-fond-du?utm_source=chatgpt.com#infos-principales"&gt;https://web.archive.org/save/https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/actualite-m-ame-thiers-entremetteuse-a-versailles-la-chambre-au-fond-du?utm_source=chatgpt.com#infos-principales&lt;/a&gt;</text>
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                <text>Imagen de Celestina con un niño en brazos y una chica sentada a su lado en la casa de citas que regenta. El texto acompañante claramente describe a la mujer vieja sujetando al niño como Celestina: &#13;
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                <text>Serie Did&amp;aacute;ctica&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;ISBN 13:&lt;/strong&gt;&amp;nbsp;&lt;span&gt;9788477780038&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OCLC:&lt;/strong&gt;&lt;span&gt;&amp;nbsp;32708793&lt;/span&gt;</text>
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                <text>&lt;strong&gt;ISBN 13:&lt;/strong&gt; 9788471660893&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OCLC:&lt;/strong&gt;&lt;span&gt;&amp;nbsp;15986413&lt;/span&gt;</text>
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                <text>Imagen de: &lt;a href="http://bibliotecaguadalpena.blogspot.com"&gt;http://bibliotecaguadalpena.blogspot.com&lt;/a&gt;&lt;br /&gt;Backup&amp;nbsp;&lt;a href="https://web.archive.org/web/20170518010343/http://bibliotecaguadalpena.blogspot.ca/"&gt;https://web.archive.org/web/20170518010343/http://bibliotecaguadalpena.blogspot.ca/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Tarea de clase realizado por alumnos de secundaria con figuras y escenarios de La Celestina&#13;
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¡Enhorabuena chic@s! ¡Buen trabajo!&#13;
Aquí podemos ver algunas fotografías:¨</text>
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                    <text>Fotografía de Indo Heredia:&lt;br /&gt;&lt;a href="https://www.facebook.com/Colectivo-Teatral-Los-Interventores-1488949517994005/"&gt;https://www.facebook.com/Colectivo-Teatral-Los-Interventores-1488949517994005/&lt;/a&gt;</text>
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                <text>El grabado muestra una escena de interior donde aparecen cuatro figuras: dos jóvenes sentados hablando, un hombre viejo sentado a su lado viéndolos mientras come y una mujer joven saliendo de la habitación. El grabado aparece en medio de un cuento titulado "De ventana a ventana" en el que aparece una Celestina. En este grabado no hay personaje celestinesco pero sí un religioso viejo que por su permisividad y actitud ante los jóvenes enamorados recuerda claramente a una Celestina.</text>
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                <text>Fragmento en monocromo azulado del cuadro P&lt;em&gt;atronazgo de las artes por la casa de Habsburgo&lt;/em&gt;, de Julius Victor Berger (Kunsthistorisches Museum of Vienna). La joven sentada es Isabel de Portugal.&lt;br /&gt;Amaranta Saguar escribe sobre esta tarjeta y el cuadro:&lt;br /&gt;&#13;
&lt;p&gt;&lt;br /&gt;Christmas season is a time for feasting and, as such, I find it appropriate to write about the restaurant called &lt;em&gt;La Celestina&lt;/em&gt; in Madrid. Obviously, I am not interested in its homemade traditional food, but on its choice of name and, above all, on its choice of image for its card.&lt;/p&gt;&#13;
&lt;p&gt;Instead of using any of the available &lt;em&gt;Celestina&lt;/em&gt;&amp;lsquo;s illustrations, the picture on the card corresponds to a detail in the 1891 painting &amp;ldquo;Patronage of the Arts by the House of Habsburg&amp;rdquo; by Julius Victor Berger (Kunsthistorisches Museum of Vienna). In it, the empress reads a document, presumably a letter, which a servant lady (?) also reads over her shoulder.&lt;/p&gt;&#13;
&lt;p&gt;&lt;img class="aligncenter" src="https://i0.wp.com/www.diomedes.com/carloseisabelG.jpg" alt="Titian, Charles V and Isabella de Portugal" width="403" height="321" /&gt;&lt;/p&gt;&#13;
