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&lt;li&gt;Bibliografía&lt;br /&gt;&lt;br /&gt;María Dolores Caparrós Masegosa and Esperanza Guillén Marcos, "Prensa católica y pintura española en el último cuarto del siglo XIX: Aproximaciones a una crítica integrista (segunda parte)," Cuadernos de Arte de la Universidad de Granada 39 (2008): 113-29,&lt;br /&gt;&lt;br /&gt;Reyes Carrasco Garrido, "Arte, moral y prostitución: Un asunto escabroso en la Nacional de 1897," Anuario del Departamento de Historia y Teoría del Arte 9-10 (1997-1998): 379-86.&lt;/li&gt;&#13;
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                <text>Mujer desnuda se contempla en un espejo. Al fondo otras dos mujeres, probablemente una de ellas una alcahaueta captando una pupila</text>
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                <text>Galería Nacional de Arte, Washington D. C., Estados Unidos&lt;br /&gt;&lt;a href="https://www.nga.gov/collection/art-object-page.1185.html"&gt;https://www.nga.gov/collection/art-object-page.1185.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A&lt;span&gt;rchivado en&lt;/span&gt;:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191031044958/https://www.nga.gov/collection/art-object-page.1185.html"&gt;https://web.archive.org/web/20191031044958/https://www.nga.gov/collection/art-object-page.1185.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikipedia:&lt;br /&gt;&lt;a href="https://es.wikipedia.org/wiki/Mujeres_en_la_ventana"&gt;https://es.wikipedia.org/wiki/Mujeres_en_la_ventana&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de inventario&lt;/span&gt;:&amp;nbsp;1942.9.46</text>
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                <text>Sello de 35pts con imagen monocromática en azul de Celestina en primer término con objetos de su laboratorio. Autor sin rasgos en segundo termino</text>
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                <text>Parte de la misma serie es un sello dedicado a Fortunata y Jacinta. V&amp;eacute;ase &lt;a title="sello" href="https://www.correos.es/ss/Satellite/site/coleccion-1364389119138-galeria_sellos_filatelia/detalle_emision-sidioma=es_ES"&gt;https://www.correos.es/ss/Satellite/site/coleccion-1364389119138-galeria_sellos_filatelia/detalle_emision-sidioma=es_ES&lt;/a&gt;</text>
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                <text>&lt;p&gt;P&amp;aacute;gina de Correos de Espa&amp;ntilde;a&lt;br /&gt;&lt;a href="https://www.correos.es/ss/Satellite/site/coleccion-1364389119138-galeria_sellos_filatelia/detalle_emision-sidioma=es_ES"&gt;https://www.correos.es/ss/Satellite/site/coleccion-1364389119138-galeria_sellos_filatelia/detalle_emision-sidioma=es_ES&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en&lt;br /&gt;&lt;a href="http://web.archive.org/web/20160310022357/http://www.correos.es/ss/Satellite/site/coleccion-1364389119138-galeria_sellos_filatelia/detalle_emision-sidioma=es_ES"&gt;http://web.archive.org/web/20160310022357/http://www.correos.es/ss/Satellite/site/coleccion-1364389119138-galeria_sellos_filatelia/detalle_emision-sidioma=es_ES&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                  <text>Comentario y escenas de la pel&amp;iacute;cula en el programa Versi&amp;oacute;n Espa&amp;ntilde;ola&amp;nbsp;(29 de julio de 2014), RTVE, video de 2 minutos&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&#13;
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                <text>Encontrado en ShopKorea,&amp;nbsp;&lt;a href="https://www.ebayshopkorea.com/"&gt;https://www.ebayshopkorea.com/&lt;/a&gt;:&lt;br /&gt;&lt;a href="http://www.ebayshopkorea.com/main/view?itemID=141711760975"&gt;http://www.ebayshopkorea.com/main/view?itemID=141711760975&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200701013356/https://www.ebayshopkorea.com/main/view?itemID=141711760975"&gt;https://web.archive.org/web/20200701013356/https://www.ebayshopkorea.com/main/view?itemID=141711760975&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de elemento:&amp;nbsp;&lt;span&gt;141711760975&lt;/span&gt;</text>
