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                  <text>Portadas&amp;nbsp; modernas</text>
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                  <text>Portadas ilustradas de ediciones de &lt;em&gt;La Celestina&lt;/em&gt; de los&amp;nbsp;siglos XIX, XX y XXI</text>
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                <text>Portada de la edición de Editorial ALCO: Ciudad de México, 1987</text>
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                <text>En la portada aparece una joven en una habitación.</text>
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                <text>Serie Juvenil&#13;
&#13;
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                <text>&lt;span&gt;Página del Festival Celestina:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://festivalcelestina.com/obras-teatro/redencion-parmeno/"&gt;https://festivalcelestina.com/obras-teatro/redencion-parmeno/&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210820205903/https://festivalcelestina.com/obras-teatro/redencion-parmeno/"&gt;https://web.archive.org/web/20210820205903/https://festivalcelestina.com/obras-teatro/redencion-parmeno/&lt;/a&gt;</text>
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                <text>Cartel de la representación ¡Redención para Pármeno! (Reflexiones sin cabeza), de Gálvez (2021)</text>
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                <text>Gálvez, Alberto (autor)&#13;
Castar, Roberto del (director)</text>
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                <text>2021</text>
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                <text>&lt;span&gt;&lt;span&gt;Cartel de la representación &lt;em&gt;¡Redención para Pármeno! (Reflexiones sin cabeza)&lt;/em&gt; en el XXIII Festival Celestina, Puebla de Montalbán (Toledo) del 26 al 29 de agosto del 2021. Estreno el 27 de agosto en Silo (Avenida de Madrid, 65).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;Dirección: Roberto del Castar&lt;br /&gt;Autor: Alberto Gálvez&lt;br /&gt;Escenografía: Israel Muñoz&lt;br /&gt;Jefe técnico:&amp;nbsp;Alejandro Muñiz&lt;br /&gt;Elenco: Pepe Sevilla, Javier Rodríguez, Gabriel Andújar, Raquel de la Fuente, Paula Delgado, Olga Palma.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Sinopsis:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;"¿Cuántas veces creemos que una persona es de una forma y luego resulta ser de otra? Tristemente, unas cuantas. Nuestro entusiasmo nos hizo auparla a la peana de nuestros afectos o, simplemente, un día cambió nuestra forma de mirar… ¿Cuántas veces nos hemos creído que éramos así y resultamos ser de aquella manera? Muchas menos, casi ninguna. El bosque apenas se distingue cuando se está justo en su centro. Y es que desenmascararse a uno mismo, ¡uf!, eso sí que tiene bemoles... La literatura nos ofrece la posibilidad de asistir a estos procesos sin correr ningún riesgo… Los personajes de Shakespeare, por ejemplo, comienzan a hablar solos en el diván del escenario para averiguar el origen de sus desdichas o que son unos redomados monstruos.&#13;
&lt;p&gt;En nuestra Tragicomedia podemos descubrir con algo de atención que las cosas no son como parecen. Pármeno, por ejemplo, ha sido retratado comúnmente como el criado fiel que, engañado por Celestina y abandonado por su amo, se ve precipitado hacia un aciago destino. ¿Y si no fuera cierto? ¿Y si Pármeno escondiese cartas que no quiere mostrarse ni a sí mismo?&lt;/p&gt;&#13;
&lt;p&gt;Y es que las grandes obras siempre esconden sorpresas: son una fiesta en que las apariencias se dinamitan, aunque, a veces, avancemos sonámbulos en la lectura y no nos demos cuenta. ¡Hasta que caemos! Como en la vida… Y asombra que unas páginas escritas hace quinientos años alberguen tan gigantescos mapas del alma humana. ¿Dónde encontrar retratos tan sutiles hoy en día? En un mundo discursivo dominado por personajes planos o maniqueos, es toda una fiesta descubrir un personaje como Pármeno que, sin ser protagonista, nos ofrece todo un microcontinente de emociones y motivaciones. Porque eso es la gran literatura: encontrar un pequeño «aleph», como el de Borges, en cualquier rincón del libro.&lt;/p&gt;&#13;