&lt;p&gt;The interesting bit about this choice of image is that, deprived from its context, Isabella of Portugal is&amp;nbsp;irremediably identified with Melibea and the servant lady is identified with the go-between, although there is no letter reading scene in &lt;em&gt;Celestina&lt;/em&gt;. In my opinion, this is only possible because both figures correspond to the traditional mental image of a fifteenth century lady and of a fifteenth century older woman. However, this does not fully explain why this was the image chosen for the card. Were there not enough fifteenth and sixteenth century portraits to have to resort to a nineteenth century painting? Not enough illustrated editions of&amp;nbsp;&lt;em&gt;Celestina&lt;/em&gt;?&lt;/p&gt;&#13;
&lt;p&gt;It would be worth asking the owners of the restaurant. Maybe the next time I am in Madrid.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/2013/12/27/celestinesque-trivia-la-celestina-restaurant-in-madrid/"&gt;https://portrezetres.wordpress.com/2013/12/27/celestinesque-trivia-la-celestina-restaurant-in-madrid/&lt;/a&gt;&lt;/p&gt;</text>
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                <text> Siglo II antes de Cristo</text>
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                <text>Escena de la comedia Synaristoi de Arist&amp;oacute;fanes u otra comedia de la Comedia Nueva en la que aparece una alcahueta, probablemente Philatinies y una hetaira y otros personajes. Escena de banquete.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Ver otras variantes conservadas de esta escena en&lt;br /&gt;&lt;a href="http://laudatortemporisacti.blogspot.com/2017/06/women-eating-lunch-together.html"&gt;http://laudatortemporisacti.blogspot.com/2017/06/women-eating-lunch-together.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190129220106/http://laudatortemporisacti.blogspot.com/2017/06/women-eating-lunch-together.html"&gt;https://web.archive.org/web/20190129220106/http://laudatortemporisacti.blogspot.com/2017/06/women-eating-lunch-together.html&lt;/a&gt;</text>
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                <text>Villa de  los Dioscórides en Samos, actualmente en el Museo Arqueológico Nacional de Nápoles</text>
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                <text>La discoteca no existe y el edificio es ahora el Conde Aznar, que tiene un salón llamado Melibea en memoria de la discoteca</text>
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                <text>A la venta en www.amazon.com. Junio 15, 2016. &lt;a href="https://www.amazon.com/Framed-Print-Louys-bilitis-1894/dp/B00HS6SQCI/182-6517939-6353136?ie=UTF8&amp;amp;*Version*=1&amp;amp;*entries*=0"&gt;https://www.amazon.com/Framed-Print-Louys-bilitis-1894/dp/B00HS6SQCI/182-6517939-6353136?ie=UTF8&amp;amp;*Version*=1&amp;amp;*entries*=0&lt;/a&gt;</text>
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                <text>Encontrado el 19 de junio 2016 en Magnolia Box:&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.magnoliabox.com/search?q=the+return+of+the+sailor+prostitutes+proposition+a+returning&amp;amp;type=product"&gt;https://www.magnoliabox.com/search?q=the+return+of+the+sailor+prostitutes+proposition+a+returning&amp;amp;type=product&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Se vende copia en Art.com:&lt;br /&gt;&lt;a href="https://www.art.com/products/p36992987432-sa-i9638926/the-return-of-the-sailor-prostitutes-proposition-a-returning-sailor-in-a-port-city-after-an-18th.htm"&gt;https://www.art.com/products/p36992987432-sa-i9638926/the-return-of-the-sailor-prostitutes-proposition-a-returning-sailor-in-a-port-city-after-an-18th.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;36992987432A&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Seg&amp;uacute;n la descripci&amp;oacute;n en Art.com, el grabado se encuentra en el libro&amp;nbsp;&lt;span&gt;&lt;em&gt;Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart&lt;/em&gt; de Eduard Fuchs publicado en una Colecci&amp;oacute;n Privada Ken Welsh Bridgeman Images&lt;/span&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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                <text>Cinco factotums y siete nombres encima: Calisto, Melibea --debajo Elicia--, Parmeno --debajo Crito--, Sempronio y Celestina. Los nombres dobles es como si se reconociera que la misma imagen es para dos personajes a la vez.&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;a title="Medina del Campo, 1536" href="http://celestinavisual.org/exhibits/show/medinadelcampo1536/medinadelcampo1536"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/2a09a5b28b6ea68c3d9355f2ba10bf5f.jpg" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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                <text>Castillo de Dunster, Inglaterra.&lt;br /&gt;Encontrado en wwwnationaltrustimages.org. El 10 de noviembre 2016.&lt;a href="http://www.nationaltrustimages.org.uk/image/486240"&gt; &lt;br /&gt;http://www.nationaltrustimages.org.uk/image/486240&lt;/a&gt;</text>
