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                <text>Frontispicio en el libro impreso de La pícara Justina de 1605 que imita la portada de la Lozana Andaluza de 1528 pero incorpora aquí el personaje de la madre Celestina con sombrero de cardenal y anteojos como una de las pasajeras de La nave de la vida.</text>
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                <text>Franciso de Ubeda, La p&amp;iacute;cara Justina, 1605, .Cristobal de Lasso Vaca, Medina del Campo 1605,&lt;br /&gt;&lt;br /&gt;Biblioteca Hisp&amp;aacute;nica&lt;br /&gt;&lt;a href="http://bdh-rd.bne.es/viewer.vm?id=0000193089&amp;amp;page=1"&gt;http://bdh-rd.bne.es/viewer.vm?id=0000193089&amp;amp;page=1&lt;/a&gt;</text>
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                <text>Museo de estado de Hermitage, San Petersburgo, Rusia &lt;br /&gt;15 mayo, 2017&lt;br /&gt;&lt;a href="https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.+paintings/32681"&gt;https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.+paintings/32681&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160303204042/https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.+Paintings/32681/"&gt;https://web.archive.org/web/20160303204042/https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.+Paintings/32681/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;ГЭ-338&lt;/span&gt;&lt;/span&gt;</text>
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                <text>"&lt;span&gt;La celestina aparece con unos anteojos sin patillas, m&amp;aacute;s propios de tiempos pasados, en su mano izquierda y en la derecha un rosario antiguo, formado por tres decenas de cuentas y rematado en una medalla en lugar de por un crucifijo, quiz&amp;aacute; de la Virgen o de san Ant&amp;oacute;n, con el que parece m&amp;aacute;s bien que va a contar el tiempo que pasar&amp;aacute; la joven pareja en la habitaci&amp;oacute;n. Est&amp;aacute; sentada sobre una silla de brazos, a la que le falta el izquierdo y con el respaldo de piel deteriorado, de una tipolog&amp;iacute;a que aunque perviv&amp;iacute;a en &amp;eacute;poca de Paret, nos habla de tiempos pasados. Lo mismo sucede con su indumentaria, pues lleva una toca rematada en pico que estuvo de moda a finales del siglo XVI y principios del siglo XVII; tambi&amp;eacute;n el jub&amp;oacute;n de amplias mangas lleva los brahones que ce&amp;ntilde;&amp;iacute;an la parte superior del brazo en esa misma &amp;eacute;poca. Cubre las piernas con una basqui&amp;ntilde;a y un delantal que en el XVIII se convertir&amp;aacute; en una prenda decorativa." (&lt;/span&gt;Descripci&amp;oacute;n de el&amp;nbsp;Museo Nacional del Prado, Madrid, Espa&amp;ntilde;a,&lt;br /&gt;&lt;a href="https://www.museodelprado.es/coleccion/obra-de-arte/la-celestina-y-los-enamorados/5199b371-b9aa-41b8-a181-175fec685a2f"&gt;https://www.museodelprado.es/coleccion/obra-de-arte/la-celestina-y-los-enamorados/5199b371-b9aa-41b8-a181-175fec685a2f&lt;/a&gt;,&amp;nbsp;Archivado en:&amp;nbsp;&lt;a href="https://web.archive.org/web/20200720183025/https://www.museodelprado.es/coleccion/obra-de-arte/la-celestina-y-los-enamorados/5199b371-b9aa-41b8-a181-175fec685a2f"&gt;https://web.archive.org/web/20200720183025/https://www.museodelprado.es/coleccion/obra-de-arte/la-celestina-y-los-enamorados/5199b371-b9aa-41b8-a181-175fec685a2f&lt;/a&gt;&amp;nbsp;)</text>
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                    <text>&lt;span&gt;Hamburger Kunsthalle&lt;/span&gt;&lt;span&gt;, Hamburgo, Alemania&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.hamburger-kunsthalle.de/"&gt;https://www.hamburger-kunsthalle.de/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Fundación Goya en Aragón&lt;/span&gt;&lt;br /&gt;&lt;a href="https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072"&gt;https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072&lt;/a&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;/span&gt;&lt;a href="https://web.archive.org/save/https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072"&gt;https://web.archive.org/save/https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072&lt;/a&gt;</text>
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                <text>&lt;span&gt;Imagen 1:&lt;br /&gt;Hamburger Kunsthalle&lt;/span&gt;, Hamburgo, Alemania&lt;br /&gt;&lt;a href="https://www.hamburger-kunsthalle.de/"&gt;https://www.hamburger-kunsthalle.de/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Fundación Goya en Aragón&lt;br /&gt;&lt;a href="https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072"&gt;https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;/span&gt;&lt;a href="https://web.archive.org/save/https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072"&gt;https://web.archive.org/save/https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imagen 2:&lt;br /&gt;&lt;span&gt;Museo Lázaro Galdiano&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en www.ceres.mcu.es:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://ceres.mcu.es/pages/Viewer?accion=4&amp;amp;AMuseo=MLGM&amp;amp;Ninv=10617"&gt;http://ceres.mcu.es/pages/Viewer?accion=4&amp;amp;AMuseo=MLGM&amp;amp;Ninv=10617&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;10617&lt;/span&gt;</text>
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Aguada, tinta china, sobre papel.&#13;
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                <text>Museo del Prado, Madrid, Espa&amp;ntilde;a. El 21 de octubre 2016. &lt;a href="https://www.museodelprado.es/coleccion/obra-de-arte/majos-y-celestina/4c310074-c0f7-47f3-84af-d115c820550e?searchid=0c47504d-d58c-8951-6c67-a5f805f5ebbc"&gt;https://www.museodelprado.es/coleccion/obra-de-arte/majos-y-celestina/4c310074-c0f7-47f3-84af-d115c820550e?searchid=0c47504d-d58c-8951-6c67-a5f805f5ebbc&lt;/a&gt;</text>