&lt;p&gt;Pármeno, en su particular infierno literario en el que le abandonó el Bachiller, medita sobre su suerte. Además, la cabeza separada del cuerpo, estado con el que le despachó la Tragicomedia, le llena de zozobra. Y es que todo personaje trágico, o tragicómico, debería tener una segunda oportunidad... ¿O no?&lt;/p&gt;&#13;
&lt;p&gt;Quiero agradecer a Florencio Huerta, Pedro Velasco, Rodolfo de los Reyes, al malogrado Sejo y a todos los amigos de Las Cumbres de Montalbán y la revista Crónicas su magisterio a la hora de desvelarme los mimbres y entresijos de La Celestina y su tiempo. Al Ayuntamiento de La Puebla de Montalbán, por su firme apoyo a este proyecto. También quiero dar las gracias a Roberto del Castar, director de la obra, y a Israel Muñoz por su fe en este Pármeno, al que han mimado y han amenazado, incluso, con filmar… En fin, ¡Redención para Pármeno!" &lt;span&gt;(sinopsis de la página del Festival Celestina, &lt;a href="https://festivalcelestina.com/obras-teatro/redencion-parmeno/"&gt;https://festivalcelestina.com/obras-teatro/redencion-parmeno/&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;/span&gt;&lt;span&gt;, Archivado en: &lt;a href="https://web.archive.org/web/20210820205903/https://festivalcelestina.com/obras-teatro/redencion-parmeno/"&gt;https://web.archive.org/web/20210820205903/https://festivalcelestina.com/obras-teatro/redencion-parmeno/&lt;/a&gt;&lt;/span&gt;&lt;span&gt;)&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Cartel de la representación En busca de Calisto y Melibea, de Giménez y Jifer (2021)</text>
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                <text>Cartel de la representación &lt;em&gt;En busca de Calisto y Melibea&lt;/em&gt; en el XXIII Festival Celestina, Puebla de Montalbán (Toledo) del 26 al 29 de agosto del 2021. Estreno el 28 de agosto en el Patio del Palacio de los Condes de Montalbán&lt;br /&gt;(Plaza Mayor).&lt;br /&gt;&lt;br /&gt;Dirección: Carmen Giménez y Roberto Jifer (Escuela de Teatro JBL)&lt;br /&gt;Versión: Roberto Jifer y Carmen Giménez&lt;br /&gt;Elenco: Alejandro Carrero, Alonso Martín, David Pinel, Genoveva Martín, Héctor Martín-Andino, Inés Alonso, Lara Castaño, Leyre González, Lola Martín-Andino, Mauro Martín, Rodrigo Sánchez, Valeria de la Fuente, Víctor Castaño, Carmen Giménez, Roberto Jifer.&lt;br /&gt;&lt;br /&gt;Sinopsis:&amp;nbsp;&lt;br /&gt;"Fernando de Rojas escribió LA CELESTINA con el propósito de poner en su texto un protagonista masculino y otro femenino: Calixto y Melibea. Lo que no podía imaginarse el autor, es que, en plena pandemia mundial, en La Puebla de Montalbán seis Melibeas y siete Calixtos dicen ser los protagonistas de la tragicomedia.&#13;
&lt;p&gt;¿Cómo descubrir a los verdaderos protagonistas de la pieza de Fernando de Rojas?¿Te atreves a conocer a nuestros intérpretes?" (sinopsis de la página del Festival Celestina, &lt;a href="https://festivalcelestina.com/obras-teatro/calixto-melibea/"&gt;https://festivalcelestina.com/obras-teatro/calixto-melibea/&lt;/a&gt;: enlace inactivo en abril de 2026, Archivado en: &lt;a href="https://web.archive.org/web/20210821212204/https://festivalcelestina.com/obras-teatro/calixto-melibea/"&gt;https://web.archive.org/web/20210821212204/https://festivalcelestina.com/obras-teatro/calixto-melibea/&lt;/a&gt;)&lt;/p&gt;</text>
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                <text>Página del Festival Celestina:&lt;br /&gt;&lt;a href="https://festivalcelestina.com/obras-teatro/calixto-melibea/"&gt;https://festivalcelestina.com/obras-teatro/calixto-melibea/&lt;/a&gt;: enlace inactivo en abril de 2026&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210821212204/https://festivalcelestina.com/obras-teatro/calixto-melibea/"&gt;https://web.archive.org/web/20210821212204/https://festivalcelestina.com/obras-teatro/calixto-melibea/&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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                <text>La Casa Celestina Psicopatología del criterio de la bolsa de papel marrón, de Wilson (2017, c.)</text>
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                <text>Wilson, David G. (1953-)</text>