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                <text>&lt;p&gt;Cup&amp;oacute;n del 10 de noviembre de 1999. Reproducci&amp;oacute;n de portada de la edici&amp;oacute;n de Toledo de 1526 en un billete de la loter&amp;iacute;a de la Organizaci&amp;oacute;n Nacional de Ciegos Espa&amp;ntilde;oles. Conmemoraci&amp;oacute;n del los 500 a&amp;ntilde;os de la publicaci&amp;oacute;n de la obra. &amp;nbsp;En este cup&amp;oacute;n de la ONCE se ha manipulado sutilmente el grabado de la edici&amp;oacute;n de Toledo: la imagen ha sido cortada de manera que incluye las dos primeras l&amp;iacute;neas del texto, en las que aparecen las palabras 'Tragicomedia de Calisto y Melibea'. La letra g&amp;oacute;tica, junto con el uso de una elaborada letra capitular (drop cap) para la T inicial de 'Tragicomedia', hacen que estas dos l&amp;iacute;neas no funcionen como texto sino como parte de la imagen. Ver otros cupones del mismo mes, especialmente el dedicado a los 900 a&amp;ntilde;os de la muerte del Cid en el mismo mes en&lt;a href="http://todo-once.com/index.php?ANO=1999"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Damodaragupta y F. Tola, trad. &lt;em&gt;Los consejos de la madre Celestina,&lt;/em&gt; Barcelona: Barral, 1973. Hay otro libro con el t&amp;iacute;tulo &lt;em&gt;Los consejos de Celestina&lt;/em&gt;, Biblioteca Nueva, Madarid, 1999 (segunda imagen de la ficha)</text>
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                <text>Fragmento en monocromo azulado del cuadro P&lt;em&gt;atronazgo de las artes por la casa de Habsburgo&lt;/em&gt;, de Julius Victor Berger (Kunsthistorisches Museum of Vienna). La joven sentada es Isabel de Portugal.&lt;br /&gt;Amaranta Saguar escribe sobre esta tarjeta y el cuadro:&lt;br /&gt;&#13;
&lt;p&gt;&lt;br /&gt;Christmas season is a time for feasting and, as such, I find it appropriate to write about the restaurant called &lt;em&gt;La Celestina&lt;/em&gt; in Madrid. Obviously, I am not interested in its homemade traditional food, but on its choice of name and, above all, on its choice of image for its card.&lt;/p&gt;&#13;
&lt;p&gt;Instead of using any of the available &lt;em&gt;Celestina&lt;/em&gt;&amp;lsquo;s illustrations, the picture on the card corresponds to a detail in the 1891 painting &amp;ldquo;Patronage of the Arts by the House of Habsburg&amp;rdquo; by Julius Victor Berger (Kunsthistorisches Museum of Vienna). In it, the empress reads a document, presumably a letter, which a servant lady (?) also reads over her shoulder.&lt;/p&gt;&#13;
&lt;p&gt;&lt;img class="aligncenter" src="https://i0.wp.com/www.diomedes.com/carloseisabelG.jpg" alt="Titian, Charles V and Isabella de Portugal" width="403" height="321" /&gt;&lt;/p&gt;&#13;
&lt;p&gt;The interesting bit about this choice of image is that, deprived from its context, Isabella of Portugal is&amp;nbsp;irremediably identified with Melibea and the servant lady is identified with the go-between, although there is no letter reading scene in &lt;em&gt;Celestina&lt;/em&gt;. In my opinion, this is only possible because both figures correspond to the traditional mental image of a fifteenth century lady and of a fifteenth century older woman. However, this does not fully explain why this was the image chosen for the card. Were there not enough fifteenth and sixteenth century portraits to have to resort to a nineteenth century painting? Not enough illustrated editions of&amp;nbsp;&lt;em&gt;Celestina&lt;/em&gt;?&lt;/p&gt;&#13;
&lt;p&gt;It would be worth asking the owners of the restaurant. Maybe the next time I am in Madrid.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/2013/12/27/celestinesque-trivia-la-celestina-restaurant-in-madrid/"&gt;https://portrezetres.wordpress.com/2013/12/27/celestinesque-trivia-la-celestina-restaurant-in-madrid/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Laura Andrade. &#13;
Guión (adaptación): María José Fuentes. &#13;
Diseño de personajes: Camila Rossi. &#13;
Ilustraciones: Camila Rossi.</text>