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                <text>&lt;span&gt;Colección particular.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Fundación Goya en Aragón:&lt;br /&gt;&lt;a href="https://fundaciongoyaenaragon.es/obra/maja-y-celestina-al-balcon/182"&gt;https://fundaciongoyaenaragon.es/obra/maja-y-celestina-al-balcon/182&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20230325180738/https://fundaciongoyaenaragon.es/obra/maja-y-celestina-al-balcon/182"&gt;https://web.archive.org/web/20230325180738/https://fundaciongoyaenaragon.es/obra/maja-y-celestina-al-balcon/182&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span title="identifier for an artwork by Francisco Goya on the Fundación Goya en Aragón website"&gt;Fundación Goya en Aragón ID&lt;/span&gt;&lt;span&gt;:&amp;nbsp;&lt;/span&gt;182&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/Francisco_de_Goya#/media/File:Maja_y_celestina_en_un_balc%C3%B3n.jpg"&gt;https://commons.wikimedia.org/wiki/Francisco_de_Goya#/media/File:Maja_y_celestina_en_un_balc%C3%B3n.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Para más información, consulte al artículo de Rachel Schmidt: "Celestinas y majas en la obra de Goya, Alenza y Lucas Velásquez." &lt;em&gt;Celestinesca&lt;/em&gt;, 39&amp;nbsp; (2015): 275-328.&lt;br /&gt;&lt;em&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;http://parnaseo.uv.&lt;span style="color: #000000;"&gt;es&lt;/span&gt;/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;&lt;/em&gt;</text>
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                <text>En la imagen aparecen dos figuras en un balcón: una mujer joven apoyada en la barandilla y mirando al espectador (maja) y una mujer vieja con un rosario a la izquierda que recuerda a Celestina. Por el título también se entiende que la vieja actúa de alcahueta de la joven. </text>
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                <text>Encontrado en la página web Alcalá subastas:&lt;br /&gt;&lt;a href="https://www.alcalasubastas.es/es/lote/98-1601-1601/395-4585-JUAN-DE-HERMIDA-Escuela-sevillana-primer-tercio-del-siglo-XIX-La-Celestina-18"&gt;https://www.alcalasubastas.es/es/lote/98-1601-1601/395-4585-JUAN-DE-HERMIDA-Escuela-sevillana-primer-tercio-del-siglo-XIX-La-Celestina-18&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20221201231623/https://www.alcalasubastas.es/es/lote/98-1601-1601/395-4585-JUAN-DE-HERMIDA-Escuela-sevillana-primer-tercio-del-siglo-XIX-La-Celestina-18"&gt;https://web.archive.org/web/20221201231623/https://www.alcalasubastas.es/es/lote/98-1601-1601/395-4585-JUAN-DE-HERMIDA-Escuela-sevillana-primer-tercio-del-siglo-XIX-La-Celestina-18&lt;/a&gt;</text>
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                <text>Cuadro firmado: “de Hermida”, de la Escuela sevillana, primer tercio del siglo XIX. &#13;
&#13;
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                <text>Biblioteca Nacional de España publicado en Biblioteca Digial Hisánica&lt;br /&gt;&lt;a href="http://bdh.bne.es/bnesearch/detalle/bdh0000209572"&gt;http://bdh.bne.es/bnesearch/detalle/bdh0000209572&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: DIB/15/42/211</text>
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                <text>Dibujo sobre papel verjurado tinta a pluma.&#13;
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                <text>Nótese el dedo aleccionador de la alcahueta en forma de gancho, así como el pañuelo en la mano izquierda de la muchacha sentada, que parece estar llorando.</text>
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                <text>El Semanario Pintoresco Espa&amp;ntilde;ol, 17 del 4 1836, n. 3, p. 7.&lt;br /&gt;Hemeroteca digital de la Biblioteca Nacional de Espa&amp;ntilde;a&lt;br /&gt;&lt;a href="http://hemerotecadigital.bne.es/details.vm?o=&amp;amp;w=celestina&amp;amp;f=text&amp;amp;a=3096384&amp;amp;t=%2Bcreation&amp;amp;l=600&amp;amp;l=700&amp;amp;y=1836&amp;amp;lang=en&amp;amp;s=0"&gt;http://hemerotecadigital.bne.es/details.vm?o=&amp;amp;w=celestina&amp;amp;f=text&amp;amp;a=3096384&amp;amp;t=%2Bcreation&amp;amp;l=600&amp;amp;l=700&amp;amp;y=1836&amp;amp;lang=en&amp;amp;s=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200605161235/http://hemerotecadigital.bne.es/details.vm?o=&amp;amp;w=celestina&amp;amp;f=text&amp;amp;a=3096384&amp;amp;t=%2Bcreation&amp;amp;l=600&amp;amp;l=700&amp;amp;y=1836&amp;amp;lang=en&amp;amp;s=0"&gt;https://web.archive.org/web/20200605161235/http://hemerotecadigital.bne.es/details.vm?o=&amp;amp;w=celestina&amp;amp;f=text&amp;amp;a=3096384&amp;amp;t=%2Bcreation&amp;amp;l=600&amp;amp;l=700&amp;amp;y=1836&amp;amp;lang=en&amp;amp;s=0&lt;/a&gt;</text>
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                <text>Para m&amp;aacute;s informaci&amp;oacute;n, consulte al art&amp;iacute;culo de Rachel Schmidt: "Celestinas y majas en la obra de Goya, Alenza y Lucas Vel&amp;aacute;squez." Celestinesca, 39 (2015): 275-328. &lt;a href="Para%20m&amp;aacute;s%20informaci&amp;oacute;n,%20consulte%20al%20art&amp;iacute;culo%20de%20Rachel%20Schmidt:%20&amp;quot;Celestinas%20y%20majas%20en%20la%20obra%20de%20Goya,%20Alenza%20y%20Lucas%20Vel&amp;aacute;squez.&amp;quot;%20Celestinesca,%2039%20%20(2015):%20275-328."&gt;http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;</text>
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                <text>Grabado.</text>