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                <text>Imagen de la página web fineartamerica:&lt;br /&gt;&lt;a href="https://fineartamerica.com/featured/la-casa-celestina-psychopathology-of-the-brown-paper-bag-criterion-david-g-wilson.html"&gt;https://fineartamerica.com/featured/la-casa-celestina-psychopathology-of-the-brown-paper-bag-criterion-david-g-wilson.html&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200229091641/https://fineartamerica.com/featured/la-casa-celestina-psychopathology-of-the-brown-paper-bag-criterion-david-g-wilson.html"&gt;https://web.archive.org/web/20200229091641/https://fineartamerica.com/featured/la-casa-celestina-psychopathology-of-the-brown-paper-bag-criterion-david-g-wilson.html&lt;/a&gt;</text>
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                <text>Acrílico sobre lienzo.&#13;
Dimensiones: 101.6 × 116.84 cm</text>
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                <text>&lt;span&gt;El cuadro muestra una escena de burdel, donde cuatro mujeres jovenes desnudas aparecen sentadas y tumbadas en una habitación. Hay una clara relación con la tradición celestinesca, sobre todo por el título del cuadro.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;A continuacion una descripción del estilo del artista:&amp;nbsp;&lt;br /&gt;"Wilson calls his style "Anthropomorphic Perception: An exercise in Ultra-perceptive plausible juxtaposition". He claims that he can perceive an alternative reality in whatever image he beholds. These alternative realities that he finds when he contemplates an image are strategically and plausibly juxtaposed commonplace objects that he calls mnemonic objects. They remind him of things from his personal history. The recurrent hand of bananas is a deferential reference to the hand of his father, (the hand that fed me) who worked with the banana industry in Dominica for seventeen of the artist's formative years. By juxtaposing these objects in as realistic a manner as they are experienced in his paintings, he can create a three dimensional illusion which produces the alternative reality- the hidden image." (descripción de la página web de David G. Wilson:&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.davidgwilson.com/Biography.html"&gt;http://www.davidgwilson.com/Biography.html&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;span&gt;, Archivado en:&amp;nbsp;&lt;/span&gt;&lt;a href="https://web.archive.org/web/20180822090735/http://www.davidgwilson.com/Biography.html"&gt;https://web.archive.org/web/20180822090735/http://www.davidgwilson.com/Biography.html&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;</text>
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                <text>&lt;span&gt;En el museo Herzog Anton Ulrich, Brunswick, Alemania&lt;br /&gt;&lt;br /&gt;Encontrado en la página web&amp;nbsp;&lt;/span&gt;&lt;span&gt;Essential Vermeer 3.0:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;</text>
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                <text>van Baburen, Dirck (c. 1595-1624)</text>
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                <text>&lt;span&gt;Museo de Bellas Artes, Boston&lt;br /&gt;&lt;a href="https://collections.mfa.org/objects/33414/the-procuress?ctx=2a0a1bae-85db-4d83-ba53-5b8e4e545ce4&amp;amp;idx=0"&gt;https://collections.mfa.org/objects/33414/the-procuress?ctx=2a0a1bae-85db-4d83-ba53-5b8e4e545ce4&amp;amp;idx=0&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número de acceso: 50.2721&lt;br /&gt;&lt;br /&gt;Encontrado en la página web&amp;nbsp;Essential Vermeer 3.0:&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Óleo sobre tela.&#13;
Dimensiones: 101.6 × 107.6 cm</text>
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                <text>En la imagen aparece una pareja joven, la joven tocando un instrumento mientras el joven la mira a los ojos. A la derecha aparece una vieja que actúa como alcahueta. </text>
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                <text>&lt;span&gt;En el Museo Frans Hals, Haarlem, Los Países Bajos&lt;br /&gt;&lt;br /&gt;Encontrado en la página web&amp;nbsp;Essential Vermeer 3.0:&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>En la imagen aparece una joven con dos hombres apoyados en ella al lado de una cama. A la derecha, una vieja que actúa como alcahueta sujeta la mano a uno de los hombres. </text>