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                <text>A la venta en www.todocoleccion.net. El 10 de diciembre 2016. &lt;a href="http://www.todocoleccion.net/libros-antiguos-erotica/novela-galante-num-163-bis-polvos-celestina-erotismo-antiguo-ver-fotos-medida-v-7581~x67519233#sobre_el_lote"&gt;http://www.todocoleccion.net/libros-antiguos-erotica/novela-galante-num-163-bis-polvos-celestina-erotismo-antiguo-ver-fotos-medida-v-7581~x67519233#sobre_el_lote&lt;/a&gt;</text>
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                <text>Encontrado en www.pixton.com. El 15 de enero 2017. &lt;a href="https://web.archive.org/web/20170115183831/https://www.pixton.com/es/embed/u9k15ivw"&gt;https://web.archive.org/web/20170115183831/https://www.pixton.com/es/embed/u9k15ivw&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;a title="Medina del Campo, 1536" href="http://celestinavisual.org/exhibits/show/medinadelcampo1536/medinadelcampo1536"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/2a09a5b28b6ea68c3d9355f2ba10bf5f.jpg" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Ejemplar encuadernado junto con la tercera parte de la Celestina de Feliciano de Silva, que&amp;nbsp;en el&amp;nbsp;colofón&amp;nbsp;indica&amp;nbsp;Medina del Campo (1536). Puede ser en realidad Sevilla (1536), Domenico de Robertis.&lt;/div&gt;&#13;
&lt;p&gt;&lt;br /&gt;25 imagenes más portada, muchos factotums; acto XIV y XIX son el mismo grabado de Calisto en la escalera.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar digitalizado en &lt;a title="Medina del Campo, 1536" href="https://play.google.com/store/books/details?id=UjtWAAAAcAAJ&amp;amp;hl=en"&gt;Google Books,&lt;/a&gt; del que proceden estas imágenes.&amp;nbsp;Es le mismo que se puede ver también en Münchener &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;Digitalisierungszentrum&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;La atribución de esta edición a Sevilla está tomada de &lt;a href="https://portrezetres.wordpress.com/type/image/#jp-carousel-2938"&gt;Amaranta Saguar en Por treze tres&lt;/a&gt;. Patrizia Bota también la identifica así en &lt;a href="http://www.cervantesvirtual.com/obra-visor/la-celestina-1/html/00409c58-82b2-11df-acc7-002185ce6064_3.html#I_0_"&gt;CervantesVirtual&lt;/a&gt;. De ser así, se trataría de la edición Z del elenco de Marciales que aparece listada como en paradero desconocido.&lt;/p&gt;</text>
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                  <text>Biblioteca Municipal de Bayer&lt;br /&gt;&lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html"&gt;http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10202974_00007.html&lt;/a&gt;</text>
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                <text>&lt;span style="color: #5a5a5a; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; word-spacing: 0px; float: none; display: inline !important; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;"&gt;Escena compuesta de dos cuadros, a la izquierda el jard&amp;iacute;n con Calisto y Melibea dentro y un criado y caballo afuera, y a la derecha Celestina llamando a la puerta con hilado y Lucrecia a la ventana. Es el modelo que arranca de&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a style="border-width: 0px 0px 1px; border-style: solid; border-color: black; border-radius: 0px; width: 209px; color: #43adb8; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;" href="http://celestinavisual.org/exhibits/show/roma1515"&gt;Cromberger, Sevilla, 1511 (1502)&lt;/a&gt;&lt;span style="color: #5a5a5a; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; word-spacing: 0px; float: none; display: inline !important; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;"&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;y&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a style="border-width: 0px 0px 1px; border-style: solid; border-color: black; border-radius: 0px; width: 209px; color: #43adb8; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Times New Roman', sans-serif; font-size: 22px; font-style: normal; font-weight: 200; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;" href="http://celestinavisual.org/exhibits/show/valencia1514"&gt;Valencia (1514).&lt;/a&gt;</text>