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                <text>Encontrado en el sitio www.artnet.de el 26 de agosto 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://www.artnet.de/k%C3%BCnstler/antonio-mar%C3%ADa-esquivel-su%C3%A1rez-de-urbina/celestina-g3Drz0Tae9M9dBbHyxlSVg2"&gt;http://www.artnet.de/k%C3%BCnstler/antonio-mar%C3%ADa-esquivel-su%C3%A1rez-de-urbina/celestina-g3Drz0Tae9M9dBbHyxlSVg2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200608160308/http://www.artnet.de/k%C3%BCnstler/antonio-mar%C3%ADa-esquivel-su%C3%A1rez-de-urbina/celestina-g3Drz0Tae9M9dBbHyxlSVg2"&gt;https://web.archive.org/web/20200608160308/http://www.artnet.de/k%C3%BCnstler/antonio-mar%C3%ADa-esquivel-su%C3%A1rez-de-urbina/celestina-g3Drz0Tae9M9dBbHyxlSVg2&lt;/a&gt;</text>
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                <text>Colecci&amp;oacute;n privada. &lt;br /&gt;Encontrado en artnet.com el 25 mayo 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://www.artnet.com/artists/leonardo-alenza-y-nieto/joven-y-celestina-yURNt7JCgt2bUHjyB5WRnQ2"&gt;http://www.artnet.com/artists/leonardo-alenza-y-nieto/joven-y-celestina-yURNt7JCgt2bUHjyB5WRnQ2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200607180213/http://www.artnet.com/artists/leonardo-alenza-y-nieto/joven-y-celestina-yURNt7JCgt2bUHjyB5WRnQ2"&gt;https://web.archive.org/web/20200607180213/http://www.artnet.com/artists/leonardo-alenza-y-nieto/joven-y-celestina-yURNt7JCgt2bUHjyB5WRnQ2&lt;/a&gt;</text>
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                <text>Estébanez Calderón, Serafín&lt;em&gt;. Los españoles pintados por sí mismos&lt;/em&gt; (Madrid: Ignacio Boix, 1843-1844)&lt;br /&gt;&lt;br /&gt;Se puede acceder a una copia digital del libro en Biblioteca Digital Hispánicas en:&lt;br /&gt;&lt;a href="http://bdh.bne.es/bnesearch/CompleteSearch.do?lengua=&amp;amp;text=&amp;amp;field2Op=AND&amp;amp;field1val=+Los+espa%C3%B1oles+pintados+por+s%C3%AD+mismos+&amp;amp;showYearItems=&amp;amp;numfields=3&amp;amp;fechaHdesde=&amp;amp;field3Op=AND&amp;amp;completeText=off&amp;amp;fechaHhasta=&amp;amp;field3val=&amp;amp;field3=todos&amp;amp;fechaHsearchtype=0&amp;amp;field2=todos&amp;amp;field1Op=AND&amp;amp;fechaHen=&amp;amp;exact=on&amp;amp;advanced=true&amp;amp;textH=&amp;amp;field1=todos&amp;amp;field2val=&amp;amp;pageSize=1&amp;amp;pageSizeAbrv=10&amp;amp;pageNumber=2"&gt;http://bdh.bne.es/bnesearch/CompleteSearch.do?lengua=&amp;amp;text=&amp;amp;field2Op=AND&amp;amp;field1val=+Los+espa%C3%B1oles+pintados+por+s%C3%AD+mismos+&amp;amp;showYearItems=&amp;amp;numfields=3&amp;amp;fechaHdesde=&amp;amp;field3Op=AND&amp;amp;completeText=off&amp;amp;fechaHhasta=&amp;amp;field3val=&amp;amp;field3=todos&amp;amp;fechaHsearchtype=0&amp;amp;field2=todos&amp;amp;field1Op=AND&amp;amp;fechaHen=&amp;amp;exact=on&amp;amp;advanced=true&amp;amp;textH=&amp;amp;field1=todos&amp;amp;field2val=&amp;amp;pageSize=1&amp;amp;pageSizeAbrv=10&amp;amp;pageNumber=2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200701010845/http://bdh.bne.es/bnesearch/CompleteSearch.do?lengua=&amp;amp;text=&amp;amp;field2Op=AND&amp;amp;field1val=+Los+espa%C3%B1oles+pintados+por+s%C3%AD+mismos+&amp;amp;showYearItems=&amp;amp;numfields=3&amp;amp;fechaHdesde=&amp;amp;field3Op=AND&amp;amp;completeText=off&amp;amp;fechaHhasta=&amp;amp;field3val=&amp;amp;field3=todos&amp;amp;fechaHsearchtype=0&amp;amp;field2=todos&amp;amp;field1Op=AND&amp;amp;fechaHen=&amp;amp;exact=on&amp;amp;advanced=true&amp;amp;textH=&amp;amp;field1=todos&amp;amp;field2val=&amp;amp;pageSize=1&amp;amp;pageSizeAbrv=10&amp;amp;pageNumber=2"&gt;https://web.archive.org/web/20200701010845/http://bdh.bne.es/bnesearch/CompleteSearch.do?lengua=&amp;amp;text=&amp;amp;field2Op=AND&amp;amp;field1val=+Los+espa%C3%B1oles+pintados+por+s%C3%AD+mismos+&amp;amp;showYearItems=&amp;amp;numfields=3&amp;amp;fechaHdesde=&amp;amp;field3Op=AND&amp;amp;completeText=off&amp;amp;fechaHhasta=&amp;amp;field3val=&amp;amp;field3=todos&amp;amp;fechaHsearchtype=0&amp;amp;field2=todos&amp;amp;field1Op=AND&amp;amp;fechaHen=&amp;amp;exact=on&amp;amp;advanced=true&amp;amp;textH=&amp;amp;field1=todos&amp;amp;field2val=&amp;amp;pageSize=1&amp;amp;pageSizeAbrv=10&amp;amp;pageNumber=2&lt;/a&gt;</text>
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                <text>Lugar desconocido. Para más información, consulte al artículo de Rachel Schmidt: "Celestinas y majas en la obra de Goya, Alenza y Lucas Velásquez." Celestinesca, 39 (2015): 275-328. &lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180429075512/http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;https://web.archive.org/web/20180429075512/http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Esta ilustración se encuentra en&amp;nbsp;&lt;/span&gt;&lt;em&gt;Escenas andaluzas&lt;/em&gt;&lt;span&gt;, de Serafín Estebánez Calderón,&amp;nbsp;&lt;/span&gt;&lt;span&gt;Madrid. Baltasar González. 1847.&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Esta contraportada se encuentra en&amp;nbsp;&lt;/span&gt;&lt;em&gt;Escenas andaluzas&lt;/em&gt;&lt;span&gt;, de Serafín Estebánez Calderón,&amp;nbsp;&lt;/span&gt;&lt;span&gt;Madrid. Baltasar González. 1847.&lt;br /&gt;&lt;br /&gt;Nótese la figura que aparece a la izquierda abajo, claramente inspirada en la obra de Goya y firmada por Fernández. &lt;br /&gt;&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Esta ilustración se encuentra en&amp;nbsp;&lt;/span&gt;&lt;em&gt;Escenas andaluzas&lt;/em&gt;&lt;span&gt;, de Serafín Estebánez Calderón,&amp;nbsp;&lt;/span&gt;&lt;span&gt;Madrid. Baltasar González. 1847.&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Encontrado en la página web de la Biblioteca Virtual Miguel de Cervantes:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.cervantesvirtual.com/portales/literatura_ilustrada/imagenes_costumbrismo_3/imagen/imagenes_738537_escenas_andaluzas_52_738537_lit_ilustrada_escenas_celestina_galan/"&gt;https://www.cervantesvirtual.com/portales/literatura_ilustrada/imagenes_costumbrismo_3/imagen/imagenes_738537_escenas_andaluzas_52_738537_lit_ilustrada_escenas_celestina_galan/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20230928005523/https://www.cervantesvirtual.com/portales/literatura_ilustrada/imagenes_costumbrismo_3/imagen/imagenes_738537_escenas_andaluzas_52_738537_lit_ilustrada_escenas_celestina_galan/"&gt;https://web.archive.org/web/20230928005523/https://www.cervantesvirtual.com/portales/literatura_ilustrada/imagenes_costumbrismo_3/imagen/imagenes_738537_escenas_andaluzas_52_738537_lit_ilustrada_escenas_celestina_galan/&lt;/a&gt;</text>