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&#13;
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                <text>&lt;span&gt;Museo nacional de Estocolmo, Suecia&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en la página web RKD – Instituto Holandés de Historia del Arte, Países Bajos&lt;/span&gt;&lt;br /&gt;&lt;a href="https://rkd.nl/en/explore/images/253738"&gt;https://rkd.nl/en/explore/images/253738&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190623202244/https://rkd.nl/en/explore/images/253738"&gt;https://web.archive.org/web/20190623202244/https://rkd.nl/en/explore/images/253738&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de inventario:&amp;nbsp;&lt;/span&gt;&lt;span&gt;NM 508&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Número de illustración:&amp;nbsp;&lt;/span&gt;&lt;span&gt;1001170625&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Número de obra de arte: 253738&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikipedia&lt;/span&gt;&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:The_Ill-matched_Pair_(Jan_Massys)_-_Nationalmuseum_-_17511.tif"&gt;https://en.wikipedia.org/wiki/File:The_Ill-matched_Pair_(Jan_Massys)_-_Nationalmuseum_-_17511.tif&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210522181247/https://en.wikipedia.org/wiki/File:The_Ill-matched_Pair_%28Jan_Massys%29_-_Nationalmuseum_-_17511.tif"&gt;https://web.archive.org/web/20210522181247/https://en.wikipedia.org/wiki/File:The_Ill-matched_Pair_%28Jan_Massys%29_-_Nationalmuseum_-_17511.tif&lt;/a&gt;</text>
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                <text>El cuadro representa una escena con mujeres jóvenes tocando instrumentos musicales y dos hombres en una mesa. A la derecha se ve a una pareja, mientras una mujer vieja que actúa como alcahueta aparece a su lado.</text>
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                <text>En el Museo &lt;span&gt;Boijmans Van Beuningen, Países Bajos&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Encontrado en la página web&amp;nbsp;Essential Vermeer 3.0:&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Escena de burdel. En el grabado aparecen los personajes en una cama. Una joven sentada a la izquierda, y un hombre tumbado durmiendo encima de ella. A la izquierda aparece una vieja que actúa como alcahueta. La joven parece que esté robando el bolsillo del joven y dándole los objetos robados a la alcahueta, mientras este se encuentra inconsciente. A la derecha aparecen otras dos jóvenes, un joven de espaldas y otro entregándole una copa a una de las jóvenes. </text>
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                <text>En el Museo &lt;span&gt;Rijks, Países Bajos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en la página web &lt;span&gt;Essential Vermeer 3.0:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;</text>
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                <text>El grabado muestra una escena de burdel donde se encuentra una joven sosteniendo la barbilla de un joven como seduciéndolo. A la derecha de la joven se encuentra una mujer vieja, actuando como alcahueta, y bebiendo de una copa de vino mientras un joven le da una bolsa en la mano. </text>
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                <text>En la portada aparece una mujer mayor que actúa como Celestina. Uno de sus ojos está dañado, lo cual recuerda a la tradición donde se representa a este personaje con un ojo dañado, como en el cuadro &lt;a href="http://celestinavisual.org/items/show/2360"&gt;La Celestina, de Picasso (1904)&lt;/a&gt;</text>
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Equipo de la Fundación Carlos Slim Educación, pruebat.org</text>