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                    <text>Ilustración primera del acto I de la edición de Bilbao (1971)</text>
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                <text>Encontrado en Todocoleccion.net:&lt;br /&gt;&lt;a href="https://www.todocoleccion.net/coleccionismo-papel-varios/posavasos-vinoteca-cerveceria-restaurante-celestina-c-santander-6-burgos~x246803940#sobre_el_lote"&gt;https://www.todocoleccion.net/coleccionismo-papel-varios/posavasos-vinoteca-cerveceria-restaurante-celestina-c-santander-6-burgos~x246803940#sobre_el_lote&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archived in:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20211223215422/https://www.todocoleccion.net/coleccionismo-papel-varios/posavasos-vinoteca-cerveceria-restaurante-celestina-c-santander-6-burgos~x246803940"&gt;https://web.archive.org/web/20211223215422/https://www.todocoleccion.net/coleccionismo-papel-varios/posavasos-vinoteca-cerveceria-restaurante-celestina-c-santander-6-burgos~x246803940&lt;/a&gt;</text>
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                <text>Posavasos de la vinoteca, cervecería y restaurante La Celestina en la calle Santander, 6, Burgos, España. En los posavasos aparece la cara de Celestina y el nombre “La Celestina” con cubos de hielo en segundo plano. </text>
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                    <text>&lt;p class="x_MsoNormal"&gt;&lt;span lang="ES"&gt;Caricaturas en &lt;em&gt;Don Junípero&lt;/em&gt;, periódico satírico-jocoso con abundancia de caricaturas, dirigido por Victor Patricio de Landaluze, n.1. año 1, 5 de octubre 1862. La Habana, Cuba.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="x_MsoNormal"&gt;Econtrado en Google books:&lt;br /&gt;&lt;span lang="ES"&gt;&lt;a href="https://www.google.ca/books/edition/Don_Jun%C3%ADpero/QtNOAAAAYAAJ?hl=en&amp;amp;gbpv=1&amp;amp;dq=don+junipero+periodico&amp;amp;printsec=frontcover" target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-linkindex="0" id="LPlnk383012"&gt;&lt;span lang="EN-CA"&gt;https://www.google.ca/books/edition/Don_Jun%C3%ADpero/QtNOAAAAYAAJ?hl=en&amp;amp;gbpv=1&amp;amp;dq=don+junipero+periodico&amp;amp;printsec=frontcover&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>&lt;p class="x_MsoNormal"&gt;&lt;span lang="ES"&gt;Caricaturas en &lt;em&gt;Don Junípero&lt;/em&gt;, periódico satírico-jocoso con abundancia de caricaturas, dirigido por Victor Patricio de Landaluze, n.1. año 1, 5 de octubre 1862. La Habana, Cuba.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="x_MsoNormal"&gt;Econtrado en Google books:&lt;br /&gt;&lt;span lang="ES"&gt;&lt;a href="https://www.google.ca/books/edition/Don_Jun%C3%ADpero/QtNOAAAAYAAJ?hl=en&amp;amp;gbpv=1&amp;amp;dq=don+junipero+periodico&amp;amp;printsec=frontcover" target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-linkindex="0" id="LPlnk383012"&gt;&lt;span lang="EN-CA"&gt;https://www.google.ca/books/edition/Don_Jun%C3%ADpero/QtNOAAAAYAAJ?hl=en&amp;amp;gbpv=1&amp;amp;dq=don+junipero+periodico&amp;amp;printsec=frontcover&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Dos caricaturas aparecen en el periódico. Ambas se encuentran en el encabaezado del periódico que se repite en números siguientes. En la caricatura en blanco y negro aparece una mujer vieja con la cabeza tapada que puede representar a la alcahueta (primera imagen). La portada en tapa dura, en color (segunda imagen), tiene también un personaje que puede ser Celestina.</text>