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                <text>Portada y hojas sueltas de cómic de obra para un curso de bachillerato. Influencias de manga. Las hojas pertenecen a la primera y segunda parte del cómic. Nótese la figura de la mujer vieja que representa a Celestina en las hojas del cómic. La alcahueta aparece con la cabeza tapada en todas las imágenes excepto en la cuarta.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Créditos:&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;Investigación: Laura Andrade.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Guión (adaptación): María José Fuentes.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Diseño de personajes: Camila Rossi.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Ilustraciones: Camila Rossi.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Globos de diálogo: María José Fuentes.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Entintado: Camila Rossi.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Entintado viñetas: María José Fuentes.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Borrado (del lápiz): Laura Andrade.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Color: María José Fuentes - Camila Rossi.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Scans: Laura Andrade.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Edición Scans: Camila Rossi.&lt;/span&gt;</text>
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                <text>Blog&amp;nbsp;&lt;em&gt;La Celestina: Tragicómic de Calisto y Melibea.&lt;/em&gt; Miércoles, 14 mayo 2008:&lt;br /&gt;&lt;a href="http://celes-tina.blogspot.com/"&gt;http://celes-tina.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="http://web.archive.org/web/20170123220603/http://celes-tina.blogspot.ca/"&gt;http://web.archive.org/web/20170123220603/http://celes-tina.blogspot.ca/&lt;/a&gt;</text>
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                    <text>Fotograma de la película Barrios bajos (1937)</text>
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                <text>Fotograma de la pel&amp;iacute;cula &lt;em&gt;Barrios bajos&lt;/em&gt;, de Puche&amp;nbsp;(1937)</text>
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                <text>Se incluye una mujer mayor que actúa de Celestina de mujeres jóvenes de la clase trabajadora. Obsérvese la mantilla de la mujer mayor</text>
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                <text>&lt;p&gt;Barrios bajos, director Pedro Puche (Barcelona: Sindicato de la Industria del Espect&amp;aacute;culo, CNT, 1937). &lt;br /&gt;&lt;br /&gt;Se puede ver en Youtube&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=Z2YucWiRJi0"&gt;https://www.youtube.com/watch?v=Z2YucWiRJi0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200610170333/https://www.youtube.com/watch?v=Z2YucWiRJi0"&gt;https://web.archive.org/web/20200610170333/https://www.youtube.com/watch?v=Z2YucWiRJi0&lt;/a&gt;&lt;/p&gt;</text>
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                    <text>&lt;span&gt;Grabado de una Celestina contemporánea en &lt;/span&gt;&lt;em&gt;Los españoles pintados por sí mismos&lt;/em&gt;&lt;span&gt;, de Alenza y Nieto, Lameyer y Ortega (1843, c.)&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Grabado de una Celestina contemporánea en &lt;/span&gt;&lt;em&gt;Los españoles pintados por sí mismos&lt;/em&gt;&lt;span&gt;, de Alenza y Nieto, Lameyer y Ortega (1843, c.)&lt;/span&gt;</text>
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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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Lameyer, F. (Francisco) (1825-1877)&#13;
Ortega, Calixto (1839-1855)</text>
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                <text>Una celestina del XIX en funciones de mensajera recibiendo y llevando un billete amoroso.</text>
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                <text>Lugar desconocido. Para más información, consulte al artículo de Rachel Schmidt: "Celestinas y majas en la obra de Goya, Alenza y Lucas Velásquez." Celestinesca, 39 (2015): 275-328. &lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180429075512/http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;https://web.archive.org/web/20180429075512/http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;</text>
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                <text>En la portada figura una imagen recortada de dos mujeres jóvenes y una vieja.</text>
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                <text>&lt;strong&gt;ISBN 10:&lt;/strong&gt;&amp;nbsp;8449408210&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ISBN 13:&lt;/strong&gt;&amp;nbsp;9788449408212&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OCLC:&lt;/strong&gt;&amp;nbsp;807568562</text>
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                <text>En la portada figura la imagen del cuadro &lt;em&gt;Maja y Celestina&lt;/em&gt; (c.1824) de Francisco de Goya.</text>