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                <text>&lt;span&gt;El Museo Británico, Londres, Reino Unido&lt;br /&gt;&lt;a href="https://www.britishmuseum.org/collection/object/P_1914-0214-233"&gt;https://www.britishmuseum.org/collection/object/P_1914-0214-233&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210507151538/https://www.britishmuseum.org/collection/object/P_1914-0214-233"&gt;https://web.archive.org/web/20210507151538/https://www.britishmuseum.org/collection/object/P_1914-0214-233&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;© The Trustees of The British Museum&lt;br /&gt;Número de activo: 562293001&lt;br /&gt;Número del museo: 1914,0214.233&lt;br /&gt;&lt;/span&gt;</text>
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                <text>"Escena nocturna de interior, con Apolo, disfrazado de la anciana Eurinome, acariciando la barbilla de Leucótea; en marco ornamentado, con cabezas de Diana y Apolo, impresas de una placa separada" (Descripción traducida de &lt;span&gt;El Museo Británico, Londres, Reino Unido, &lt;a href="https://www.britishmuseum.org/collection/object/P_1914-0214-233"&gt;https://www.britishmuseum.org/collection/object/P_1914-0214-233&lt;/a&gt;, Archivado en: &lt;a href="https://web.archive.org/web/20210507151538/https://www.britishmuseum.org/collection/object/P_1914-0214-233"&gt;https://web.archive.org/web/20210507151538/https://www.britishmuseum.org/collection/object/P_1914-0214-233&lt;/a&gt;)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Según el mito de Leucótea, Apolo se enamora de la joven. Éste se transforma en la madre de&amp;nbsp;Leucótea (Eurinome) y entra en su habitación para seducirla. Después del encuentro, Clitia, que estaba enamorada de Apolo, cuenta la aventura al padre de Leucótea quien entierra a la joven y eventualmente Leucótea se convierte en un girasol.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;La imagen, recuerda a la escena de Areúsa y Celestina. Puesto que en este caso Apolo hace de mujer vieja y hombre para seducir a la joven, es un caso curioso de pretendiente y Celestina en un solo personaje.</text>
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                <text>&lt;span&gt;El Museo Británico, Londres, Reino Unido&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.britishmuseum.org/collection/object/P_1870-0514-2760"&gt;https://www.britishmuseum.org/collection/object/P_1870-0514-2760&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;/span&gt;&lt;a href="https://web.archive.org/web/20210504000012/https://www.britishmuseum.org/collection/object/P_1870-0514-2760"&gt;https://web.archive.org/web/20210504000012/https://www.britishmuseum.org/collection/object/P_1870-0514-2760&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;© The Trustees of The British Museum&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número de activo: 223337001&lt;/span&gt;&lt;span&gt;&lt;a href="tel:1041545001"&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número del museo: 1870,0514.2760&lt;/span&gt;</text>
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                <text>Blog de la Biblioteca del IES Santa Isabel de Hungría, 22 marzo 2021, por Míriam García Vidal:&lt;br /&gt;&lt;a href="https://blogsaverroes.juntadeandalucia.es/lahungara/2021/03/22/la-celestina-en-maquetas/"&gt;https://blogsaverroes.juntadeandalucia.es/lahungara/2021/03/22/la-celestina-en-maquetas/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210330020005/https://blogsaverroes.juntadeandalucia.es/lahungara/2021/03/22/la-celestina-en-maquetas/"&gt;https://web.archive.org/web/20210330020005/https://blogsaverroes.juntadeandalucia.es/lahungara/2021/03/22/la-celestina-en-maquetas/&lt;/a&gt;</text>
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                <text>Maquetas de La Celestina, de estudiantes del IES Santa Isabel de Hungría (2021)</text>
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                <text>Estudiantes del IES Santa Isabel de Hungría</text>
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                <text>2021</text>
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                <text>La fotografía representa las maquetas de la obra &lt;em&gt;La Celestina&lt;/em&gt; de Fernando de Rojas&amp;nbsp;hechas por los estudiantes del IES Santa Isabel de Hungría</text>
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                  <text>Portadas ilustradas de ediciones de &lt;em&gt;La Celestina&lt;/em&gt; de los&amp;nbsp;siglos XIX, XX y XXI</text>