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                <text>&lt;p class="x_MsoNormal"&gt;&lt;span lang="ES"&gt;Caricaturas en &lt;em&gt;Don Junípero&lt;/em&gt;, periódico satírico-jocoso con abundancia de caricaturas, dirigido por Victor Patricio de Landaluze, n.1. año 1, 5 de octubre 1862. La Habana, Cuba.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="x_MsoNormal"&gt;Econtrado en Google books:&lt;br /&gt;&lt;span lang="ES"&gt;&lt;a href="https://www.google.ca/books/edition/Don_Jun%C3%ADpero/QtNOAAAAYAAJ?hl=en&amp;amp;gbpv=1&amp;amp;dq=don+junipero+periodico&amp;amp;printsec=frontcover" target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-linkindex="0" id="LPlnk383012"&gt;&lt;span lang="EN-CA"&gt;https://www.google.ca/books/edition/Don_Jun%C3%ADpero/QtNOAAAAYAAJ?hl=en&amp;amp;gbpv=1&amp;amp;dq=don+junipero+periodico&amp;amp;printsec=frontcover&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Autor anónimo, atribuido a la escuela holandesa de principios del siglo XVII. &lt;br /&gt;&lt;br /&gt;En el borde aparece una atribución antigua en tiza negra que lee "Jan Boucchorst". (ver la página web Sotheby's: &lt;a href="https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;En la imagen aparece una escena de interior, donde una mujer joven aparece sentada en frente de una mujer vieja con garrote. La mujer vieja parece actuar de alcahueta de la joven.</text>
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                <text>Encontrado en la página web Sotheby's:&lt;br /&gt;&lt;a href="https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210124231121/https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://web.archive.org/web/20210124231121/https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;</text>
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                <text>Tatuaje &lt;span&gt;del Codex Manesse que la persona lleva por Calisto y Melibea, como sugieren la portada de la edición de Esther Borrego de&amp;nbsp;&lt;i&gt;Celestina &lt;/i&gt;(&lt;a href="https://celestinavisual.org/items/show/204"&gt;Portada de la edición de Cooperación Editorial: Madrid, 2002&lt;/a&gt;) y el &lt;a href="https://celestinavisual.org/items/show/3044"&gt;Marcapáginas Calisto y Melibea, Codex Manesse (2018, c.)&lt;/a&gt;. La persona que lleva el tatuaje sabe que los personajes de la imagen no son Calisto y Melibea pero para ella si lo son y es el halcón lo que le llama más la atención. Del mismo modo, esta imagen del Codex Manesse es recurrente en relación con la obra.&lt;/span&gt;</text>
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                <text>Cuenta de Instagram del tatuador: &lt;span&gt;@blackandkolortattoo&lt;br /&gt;Cuenta de Instagram del estudio: @kalontattoostudio&lt;/span&gt;</text>
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                <text>&lt;span&gt;Dibujo de Episodios Carnavalescos, de anónimo para la revista &lt;em&gt;El Pájaro azul, el más inocente de todos los pájaros: Almacén de verdades picantes cómo guindillas&lt;/em&gt;, año 2, no. 09, Barcelona, 1 de marzo de 1862, página 4 (&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=107448"&gt;https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=107448&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;Encontrado en el Arxiu de Revistes Catalanes Antigues, Biblioteca de Catalunya:&lt;br /&gt;&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1214178&amp;amp;presentacion=pagina&amp;amp;posicion=4&amp;amp;registrardownload=0"&gt;https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1214178&amp;amp;presentacion=pagina&amp;amp;posicion=4&amp;amp;registrardownload=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220305135923/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1214178&amp;amp;presentacion=pagina&amp;amp;posicion=4&amp;amp;registrardownload=0"&gt;https://web.archive.org/web/20220305135923/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1214178&amp;amp;presentacion=pagina&amp;amp;posicion=4&amp;amp;registrardownload=0&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>La imagen contiene dos escenas; la primera imagen muestra una escena de carnaval donde aparecen hombres y mujeres vestidos de forma elegante y en la que algunos aparecen con máscaras. En la segunda imagen aparecen personas disfrazadas y con instrumentos como paraguas o escobas. En la segunda imagen también aparece una mujer vieja con la cabeza tapada que recuerda a Celestina sentada en un burro mirando hacia atrás. Esta representación de una mujer vieja en un burro mirando hacia atrás recuerda a los castigos de la inquisición a brujas y celestinas. </text>