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                <text>Provenance Unknown. Encontrado en el sitio www.arcadja.com el 29 de Agosto 2016.&lt;a href="http://www.arcadja.com/auctions/en/perez_rubio_antonio/artist/55875/"&gt; http://www.arcadja.com/auctions/en/perez_rubio_antonio/artist/55875/&lt;/a&gt;</text>
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                <text>&lt;span&gt;Encontrado en la página web Sotheby's:&lt;br /&gt;&lt;a href="https://www.sothebys.com/en/buy/auction/2024/tableaux-et-dessins-1400-1900-incluant-des-oeuvres-dune-importante-collection-privee-symboliste/la-celestina"&gt;https://www.sothebys.com/en/buy/auction/2024/tableaux-et-dessins-1400-1900-incluant-des-oeuvres-dune-importante-collection-privee-symboliste/la-celestina&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20250211032015/https://www.sothebys.com/en/buy/auction/2024/tableaux-et-dessins-1400-1900-incluant-des-oeuvres-dune-importante-collection-privee-symboliste/la-celestina"&gt;https://web.archive.org/web/20250211032015/https://www.sothebys.com/en/buy/auction/2024/tableaux-et-dessins-1400-1900-incluant-des-oeuvres-dune-importante-collection-privee-symboliste/la-celestina&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Encontrado en la p&amp;aacute;gina web artnet.com:&lt;br /&gt;&lt;a href="http://www.artnet.com/artists/eugenio-lucas-villamil/celestina-preparando-su-presa-O8itflXZwCawN5sr6-UAAw2"&gt;http://www.artnet.com/artists/eugenio-lucas-villamil/celestina-preparando-su-presa-O8itflXZwCawN5sr6-UAAw2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201225195640/http://www.artnet.com/artists/eugenio-lucas-villamil/celestina-preparando-su-presa-O8itflXZwCawN5sr6-UAAw2"&gt;https://web.archive.org/web/20201225195640/http://www.artnet.com/artists/eugenio-lucas-villamil/celestina-preparando-su-presa-O8itflXZwCawN5sr6-UAAw2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Se vendi&amp;oacute; en subasta en 1993.</text>
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                <text>Encontrado en la página web MutualArt:&lt;br /&gt;&lt;a href="https://www.mutualart.com/Artwork/Celestina-intrigando-en-el-parque/E84DA82C9AB2A7CE"&gt;https://www.mutualart.com/Artwork/Celestina-intrigando-en-el-parque/E84DA82C9AB2A7CE&lt;/a&gt;</text>
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                <text>La imagen muestra un par de mujeres jóvenes acompañadas de una mujer veja en un parque. Al fondo aparecen dos hombres. La mujer vieja que representa a Celestina aparece con la cabeza tapada. </text>
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                <text>Celestina castañera, cuadro madrileño, grabado de la revista Blanco  y Negro, de Méndez Bringa (1892)</text>
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                <text>Grabado costumbrista para acompañar artículo en el que se identifica la personaje como una celestina de la época.</text>
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                <text>Imagen de Celestina con un niño en brazos y una chica sentada a su lado en la casa de citas que regenta. El texto acompañante claramente describe a la mujer vieja sujetando al niño como Celestina: &#13;
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                    <text>&lt;span&gt;Encontrado en la página web "The Art and World of Luis Quintanilla":&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.lqart.org/francosbspn/blackspn.html"&gt;http://www.lqart.org/francosbspn/blackspn.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180902022035/http://www.lqart.org/francosbspn/blackspn.html"&gt;https://web.archive.org/web/20180902022035/http://www.lqart.org/francosbspn/blackspn.html&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Encontrado en la página web "The Art and World of Luis Quintanilla":&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.lqart.org/francosbspn/blackspn.html"&gt;http://www.lqart.org/francosbspn/blackspn.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180902022035/http://www.lqart.org/francosbspn/blackspn.html"&gt;https://web.archive.org/web/20180902022035/http://www.lqart.org/francosbspn/blackspn.html&lt;/a&gt;</text>
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                <text>Encontrado en La Casa de la Seda (www.casadelaseda.com) el 12 de Agosto 2017&lt;br /&gt;&lt;a href="https://www.casadelaseda.com/es/blog-hablando-con-las-paredes-casa-seda/"&gt;https://www.casadelaseda.com/es/blog-hablando-con-las-paredes-casa-seda/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200616204733/https://www.casadelaseda.com/es/blog-hablando-con-las-paredes-casa-seda/"&gt;https://web.archive.org/web/20200616204733/https://www.casadelaseda.com/es/blog-hablando-con-las-paredes-casa-seda/&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Grabado de madera original a color de A. Gelabert, que aparece en el libro&amp;nbsp;&lt;/span&gt;&lt;em&gt;Estampas del siglo XIX: "La Celestina. El Indiano. La Maja. La Gitana. El Bandolero". Ocho litografías y cuarenta grabados en madera originales de A. Gelabert&lt;/em&gt;&lt;span&gt;&amp;nbsp;(1945)&lt;/span&gt;&lt;span&gt;. Prólogo del ilustrador. Colección "Cien Bibliófilos". Barcelona.&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Encontrado en Celestinesca, 1999, Vol. 23, Num. 1 &amp;amp; 2, p. 159. El 1 de octubre 2016.