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                <text>&lt;a href="https://www.castalia.es/libros/940/la-celestina"&gt;Castalia Ediciones&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://web.archive.org/web/20200425211215/https://www.castalia.es/libros/940/la-celestina"&gt;http://web.archive.org/web/20200425211215/https://www.castalia.es/libros/940/la-celestina&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Odres Nuevos&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;ISBN 10:&lt;/strong&gt;&amp;nbsp;8497404513&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ISBN 13:&lt;/strong&gt;&amp;nbsp;9788497404518&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OCLC:&lt;/strong&gt;&amp;nbsp;798058163&lt;a href="https://www.castalia.es/libros/940/la-celestina"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Estatua en bronce de mujer mayor y una placa con los amantes Calisto y Melibea en la escena del halcón. El siguiente fragmento sacado del texto de la obra se ha grabado debajo: 'Soy una vieja cual Dios me hizo, no peor que todas …. Si bien o mal vivo, Dios es el testigo de mi corazón (&lt;em&gt;Celestina&lt;/em&gt;, acto XII).' Nótese que se ha suprimido entre las dos frases un párrafo que enfatiza su actividad profesional: 'Vivo de mi oficio, como cada cual oficial del suyo, muy limpiamente. A quien no me quiere no lo busco; de mi casa me vienen a sacar, en mi casa me ruegan de Celestina'.&lt;br /&gt;&lt;br /&gt;Se puede ver video explicativo en&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=b4Z2xDYRPWc"&gt;https://www.youtube.com/watch?v=b4Z2xDYRPWc&lt;/a&gt;</text>
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                <text>En 2014 se instaló otra versión de esta estatua en el teatro Juan del Enzina en la Universidad de Salamanca Más información &lt;a href="https://web.archive.org/web/20140222005855/http://www.europapress.es/castilla-y-leon/noticia-escultura-celestina-dara-bienvenida-espectadores-teatro-juan-enzina-salamanca-20140218172029.html"&gt;aquí&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Otras obras que también se situan o inspiran en el jardín de Melibea en Salamanca incluyen:&amp;nbsp;&lt;/span&gt;&lt;span&gt;&lt;a href="http://celestinavisual.org/items/show/3285"&gt;Cupón de lotería de la ONCE El Huerto de Calixto y Melibea, Ayuntamiento de Salamanca (2017)&lt;/a&gt;,&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2200"&gt;Fotoserie&amp;nbsp;&lt;em&gt;La historia de Melibea,&amp;nbsp;&lt;/em&gt;de Constantinou (2014, c.)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/2199"&gt;Foto en el Huerto de Calixto y Melibea, de Culla (2016)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/3280"&gt;"El vuelo de Calixto" Ensoñación artística para el Jardín de Melibea en Salamanca, de d’Ors (2010)&lt;/a&gt; y&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2912"&gt;Representación del programa turístico-cultural Salamanca Plazas y Patios, Salamanca (2017)&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>Título original: A Harlot's Progress, Plate 1 ("Carrera de una prostituta, Grabado 1").&#13;
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                <text>Castejón Bolea, Ramón. "¡Peligro! El cartel sanitario en la lucha antivenérea." Las imágenes de la salud : cartelismo sanitario en España (1910-1950). Eds. Ramón Castejón Bolea, Enrique Perdiguero Gil and José Luis Piqueras Fernández. Alicante: Instituto Alicantino de Cultura Juan Gil-Albert and Consejo Superior de Investigaciones Científicas, 2012. 47-51&#13;
&#13;
Castejón Bolea, Ramón, Enrique Perdiguero Gil, and José Luis Piqueras Fernández. Las imágenes de la salud : cartelismo sanitario en España (1910-1950). Alicante&#13;
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                <text>En diversas subastas en el internet.</text>
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                <text>Título original: Bei der Kupplerin ("En casa de la alcahueta").&#13;
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Joven desnuda y alcahueta de la que solo se ve una mano y la silueta</text>