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                <text>Adaptación del texto y actividades que acompañan la lectura de &lt;span&gt;Aurora Moreno Aguilera y Ana María Romanacce Guerra. Ilustraciones de Laura Iorio.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Serie: Lecturas Liberty&lt;br /&gt;&lt;br /&gt;Encontrado en IberLibro.com&lt;br /&gt;&lt;a href="https://www.iberlibro.com/9788899279554/Celestina-B2-File-audio-download-8899279551/plp"&gt;https://www.iberlibro.com/9788899279554/Celestina-B2-File-audio-download-8899279551/plp&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210330011427/https://www.iberlibro.com/9788899279554/Celestina-B2-File-audio-download-8899279551/plp"&gt;https://web.archive.org/web/20210330011427/https://www.iberlibro.com/9788899279554/Celestina-B2-File-audio-download-8899279551/plp&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Más información en Worldcat.org&lt;br /&gt;&lt;a href="https://www.worldcat.org/title/celestina/oclc/1085640800"&gt;https://www.worldcat.org/title/celestina/oclc/1085640800&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
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                <text>Celestina aparece en la ilustración de arriba con muchas joyas y acompañada de dos jóvenes. En la ilustración de bajo aparecen Melibea y Calisto en el huerto.</text>
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                    <text>Tentación, de Rozentāls (1913)</text>
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                    <text>Rozentāls, Janis (1866-1916)</text>
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                    <text>&lt;span&gt;Museo Nacional de Arte de Letonia, Riga, Letonia.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en Google Arts and Culture:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg"&gt;https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210328024940/https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg"&gt;https://web.archive.org/web/20210328024940/https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Encontrado en Twitter, cuenta de kushkomikss, 8 de abril, 2015&lt;/span&gt;&lt;br /&gt;&lt;a href="https://twitter.com/kushkomikss/status/585760183713976321"&gt;https://twitter.com/kushkomikss/status/585760183713976321&lt;/a&gt;</text>
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                    <text>Desconocido.&#13;
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>Imagen 1: Rozentāls, Janis (1866-1916)&#13;
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                <text>&lt;span&gt;Imagen 1:&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Museo Nacional de Arte de Letonia, Riga, Letonia.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en Google Arts and Culture:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg"&gt;https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210328024940/https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg"&gt;https://web.archive.org/web/20210328024940/https://artsandculture.google.com/asset/temptation/3gGHRHjDSxdBrg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Imagen 2:&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en Twitter, cuenta de kushkomikss, 8 de abril, 2015&lt;br /&gt;&lt;a href="https://twitter.com/kushkomikss/status/585760183713976321"&gt;https://twitter.com/kushkomikss/status/585760183713976321&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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&#13;
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Desconocido.&#13;
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                <text>El dibujo en acuarela de Rozentāls (Imagen 1), representa a una mujer joven desnuda bajo un manzano y una serpiente enroscada en el tronco que mira a la joven. La imagen recuerda a la escena bíblica de Eva, la serpiente y la manzana de la tentación. La cara de la serpiente es de una mujer mayor y ésta puede interpretarse como la alcahueta de la joven. El color verdoso de su cara puede interpretarse como envidia o una alusión a la sífilis. La segunda imagen es la interpretación de Kļaviņš del primer dibujo. En la segunda imagen la cara de la alcahueta ya no aparece de color verdoso. </text>