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                <text>Dibujo. </text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>&lt;span&gt;Dibujo de Cuentos, de anónimo&amp;nbsp;para la revista &lt;em&gt;La Esquella de la Torratxa&lt;/em&gt;, año 8, no. 374, Barcelona, 13 de marzo de 1886, página 78 (&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=102557"&gt;https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=102557&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;Encontrado en el Arxiu de Revistes Catalanes Antigues, Biblioteca de Catalunya:&lt;br /&gt;&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1204396&amp;amp;presentacion=pagina&amp;amp;posicion=6&amp;amp;registrardownload=0"&gt;https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1204396&amp;amp;presentacion=pagina&amp;amp;posicion=6&amp;amp;registrardownload=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220305145307/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1204396&amp;amp;presentacion=pagina&amp;amp;posicion=6&amp;amp;registrardownload=0"&gt;https://web.archive.org/web/20220305145307/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1204396&amp;amp;presentacion=pagina&amp;amp;posicion=6&amp;amp;registrardownload=0&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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            <description>An account of the resource</description>
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                <text>&lt;span&gt;En el dibujo aparece una mujer vieja con la cabeza tapada que recuerda a Celestina, hablando con dos niños. Por la palabra que aparece en la imagen "Cuentos" se puede interpretar la imagen como una vieja contando un cuento a los niños. &lt;/span&gt;El gesto de enumerar con los dedos que hace la vieja corresponde con los grabados antiguos de Celestina en el acto de razonar o enumerar y además el&lt;span&gt; texto que aparece debajo de la imagen alude a la Celestina:&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;"Uns tacanyos tenían convidats á casa, y 'l dinar que 'ls servían era molt magre.&lt;br /&gt;Entre 'ls convidats s' hi contava una senyoreta, que destrossava sense pietat la reputaciò de totas las sèvas conegudas.&lt;br /&gt;- Pero &lt;span&gt;¡valgam Dèu! ¡y qu' es murmuradora aquesta Celestina! va dirli la senyora de la casa.&lt;br /&gt;- Que s' hi ha de fer, respongué la interpelada. Bè haig d' entretenir las dents ab una cosa ó altra. Per no morirme de fam me menjo á las amigas."&lt;br /&gt;&lt;br /&gt;("Unos tacaños tenían invitados en casa, y la comida que les sirvieron era muy escasa.&lt;br /&gt;Entre los invitados había una señorita, que destrozaba sin piedad la reputación de todas sus conocidas.&lt;br /&gt;- Pero ¡válgame Dios! ¡y que es murmuradora esta Celestina! le dijo la señora de la casa.&lt;br /&gt;- Qué se le va a hacer, respondió la interpelada. Tengo que entretener los dientes con una cosa u otra. Para no morirme de hambre me como a las amigas." Traducción al Español).&lt;/span&gt;</text>
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                <text>Dibujo.</text>
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                <text>&lt;span&gt;Dibujo Carnaval y Cuaresma, de anónimo para la revista&amp;nbsp;&lt;/span&gt;&lt;em&gt;La Esquella de la Torratxa&lt;/em&gt;&lt;span&gt;, año 8, no. 374, Barcelona, 13 de marzo de 1886, página 80 (&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=102557"&gt;https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=102557&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;Encontrado en el Arxiu de Revistes Catalanes Antigues, Biblioteca de Catalunya:&lt;br /&gt;&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1204396&amp;amp;presentacion=pagina&amp;amp;registrardownload=0&amp;amp;posicion=8"&gt;https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1204396&amp;amp;presentacion=pagina&amp;amp;registrardownload=0&amp;amp;posicion=8&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220305230554/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1204396&amp;amp;presentacion=pagina&amp;amp;registrardownload=0&amp;amp;posicion=8"&gt;https://web.archive.org/web/20220305230554/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1204396&amp;amp;presentacion=pagina&amp;amp;registrardownload=0&amp;amp;posicion=8&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>En la imagen aparece una mujer vieja que recuerda a Celestina con la cabeza tapada, sujetando un garrote y lo que parece un rosario colgando de su cadera. A la izquierda aparece un cuerpo humano con la cabeza de un burro y una guitarra al hombro. En la cabeza del burro se puede leer "Carnaval". Por el titulo de la imagen (Carnaval y quaresma) se entiende que el burro representa carnaval y la mujer la cuaresma. La imagen recuerda la tradición de don Carnaval y doña cuaresma de &lt;em&gt;El libro del buen amor&lt;/em&gt;. El texto que aparece en la imagen es el siguiente:&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;Carnaval&lt;/em&gt;: - &lt;span&gt;¡Qué poch que m' hi divertit!...