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                <text>En subasta de 2005 en internet. 5.11.2005. Galerie Gloggner Lucerna.&lt;br /&gt;Encontrado en la p&amp;aacute;gina web&amp;nbsp;Basler-Kopp:&lt;br /&gt;&lt;a href="http://www.basler-kopp.ch/Bildbeschreibungen/Bei_der_Kupplerin.htm"&gt;http://www.basler-kopp.ch/Bildbeschreibungen/Bei_der_Kupplerin.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201224170920/http://www.basler-kopp.ch/Bildbeschreibungen/Bei_der_Kupplerin.htm"&gt;https://web.archive.org/web/20201224170920/http://www.basler-kopp.ch/Bildbeschreibungen/Bei_der_Kupplerin.htm&lt;/a&gt;</text>
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&#13;
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&#13;
Triángulo alcahueta, muchacha y hombre más otro personaje.</text>
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                <text>Desconocida. Sólo se encuentra en algunas subastas (ver documento adjunto)</text>
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                  <text>&lt;div&gt;&lt;a title="Burgos, 1499" href="http://celestinavisual.org/exhibits/show/burgos1499/imagenesburgos1499"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/4aea7c93f59d2363e435ead29a35cb33.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de.&lt;em&gt; Comedia de Calisto y Melibea&lt;/em&gt;. Burgos: Fadrique de Basilea, 1499 Son 16 grabados&amp;nbsp;diferentes &amp;nbsp;(más el del acto I, que se repite para el acto V, total 17), uno por acto y el que ilustra el argumento al prinicipio de la obra.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar único conservado en la Hispanic Society of America, Nueva York. Se pueden ver copias en línea&amp;nbsp;de todo el libro&amp;nbsp;en Cervantesvirtual y en Google Books:&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.cervantesvirtual.com/servlet/SirveObras/12584960823477162109435/index.htm"&gt;&lt;span style="color: #0066cc;"&gt;Reproducción del facsímil de la&amp;nbsp;Hispanic Society of America (1909).&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://books.google.com/books?vid=BNC:1001929041&amp;amp;#038;printsec=frontcover"&gt;&lt;span style="color: #0066cc;"&gt;Reproducción&amp;nbsp;&amp;nbsp;del facsímil en la Biblioteca de Catalunya (A 83-8-5825)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;div&gt;Descripción en la&lt;em&gt; Edición e introducción crítica&lt;/em&gt; de Miguel Marciales (Urbana and Chicago: University of Illinois Press, 1985), tomo I, pg. 5: "A. Burgo, 1499. Fadrique de Basilea. Ejemplar único en la Hispanic&amp;nbsp;Society of America. Reproducción facsimilar hecha por H. Huntington, Nueva York, 1909. Reimpresión de esta edición facsimilar, &amp;nbsp;Nueva York, 1970. El ejemplar está falto del folio A1. Contenido Título, Incipit, Argumento General, Argumentos para cada auto. 16 autos. Con ilustraciones: ¿una de título? + 18 en el texto. &lt;em&gt;Princeps de&lt;/em&gt; 16 autos."&#13;
&lt;p&gt;Ficha en &lt;a title="ustc333587" href="http://ustc.ac.uk/editions/333587"&gt;USTC 333587&lt;/a&gt;Descripción del libro en &lt;a href="http://pb.lib.berkeley.edu/xtf/servlet/org.cdlib.xtf.dynaXML.DynaXML?source=BETA/Display/2119BETA.MsEd.xml&amp;amp;style=MsEd.xsl%0A%0A%20%0A%20%0A%20&amp;amp;gobk=http%3A%2F%2Fpb.lib.berkeley.edu%2Fxtf%2Fservlet%2Forg.cdlib.xtf.crossQuery.CrossQuery%3Frmode%3Dphilobeta%26mstype%3DP%26everyone%3D%26city%3D%26library%3D%26shelfmark%3D%26daterange%3D1499%26placeofprod%3Dburgos%26scribe%3D%26publisher%3D%26prevowner%3D%26assocname%3D%26subject%3D%26text-join%3Dand%26browseout%3Dmsed%26sort%3Dtitle"&gt;Philobiblon&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/385"&gt;https://icocel.linhd.uned.es/s/celestina/item/385&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Sobre esta edición, véanse:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&#13;
&lt;p style="padding-top: 10px; margin-top: 0px; margin-bottom: 0px; box-shadow: 0px 0px;"&gt;Snow, Joseph. "La iconografía de tres&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinas&lt;/em&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;tempranas (Burgos, 1499; Sevilla, 1518; Valencia, 1514): Unas observaciones."&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Estudios sobre La Celestina&lt;/em&gt;. Ed. Santiago López-Ríos. Madrid: Istmo, 2001. 56-82.&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;p style="padding-top: 10px; margin-top: 0px; margin-bottom: 0px; box-shadow: 0px 0px;"&gt;Snow, Joseph. "Imágenes de la lectura / lectura de las imágenes: El caso de la&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Comedia&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;burgalesa impresa por Fadrique de Basilea."