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                <text>La parábola bíblica del hijo pródigo está representada en este tapiz. Aparece el hijo pródigo en el centro con una joven a la izquierda. Una mujer mayor presenta a la joven al hijo pródigo, lo que podría indicar que está actuando como la alcahueta.</text>
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                <text>Tapiz de la parábola del hijo pródigo. En Bourgogne-Franche-Comté, Francia.&lt;br /&gt;&lt;span&gt;Encontrado en la Plataforma abierta del patrimonio, Ministerio de Cultura de Francia:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.pop.culture.gouv.fr/notice/palissy/PM21000222"&gt;https://www.pop.culture.gouv.fr/notice/palissy/PM21000222&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210325011330if_/https://www.pop.culture.gouv.fr/notice/palissy/PM21000222"&gt;https://web.archive.org/web/20210325011330if_/https://www.pop.culture.gouv.fr/notice/palissy/PM21000222&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Referencia manual:&amp;nbsp;&lt;/span&gt;&lt;span&gt;PM21000222&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:PMa_000024_F_Beaune.jpg"&gt;https://commons.wikimedia.org/wiki/File:PMa_000024_F_Beaune.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210325011027/https://commons.wikimedia.org/wiki/File:PMa_000024_F_Beaune.jpg"&gt;https://web.archive.org/web/20210325011027/https://commons.wikimedia.org/wiki/File:PMa_000024_F_Beaune.jpg&lt;/a&gt;</text>
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                <text>Título original: "L'Enfant prodigue chez les courtisanes" ("El hijo pródigo entre las cortesanas").&#13;
&#13;
Esta pintura representa la historia bíblica del hijo pródigo en la casa de las prostitutas. Esta historia se representa como una escena de banquete con mujeres jóvenes tocando instrumentos musicales. Nótese la anciana en el centro de la pintura que actúa como alcahueta.</text>
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Dimensiones: 89 × 130 cm</text>
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Esta pintura representa la historia bíblica del hijo pródigo en la casa de las prostitutas. Es una escena de banquete con mujeres jóvenes y sus clientes. Nótese la anciana de la derecha que parece ser la alcahueta.</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>&lt;span&gt;Encontrado en&amp;nbsp;&lt;/span&gt;&lt;span&gt;Sotheby's:&lt;br /&gt;&lt;a href="http://www.sothebys.com/en/auctions/ecatalogue/lot.624.html/2015/master-paintings-19th-century-european-art-n09459"&gt;http://www.sothebys.com/en/auctions/ecatalogue/lot.624.html/2015/master-paintings-19th-century-european-art-n09459&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:%27A_Banquet_Scene,_An_Allegory_on_Love_and_Lust%27_by_Hieronymus_Francken_I.jpg"&gt;https://commons.wikimedia.org/wiki/File:%27A_Banquet_Scene,_An_Allegory_on_Love_and_Lust%27_by_Hieronymus_Francken_I.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160801073501/https://commons.wikimedia.org/wiki/File:'A_Banquet_Scene,_An_Allegory_on_Love_and_Lust'_by_Hieronymus_Francken_I.jpg"&gt;https://web.archive.org/web/20160801073501/https://commons.wikimedia.org/wiki/File:'A_Banquet_Scene,_An_Allegory_on_Love_and_Lust'_by_Hieronymus_Francken_I.jpg&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Esta pintura representa la historia bíblica del hijo pródigo en la casa de las prostitutas. La pintura representa una escena de banquete con mujeres jóvenes y sus clientes. Fíjese en la mujer mayor de la izquierda que actúa como alcahueta y supervisa a la joven pareja.</text>
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                <text>Esta pintura representa la escena bíblica del hijo pródigo en la casa de las prostitutas. Nótese la mujer mayor de la izquierda que actúa como alcahueta de las mujeres más jóvenes.</text>
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                <text>&lt;span&gt;Museo de arte Riga BOurse, Riga, Latvia&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Art_Museum_Riga_Bourse_162.jpg"&gt;https://commons.wikimedia.org/wiki/File:Art_Museum_Riga_Bourse_162.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210318032440/https://commons.wikimedia.org/wiki/File:Art_Museum_Riga_Bourse_162.jpg"&gt;https://web.archive.org/web/20210318032440/https://commons.wikimedia.org/wiki/File:Art_Museum_Riga_Bourse_162.jpg&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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        <name>El hijo prodigo/the prodigal son</name>