&lt;br /&gt;&lt;em&gt;Quaresma&lt;/em&gt;: - ¡Y qué has de divertirte, tanasi! Ja veurás ara que vé el meu temps com m' aprofitaré dels llanuts."&lt;br /&gt;&lt;br /&gt;("&lt;em&gt;Carnaval&lt;/em&gt;: - ¡Qué poco que me he divertido!...&lt;br /&gt;&lt;em&gt;Cuaresma&lt;/em&gt;: - ¡Y qué tienes que divertirte, tanasis! Ya verás ahora que viene mi tiempo cómo me aprovecharé de los lanudos." Traducción al Español).&lt;br /&gt;&lt;/span&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Varia celestinesca</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="813">
                  <text>007</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;span&gt;Dibujo de anónimo para la revista &lt;em&gt;La Campana de Gràcia: Semanari bilingüe, donará una batallada cada senmana, si se'n venem moltas tocará á somaten&lt;/em&gt;, editado por Antoni López, año 33, no. 1743, Barcelona, 11 de octubre de 1902, página 4 (&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=8068"&gt;https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=8068&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Encontrado en el Arxiu de Revistes Catalanes Antigues, Biblioteca de Catalunya:&lt;br /&gt;&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1015588&amp;amp;posicion=4&amp;amp;presentacion=pagina"&gt;https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1015588&amp;amp;posicion=4&amp;amp;presentacion=pagina&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220306030215/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1015588&amp;amp;posicion=4&amp;amp;presentacion=pagina"&gt;https://web.archive.org/web/20220306030215/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1015588&amp;amp;posicion=4&amp;amp;presentacion=pagina&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Dibujo.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Escuela de las "hermanas", de anónimo (1902)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anónimo</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="31616">
                <text>1902</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>En la imagen aparece un hombre viejo, con sombrero y garrote y una mujer vieja con sombrero que recuerda a Celestina. Ambos están delante de un edificio que por el chiste que aparece debajo de la imagen se entiende que es una escuela que la vieja tiene que dirigir:&lt;br /&gt;&lt;br /&gt;"- La marquesa m' ha dit que va á tornar á obrirse l' escola y que, en lloch de las&amp;nbsp;&lt;em&gt;hermanas&lt;/em&gt;, la dirigiré jo.&lt;br /&gt;- Está molt bé.&lt;br /&gt;- Sí, pero ara será precís que jo aprengui de llegir...!"&lt;br /&gt;&lt;br /&gt;(- La marquesa me ha dicho que va a volver a abrirse la escuela y que, en lugar de las &lt;em&gt;hermanas&lt;/em&gt;, la dirigiré yo.&lt;br /&gt;- Está muy bien.&lt;br /&gt;- Sí, pero ahora será necesario que yo aprenda a leer...! &lt;span&gt;Traducción al Español&lt;/span&gt;).&lt;br /&gt;&lt;br /&gt;Al lado de la imagen aparece una historia de unos jovenes que usaron un local de tapadera de un prostíbulo con una mujer contratada como Celestina:&lt;br /&gt;&lt;br /&gt;"Uns joves fills de casas bonas van llogar un local, simulant establirhi una fábrica de blondas, y ab la tramoya de donar feyna á las noyas ab un petit senmanal, tenían contractada á una Celestina que 'n buscava quantas podía sempre que siguessin vistosas, y las portava al parany de aquells joves depravats... Y un cop allí no hi ha que dir lo que feyan ab ellas."&lt;br /&gt;&lt;br /&gt;("Unos jóvenes, hijos de casas buenas alquilaron un local, simulando establecer una fábrica de blondas, y con la tramoya de dar trabajo a las jóvenes de un semanal pequeño, tenían contratada a una Celestina que buscaba cuántas podía siempre que fuesen vistosas, y las llevaba a la trampa de estos jóvenes depravados... Y una vez allí no hay que decir lo que hacían con ellas." &lt;span&gt;Traducción al Español&lt;/span&gt;).</text>
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