&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Filologia dei Testi a Stampa&lt;/em&gt;. Ed. Patrizia Botta. Modena: Mucchi Editore, 2005. 111-29.&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;p&gt;Canet Vallés, José Luis.&amp;nbsp; "Reflexiones sobre el libro ilustrado del impresor Fadrique Biel de Basilea&lt;em&gt;." Revista de poética medieval &lt;/em&gt;(30) 2016: 81-104.&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;p&gt;Canet Vallés, José Luis.&amp;nbsp;La edición burgalesa de&amp;nbsp;&lt;em&gt;la&amp;nbsp;Comedia de Calisto y Melibea&lt;/em&gt;: ¿manipulación lucrativa de su fecha de impresión?&amp;nbsp;eHumanista 35 (2017) : 408-38.&amp;nbsp;&lt;a href="http://www.ehumanista.ucsb.edu/sites/secure.lsit.ucsb.edu.span.d7_eh/files/sitefiles/ehumanista/volume35/monograph2/12%20ehum35.as.CANET.pdf"&gt;en línea.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Fecha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
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&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="http://www.cervantesvirtual.com/servlet/SirveObras/12584960823477162109435/index.htm"&gt;&lt;span style="color: #0066cc;"&gt;Reproducción del facsímil de la&amp;nbsp;Hispanic Society of America (1909).&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="http://books.google.com/books?vid=BNC:1001929041&amp;amp;#038;printsec=frontcover"&gt;&lt;span style="color: #0066cc;"&gt;Reproducción&amp;nbsp;&amp;nbsp;del facsímil en la Biblioteca de Catalunya (A 83-8-5825)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&#13;
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&#13;
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Wikimedia Commons</text>
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&#13;
Otros títulos: An ill-matched Pair, Ungleiches Paar, Die verliebte Alte.</text>
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                <text>Colecciones de arte Veste Coburgo, Coburgo, Alemania &lt;br /&gt;&lt;a href="http://lucascranach.org/DE_KSVC_M010"&gt;http://lucascranach.org/DE_KSVC_M010&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Archivado en: &lt;a href="https://web.archive.org/web/20200504152957/http://lucascranach.org/DE_KSVC_M010"&gt;https://web.archive.org/web/20200504152957/http://lucascranach.org/DE_KSVC_M010&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario DE_KSVC_M010</text>
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&#13;
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Comparese también cuadro  de Ar­te­mi­sia Gen­ti­le­schi  (1612) para el mismo tratamiento de sirivienta como Celestina  (incluido entre archivos de esta entrada, véase)</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de.&lt;em&gt; Comedia de Calisto y Melibea&lt;/em&gt;. Burgos: Fadrique de Basilea, 1499 Son 16 grabados&amp;nbsp;diferentes &amp;nbsp;(más el del acto I, que se repite para el acto V, total 17), uno por acto y el que ilustra el argumento al prinicipio de la obra.&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar único conservado en la Hispanic Society of America, Nueva York. Se pueden ver copias en línea&amp;nbsp;de todo el libro&amp;nbsp;en Cervantesvirtual y en Google Books:&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.cervantesvirtual.com/servlet/SirveObras/12584960823477162109435/index.htm"&gt;&lt;span style="color: #0066cc;"&gt;Reproducción del facsímil de la&amp;nbsp;Hispanic Society of America (1909).&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://books.google.com/books?vid=BNC:1001929041&amp;amp;#038;printsec=frontcover"&gt;&lt;span style="color: #0066cc;"&gt;Reproducción&amp;nbsp;&amp;nbsp;del facsímil en la Biblioteca de Catalunya (A 83-8-5825)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;div&gt;Descripción en la&lt;em&gt; Edición e introducción crítica&lt;/em&gt; de Miguel Marciales (Urbana and Chicago: University of Illinois Press, 1985), tomo I, pg. 5: "A. Burgo, 1499. Fadrique de Basilea. Ejemplar único en la Hispanic&amp;nbsp;Society of America. Reproducción facsimilar hecha por H. Huntington, Nueva York, 1909. Reimpresión de esta edición facsimilar, &amp;nbsp;Nueva York, 1970. El ejemplar está falto del folio A1. Contenido Título, Incipit, Argumento General, Argumentos para cada auto. 16 autos. Con ilustraciones: ¿una de título? + 18 en el texto. &lt;em&gt;Princeps de&lt;/em&gt; 16 autos."&#13;