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1999/VOL%2023/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1999/VOL%2023/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504054345/http://parnaseo.uv.es/Celestinesca/Numeros/1999/VOL%2023/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;https://web.archive.org/web/20180504054345/http://parnaseo.uv.es/Celestinesca/Numeros/1999/VOL%2023/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Grabado de madera original a color de A. Gelabert, que aparece en el libro&amp;nbsp;&lt;/span&gt;&lt;em&gt;Estampas del siglo XIX: "La Celestina. El Indiano. La Maja. La Gitana. El Bandolero". Ocho litografías y cuarenta grabados en madera originales de A. Gelabert&lt;/em&gt;&lt;span&gt;&amp;nbsp;(1945)&lt;/span&gt;&lt;span&gt;. Prólogo del ilustrador. Colección "Cien Bibliófilos". Barcelona.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Estampas del siglo XIX: "La Celestina. El Indiano. La Maja. La Gitana. El Bandolero". Ocho litografías y cuarenta grabados en madera originales de A. Gelabert&lt;/em&gt; (1945)&lt;span&gt;. Prólogo del ilustrador. Colección "Cien Bibliófilos". Barcelona.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en Celestinesca, 1999, Vol. 23, Num. 1 &amp;amp; 2, p. 159. El 1 de octubre 2016. &lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1999/VOL%2023/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1999/VOL%2023/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504054345/http://parnaseo.uv.es/Celestinesca/Numeros/1999/VOL%2023/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;https://web.archive.org/web/20180504054345/http://parnaseo.uv.es/Celestinesca/Numeros/1999/VOL%2023/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;</text>
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                <text>Encontrado en&amp;nbsp;&lt;em&gt;Celestinesca&lt;/em&gt;, 1993, vol. 17, num. 1, p. 86. El 30 de septiembre 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1993/VOL%2017/NUM%201/NUM%201.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1993/VOL%2017/NUM%201/NUM%201.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504051630/http://parnaseo.uv.es/Celestinesca/Numeros/1993/VOL%2017/NUM%201/NUM%201.pdf"&gt;https://web.archive.org/web/20180504051630/http://parnaseo.uv.es/Celestinesca/Numeros/1993/VOL%2017/NUM%201/NUM%201.pdf&lt;/a&gt;</text>
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                <text>Ilustraci&amp;oacute;n al estilo t&amp;iacute;pico de Vlady, presentada en &lt;em&gt;Celestinesca&lt;/em&gt;&amp;nbsp;vol. 17, num. 1.</text>
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                <text>Firmado y fechado en el año 1959. Titulado en su reverso.&#13;
Óleo sobre lienzo, 120 x 90 cm. Enmarcado de época.&#13;
Al dorso etiqueta de la Bienal de Sao Paulo (Brasil), donde estuvo expuesto en 1959 (descripción sacada del anuncio)</text>
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                <text>A la venta por 1800 euros en Wallapop en: &lt;a href="https://www.wallapop.com/item/cuadro-de-fernando-mignoni-madrid-1929-2011-969107996"&gt;https://www.wallapop.com/item/cuadro-de-fernando-mignoni-madrid-1929-2011-969107996&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20240102233923/https://www.wallapop.com/item/cuadro-de-fernando-mignoni-madrid-1929-2011-969107996"&gt;https://web.archive.org/web/20240102233923/https://www.wallapop.com/item/cuadro-de-fernando-mignoni-madrid-1929-2011-969107996&lt;/a&gt;</text>
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                    <text>La ruffiana e Celestina, de Sassu (1962)</text>
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                <text>Sassu, Aligi (1912-2000)</text>
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                <text>Colección privada, Milán, Italia.&lt;br /&gt;Encontrado en la página web &lt;span&gt;Mediartrade Casa D'Aste:&lt;br /&gt;&lt;a href="https://mediartrade.com/auction/09/1047/la-ruffiana-e-celestina"&gt;https://mediartrade.com/auction/09/1047/la-ruffiana-e-celestina&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Técnica mixta sobre papel.&#13;
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                <text>La imagen muestra una escena de interior donde una joven desnuda se mira al espejo mientras un hombre aparece sentado detrás de la joven y una mujer vieja señala a la joven. La mujer vieja representa a Celestina. </text>
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                <text>Museo Jos&amp;eacute; Luis Cuevas, M&amp;eacute;xico DF, &lt;a href="http://www.museojoseluiscuevas.com.mx/col_perm2.html"&gt;http://www.museojoseluiscuevas.com.mx/col_perm2.html&lt;/a&gt; y otros museos &lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191201063411/http://www.museojoseluiscuevas.com.mx/col_perm2.html"&gt;https://web.archive.org/web/20191201063411/http://www.museojoseluiscuevas.com.mx/col_perm2.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Tambien se encuentra un ejemplar en la biblioteca del congresso de los E.E.U.U.: &lt;a href="http://www.loc.gov/pictures/item/2003665282/"&gt;http://www.loc.gov/pictures/item/2003665282/&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200605152909/http://www.loc.gov/pictures/item/2003665282/"&gt;https://web.archive.org/web/20200605152909/http://www.loc.gov/pictures/item/2003665282/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de reproducci&amp;oacute;n: LC-USZ62-72231</text>
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                <text>Litografía sobre papel.&#13;
Dimensiones: 56.2 × 76.2 cm </text>
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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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                <text>La Celestina, ilustración, de Aguilar More (1965)</text>
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                <text>Ilustración a color incluida en libro y titulada La Celestina. Presenta a Celestina y maja en el balcón en un estilo naive que usa este pintor en la época. Inspirada en el cuadro de Goya  Maja y Celestina al balcón.</text>
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                <text>Incluido en el libro con ilustraciones La españolada  ‎ Barcelona: Luis de Caralt, 1965, con textos de Rafael Manzano e ilustraciones de Ramón Aguilar More</text>
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                <text>Úrculo, Eduardo (1933-2003)</text>
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                <text>Museo Bernaldo de Quir&amp;oacute;s, Mieres, Espa&amp;ntilde;a&lt;br /&gt; Cat&amp;aacute;logo (p. 37)&lt;br /&gt;&lt;a href="http://www.ibq.es/archivos/catalogoIBQ.pdf"&gt;http://www.ibq.es/archivos/catalogoIBQ.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200607174637/http://www.ibq.es/archivos/catalogoIBQ.pdf"&gt;https://web.archive.org/web/20200607174637/http://www.ibq.es/archivos/catalogoIBQ.pdf&lt;/a&gt;</text>
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                <text>Gouache sobre cartón.&#13;
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                <text>Blanton Museum of Art, La Universidad de Texas &lt;a href="https://web.archive.org/save/https://blanton.emuseum.com/objects/24978/la-celestina"&gt;https://web.archive.org/save/https://blanton.emuseum.com/objects/24978/la-celestina&lt;/a&gt;</text>
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                <text>8 x 18 &lt;br /&gt;Lámina procedente de la obra: &lt;em&gt;L erotismo in Spagna.1&lt;/em&gt;. Trasera: José Antolinez. La Magdalena Autor/es: Xavier Domingo Editorial: Sampietro Editore. Fecha Edición: 1968.</text>
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                <text>&lt;br /&gt;&lt;br /&gt;66 grabados&amp;nbsp;(pulsar &lt;a title="William Benet" href="http://www.williambennettmodern.com/artists/picasso/portfolios/celestine.php"&gt;aqu&amp;iacute; &lt;/a&gt;para verlos)&amp;nbsp;de la Suite &amp;nbsp;o Serie 347 est&amp;aacute;n inspirados de manera indirecta en La Celestina, aunque no representan ningun episodio concreto de la obra. Estos grabados forman parte de un portafolio llamado La Celestina dentro de la Serie &amp;nbsp;347 y no llevan t&amp;iacute;tulo individual. Originalmente no estaban destinados a ilustrar una edici&amp;oacute;n. Se han usado en tres ediciones:&lt;br /&gt;-En franc&amp;eacute;s. &lt;a href="/items/show/2772"&gt;Par&amp;iacute;s, 1971&lt;/a&gt;&lt;br /&gt;-En&amp;nbsp;alem&amp;aacute;n. &lt;a href="http://celestinavisual.org/items/show/2773"&gt;Frankfurt, 1989&lt;/a&gt;&lt;br /&gt;-En espa&amp;ntilde;ol. &lt;a href="http://celestinavisual.org/items/show/2774"&gt;Barcelona, 2007&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;Sobre la edici&amp;oacute;n de&amp;nbsp;Barcelona, 2007, &amp;nbsp;escribe Joseph Snow, "U&lt;a href="Una%20Celestina,%20la%20m&amp;aacute;s%20grande%20y%20cara%20que%20se%20haya%20publicado%20nunca%20(informe)"&gt;na Celestina, la m&amp;aacute;s grande y cara que se haya publicado nunca (informe)&lt;/a&gt;,&lt;em&gt;Celestinesca&lt;/em&gt; 35 (2011) pg. 89-92:&lt;br /&gt;&lt;br /&gt;"Su amigo, el grabador e impresor de sus trabajos, Aldo Crommelynck, fue quien, llamado por Picasso al ver las pruebas del artista, le sugiri&amp;oacute; que considerara hacer de entre ellas una selecci&amp;oacute;n para ilustrar una edici&amp;oacute;n de la traducci&amp;oacute;n francesa de Celestina. Debi&amp;oacute; saber del inter&amp;eacute;s de Picasso en Celestina por el famoso retrato de Carlota Valdivia, pintado en el llamado &amp;lsquo;per&amp;iacute;odo azul&amp;rsquo; en 1904 (est&amp;aacute; reproducida en el segundo tomo) y por su afici&amp;oacute;n, demostrada en otras obras, a la literatura espa&amp;ntilde;ola. Efectivamente, Picasso ten&amp;iacute;a entre sus libros una edici&amp;oacute;n de la Tragicomedia de Valencia 1514, adem&amp;aacute;s de un ejemplar de una traducci&amp;oacute;n francesa (Par&amp;iacute;s, 1920). Picasso cumpli&amp;oacute; con esta petici&amp;oacute;n del amigo impresor y grabador, Crommelynck, seleccionando 66 de las obras de la Suite 347 para la edici&amp;oacute;n que apareci&amp;oacute; junto a la traducci&amp;oacute;n francesa de Pierre Heugas (Paris: L&amp;rsquo;Atelier Crommelynck, 1971) (la foto de esta ficha es de la portada de esta ficha). Era de formato peque&amp;ntilde;o, 17.5 x 21.7 cm, en una edici&amp;oacute;n de s&amp;oacute;lo 400 ejemplares. Los 66 grabados tambi&amp;eacute;n fueron reproducidos en una traducci&amp;oacute;n alemana de Fritz V&amp;ouml;gelsang (Francofurto: Insel, 1989; y uno de ellos apareci&amp;oacute; en esta revista, vol. 25 [2002], p. 171)." (p. 89)&lt;br /&gt;&lt;br /&gt;Hay una amplia bibliograf&amp;iacute;a sobre estos grabados de Picasso. V&amp;eacute;ase por ejemplo:&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Holloway, Memory Jockisch (2006).&amp;nbsp;&lt;em&gt;Making Time: Picasso's Suite 347&lt;/em&gt;. Peter Lang.&lt;/li&gt;&#13;
&lt;li&gt;Baker, Susan. "A Duel with Fernando de Rojas: Picasso&amp;rsquo;s Celestina Prints."&amp;nbsp;&lt;em&gt;Janus Head&amp;nbsp;&lt;/em&gt;11.2 (2009): 219-38.&lt;/li&gt;&#13;
&lt;li&gt;Nowak, William J. "Picasso's&amp;nbsp;&lt;em&gt;Celestina&lt;/em&gt;&amp;nbsp;Etchings: Portrait of the Artist as Reader of Fernando de Rojas."&amp;nbsp;&lt;em&gt;Arizona Journal of Hispanic Cultural Studies&amp;nbsp;&lt;/em&gt;9 (2005): 53-69.&lt;/li&gt;&#13;
&lt;li&gt;Salus, Carol.&amp;nbsp;&lt;em&gt;Picasso and&lt;/em&gt;&amp;nbsp;Celestina:&amp;nbsp;&lt;em&gt;The Artist's Vision of the Procuress.&amp;nbsp;&lt;/em&gt;Newark: Juan de la Cuesta, 2015.&lt;/li&gt;&#13;