&lt;p&gt;Ficha en &lt;a title="ustc333587" href="http://ustc.ac.uk/editions/333587"&gt;USTC 333587&lt;/a&gt;Descripción del libro en &lt;a href="http://pb.lib.berkeley.edu/xtf/servlet/org.cdlib.xtf.dynaXML.DynaXML?source=BETA/Display/2119BETA.MsEd.xml&amp;amp;style=MsEd.xsl%0A%0A%20%0A%20%0A%20&amp;amp;gobk=http%3A%2F%2Fpb.lib.berkeley.edu%2Fxtf%2Fservlet%2Forg.cdlib.xtf.crossQuery.CrossQuery%3Frmode%3Dphilobeta%26mstype%3DP%26everyone%3D%26city%3D%26library%3D%26shelfmark%3D%26daterange%3D1499%26placeofprod%3Dburgos%26scribe%3D%26publisher%3D%26prevowner%3D%26assocname%3D%26subject%3D%26text-join%3Dand%26browseout%3Dmsed%26sort%3Dtitle"&gt;Philobiblon&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/385"&gt;https://icocel.linhd.uned.es/s/celestina/item/385&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Sobre esta edición, véanse:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&#13;
&lt;p style="padding-top: 10px; margin-top: 0px; margin-bottom: 0px; box-shadow: 0px 0px;"&gt;Snow, Joseph. "La iconografía de tres&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Celestinas&lt;/em&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;tempranas (Burgos, 1499; Sevilla, 1518; Valencia, 1514): Unas observaciones."&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Estudios sobre La Celestina&lt;/em&gt;. Ed. Santiago López-Ríos. Madrid: Istmo, 2001. 56-82.&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;p style="padding-top: 10px; margin-top: 0px; margin-bottom: 0px; box-shadow: 0px 0px;"&gt;Snow, Joseph. "Imágenes de la lectura / lectura de las imágenes: El caso de la&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Comedia&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;burgalesa impresa por Fadrique de Basilea."&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Filologia dei Testi a Stampa&lt;/em&gt;. Ed. Patrizia Botta. Modena: Mucchi Editore, 2005. 111-29.&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;p&gt;Canet Vallés, José Luis.&amp;nbsp; "Reflexiones sobre el libro ilustrado del impresor Fadrique Biel de Basilea&lt;em&gt;." Revista de poética medieval &lt;/em&gt;(30) 2016: 81-104.&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;li&gt;&#13;
&lt;p&gt;Canet Vallés, José Luis.&amp;nbsp;La edición burgalesa de&amp;nbsp;&lt;em&gt;la&amp;nbsp;Comedia de Calisto y Melibea&lt;/em&gt;: ¿manipulación lucrativa de su fecha de impresión?&amp;nbsp;eHumanista 35 (2017) : 408-38.&amp;nbsp;&lt;a href="http://www.ehumanista.ucsb.edu/sites/secure.lsit.ucsb.edu.span.d7_eh/files/sitefiles/ehumanista/volume35/monograph2/12%20ehum35.as.CANET.pdf"&gt;en línea.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Fecha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;&#13;
&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
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                  <text>Ejemplar único conservado en la Hispanic Society of America, Nueva York. Se pueden ver copias en línea&amp;nbsp;de todo el libro&amp;nbsp;en Cervantesvirtual y en Google Books:&lt;br /&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="http://www.cervantesvirtual.com/servlet/SirveObras/12584960823477162109435/index.htm"&gt;&lt;span style="color: #0066cc;"&gt;Reproducción del facsímil de la&amp;nbsp;Hispanic Society of America (1909).&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="http://books.google.com/books?vid=BNC:1001929041&amp;amp;#038;printsec=frontcover"&gt;&lt;span style="color: #0066cc;"&gt;Reproducción&amp;nbsp;&amp;nbsp;del facsímil en la Biblioteca de Catalunya (A 83-8-5825)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&#13;
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                <text>Escena doble. Izquierda: Celestina saliendo con la bolsa de monedas de casa de Calisto, en el margen bloque de casas cortado para relleno de cuadro. Derecha: Calisto con P&amp;aacute;rmeno y Sempronio, dentro de casa.</text>
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                <text>Un dibujo a color de estilo naïf muestra a Celestina con el hilo, a Calisto en la escalera extendiendo su mano hacia Melibea en la pared, y a Lucrecia vigilando.</text>
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