&lt;li&gt;Salus, Carol. "Picasso's Version of Celestina and Related Issues."&amp;nbsp;&lt;em&gt;Celestinesca&amp;nbsp;&lt;/em&gt;15.2 (1991): 3-17.&amp;nbsp;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1991/VOL%2015/NUM%202/2_articulo1.pdf" target="_blank"&gt;en l&amp;iacute;nea.&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Encontrado en La Gazette Drouot:&lt;br /&gt;&lt;a href="https://www.gazette-drouot.com/lots/9363837"&gt;https://www.gazette-drouot.com/lots/9363837&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20211221223724/https://www.gazette-drouot.com/lots/9363837"&gt;https://web.archive.org/web/20211221223724/https://www.gazette-drouot.com/lots/9363837&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de lote: 832</text>
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                <text>Cuadro titulado "Joven pareja con celestina", donde aparecen tres figuras en una escena de exterior: una pareja de jóvenes en el centro y una mujer vieja mirándolos a la izquierda. La joven aparece desnuda con un tocado en la cabeza y un abanico en la mano izquierda, mientras el hombre aparece vestido. La vieja aparece con gafas y la cabeza tapada siguiendo la tradición celestinesca. A la izquierda del cuadro se ve una mano del hombre con una moneda al lado de la vieja, indicando que el trio representa alcahueta, prostituta y cliente.</text>
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                <text>Encontrado en&amp;nbsp;&lt;em&gt;Celestinesca&lt;/em&gt;, 1995, vol. 19, num. 1 &amp;amp; 2, p. 145. El 28 de septiembre 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1995/VOL%2019/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1995/VOL%2019/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191024023517/http://parnaseo.uv.es/Celestinesca/Numeros/1995/VOL%2019/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;https://web.archive.org/web/20191024023517/http://parnaseo.uv.es/Celestinesca/Numeros/1995/VOL%2019/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;</text>
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                <text>Encontrado en www.googlebooks.com. El 8 de Noviembre 2016. &lt;a href="https://books.google.ca/books?id=mf9Biu9MkMYC&amp;amp;pg=PA64&amp;amp;dq=celestina+dibujos&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwi_qrCOrJnQAhXi6IMKHesUACkQ6AEIOzAD#v=onepage&amp;amp;q=celestina%20dibujos&amp;amp;f=false"&gt;https://books.google.ca/books?id=mf9Biu9MkMYC&amp;amp;pg=PA64&amp;amp;dq=celestina+dibujos&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwi_qrCOrJnQAhXi6IMKHesUACkQ6AEIOzAD#v=onepage&amp;amp;q=celestina%20dibujos&amp;amp;f=false&lt;/a&gt;&#13;
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                <text>Catalogo de las bibliotecas públicas de Castilla la Mancha. https://reddebibliotecas.jccm.es/ Archivado También Todocoleccion &lt;a href="https://web.archive.org/web/20240214001224/http://web.archive.org/screenshot/https://www.todocoleccion.net/coleccionismo-revistas-periodicos/cuaderno-buzones-numeros-1-2-revistas-toledo-anos-1999-dedicada-celestina-2001~x405704354"&gt;archivado&lt;/a&gt;</text>
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                <text>Encontrado en&amp;nbsp;&lt;em&gt;Celestinesca&lt;/em&gt;, 1987, vol. 11, num. 1, p. 65. El 30 de septiembre 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;</text>
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                <text>Encontrado en Celestinesca, 1987, Vol. 11, Num. 1, p. 52. El 30 de septiembre 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;</text>
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                <text>&lt;a href="http://my.pictomos.com/2237s/Obras/Autoretratos/"&gt;Internet, p&amp;aacute;gina del autor&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180328205827/http://my.pictomos.com/2237s45238/Obras/Autoretratos/La-Celestina-(Goya)"&gt;https://web.archive.org/web/20180328205827/http://my.pictomos.com/2237s45238/Obras/Autoretratos/La-Celestina-(Goya)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180328205053/http://www.braun-vega.com/es/artwork.htm"&gt;https://web.archive.org/web/20180328205053/http://www.braun-vega.com/es/artwork.htm&lt;/a&gt;</text>
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                <text>Encontrado en la página web Artnet.com:&lt;br /&gt;&lt;a href="http://www.artnet.com/artists/paula-rego/celestinas-prize-ii-PjI5M6Hj8tQAM3_u2HYfzQ2"&gt;http://www.artnet.com/artists/paula-rego/celestinas-prize-ii-PjI5M6Hj8tQAM3_u2HYfzQ2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220113020703/http://www.artnet.com/artists/paula-rego/celestinas-prize-ii-PjI5M6Hj8tQAM3_u2HYfzQ2"&gt;https://web.archive.org/web/20220113020703/http://www.artnet.com/artists/paula-rego/celestinas-prize-ii-PjI5M6Hj8tQAM3_u2HYfzQ2&lt;/a&gt;</text>
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                <text>Acuarela y tinta de personajes en un estilo que recuerda las ilustraciones de libros fantásticos de principios del XX y con personajes que parecen sacados de la comedia dell'arte. No se corrersponden a ninguna escena de La Celestina.</text>
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                <text>&lt;span&gt;Encontrado en la págine web Christie's.&lt;/span&gt;&lt;br /&gt;&lt;a href="https://onlineonly.christies.com/s/paula-rego/la-celestina-29/14240"&gt;https://onlineonly.christies.com/s/paula-rego/la-celestina-29/14240&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/save/https://onlineonly.christies.com/s/paula-rego/la-celestina-29/14240"&gt;https://web.archive.org/save/https://onlineonly.christies.com/s/paula-rego/la-celestina-29/14240&lt;/a&gt;</text>
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                <text>&lt;span&gt;Encontrado en la página web Christie's:&lt;br /&gt;&lt;a href="https://onlineonly.christies.com/s/20th-21st-century-art-online-sale/matias-sanchez-b-1972-36/141474"&gt;https://onlineonly.christies.com/s/20th-21st-century-art-online-sale/matias-sanchez-b-1972-36/141474&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20250215031546/https://onlineonly.christies.com/s/20th-21st-century-art-online-sale/matias-sanchez-b-1972-36/141474"&gt;https://web.archive.org/web/20250215031546/https://onlineonly.christies.com/s/20th-21st-century-art-online-sale/matias-sanchez-b-1972-36/141474&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>En la obra aparece una fiigura central de una mujer vieja vestida de negro con la cabeza cubierta siguiendo la tradición celestinesca sobre un fondo amarillo. Encima de la figura aparece el nombre "Celestina" señalando que la figura representa una alcahueta. Además de la celestina, aparece una calavera, un hueso, una cruz, un brazo, un cuchillo y varias cabezas en el cuadro. </text>
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                <text>Encontrado en la página web Alex Slato:&lt;br /&gt;&lt;a href="https://auctions.alexslato.com/online-auctions/alex-slato-auctions/sergio-hernandez-la-celestina-2569524"&gt;https://auctions.alexslato.com/online-auctions/alex-slato-auctions/sergio-hernandez-la-celestina-2569524&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220105222606/https://auctions.alexslato.com/online-auctions/alex-slato-auctions/sergio-hernandez-la-celestina-2569524"&gt;https://web.archive.org/web/20220105222606/https://auctions.alexslato.com/online-auctions/alex-slato-auctions/sergio-hernandez-la-celestina-2569524&lt;/a&gt;</text>
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                <text>Descripción del autor: "Aged celestina directing preparation of her "polvos" recipe" ("Celestina envejecida preparando su receta de polvos") (en Fine Art America: &lt;a href="https://fineartamerica.com/featured/madre-celestina-james-legros.html"&gt;https://fineartamerica.com/featured/madre-celestina-james-legros.html&lt;/a&gt;, Archivado en: &lt;a href="https://web.archive.org/web/20080521120630/https://fineartamerica.com/featured/madre-celestina-james-legros.html"&gt;https://web.archive.org/web/20080521120630/https://fineartamerica.com/featured/madre-celestina-james-legros.html&lt;/a&gt;)</text>
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                <text>En la &lt;span&gt;xilografía aparecen varias figuras: dos mujeres sentadas de espaldas al espectador, una de ellas recostada sobre la otra y con la cabeza tapada a modo celestinesco. También aparece una vaca a la izquierda delante de dos figuras desnudas y a la derecha un animal amamantando tres cachorritos. Por el título de la obra "Celestina" se puede intuir que la mujer con la cabeza tapada es la alcahueta de la otra figura sentada.&amp;nbsp;&lt;/span&gt;</text>
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                <text>Commentario del artista: "Esta serie de ilustraciones pertenecen a un libro ilustrado sobre &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;que iba a publicar la editorial La Luna de M&amp;eacute;rida. Al final no hubo suerte y el trabajo se ha suspendido o aplazado (sin fecha fija) por falta de financiaci&amp;oacute;n. Es una pena porque ya tenia 16 dibujos de los 80 que tenia que hacer y me estaba gustando el resultado. Este es un retrato de Celestina, creo que le pill&amp;eacute; el punto de chunga."</text>
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                <text>Encontrado en www.manoloacedo.blogspot.ca. El 17 diciembre 2016.&lt;br /&gt;&lt;a href="http://manoloacedo.blogspot.com/search?q=celestina"&gt;http://manoloacedo.blogspot.com/search?q=celestina&lt;/a&gt;&lt;br /&gt;&lt;br /&gt; Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200609172105/http://manoloacedo.blogspot.com/search?q=celestina"&gt;https://web.archive.org/web/20200609172105/http://manoloacedo.blogspot.com/search?q=celestina&lt;/a&gt;&lt;a href="http://manoloacedo.blogspot.ca/search?q=celestina"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Commentario del artista: "Este otro dibujo ilustra un fragmento en el que Pármeno describe a Calisto la casa de Celestina, concretamente el cuarto donde prepara sus pócimas y hechizos."</text>
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                <text>Encontrado en www.manoloacedo.blogspot.ca. El 17 de diciembre 2016.&amp;nbsp;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://manoloacedo.blogspot.com/search?q=celestina"&gt;http://manoloacedo.blogspot.com/search?q=celestina&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200609172105/http://manoloacedo.blogspot.com/search?q=celestina"&gt;https://web.archive.org/web/20200609172105/http://manoloacedo.blogspot.com/search?q=celestina&lt;/a&gt;</text>
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                <text>Sempronio y P&amp;aacute;rmeno en b&amp;uacute;squeda de Celestina, de Acedo (2008, c.)</text>
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                <text>De la serie La Celestina (2008, c.)</text>
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                <text>Banco de im&amp;aacute;genes y sonidos del INTEF&lt;span&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://recursostic.educacion.es/bancoimagenes/web/"&gt;http://recursostic.educacion.es/bancoimagenes/web/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200423183229/http://recursostic.educacion.es/bancoimagenes/web/"&gt;https://web.archive.org/web/20200423183229/http://recursostic.educacion.es/bancoimagenes/web/&lt;/a&gt;</text>
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