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                <text>El hijo pródigo desperdiciando su dinero, de van de Passe el Viejo (1580, c.)</text>
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                <text>van de Passe el Viejo, Crispijn (c. 1564-1637)</text>
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                <text>Título original: De verloren zoon verkwist zijn geld ("El hijo pródigo desperdiciando su dinero").&#13;
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                <text>Museo Rijks, Paises Bajos.&lt;br /&gt;&lt;a href="https://www.rijksmuseum.nl/en/collection/RP-P-1894-A-18594C"&gt;https://www.rijksmuseum.nl/en/collection/RP-P-1894-A-18594C&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191216073509/https://www.rijksmuseum.nl/nl/collectie/RP-P-1894-A-18594C"&gt;https://web.archive.org/web/20191216073509/https://www.rijksmuseum.nl/nl/collectie/RP-P-1894-A-18594C&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Identificador:&lt;br /&gt;&lt;a href="http://hdl.handle.net/10934/RM0001.COLLECT.161470"&gt;http://hdl.handle.net/10934/RM0001.COLLECT.161470&lt;/a&gt; ; &lt;span&gt;RP-P-1894-A-18594C&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg"&gt;https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210318023402/https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg"&gt;https://web.archive.org/web/20210318023402/https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg&lt;/a&gt;</text>
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                <text>Grabado.&#13;
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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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                <text>Descripción del autor: "Aged celestina directing preparation of her "polvos" recipe" ("Celestina envejecida preparando su receta de polvos") (en Fine Art America: &lt;a href="https://fineartamerica.com/featured/madre-celestina-james-legros.html"&gt;https://fineartamerica.com/featured/madre-celestina-james-legros.html&lt;/a&gt;, Archivado en: &lt;a href="https://web.archive.org/web/20080521120630/https://fineartamerica.com/featured/madre-celestina-james-legros.html"&gt;https://web.archive.org/web/20080521120630/https://fineartamerica.com/featured/madre-celestina-james-legros.html&lt;/a&gt;)</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>La imagen muestra a dos mujeres en fila con la camisa levantada. En segundo plano a la derecha, se puede ver a la alcahueta que está de espaldas al espectador. </text>
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                <text>&lt;span&gt;Título original: L'Inspection médicale ("La inspección médica").&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikiart. org&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.wikiart.org/en/henri-de-toulouse-lautrec/the-medical-inspection"&gt;https://www.wikiart.org/en/henri-de-toulouse-lautrec/the-medical-inspection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210226132208/https://www.wikiart.org/en/henri-de-toulouse-lautrec/the-medical-inspection"&gt;https://web.archive.org/web/20210226132208/https://www.wikiart.org/en/henri-de-toulouse-lautrec/the-medical-inspection&lt;/a&gt;</text>
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                <text>Óleo sobre cartón. &#13;
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                  <text>Portadas ilustradas de ediciones de &lt;em&gt;La Celestina&lt;/em&gt; de los&amp;nbsp;siglos XIX, XX y XXI</text>
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                <text>Frontispicio de la edición de Les Compagnons du Livre: París, de Mohler, 1949</text>
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de Lavigne, A. Germond (Traductor)</text>
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                <text>Grabado por Jean Mohler&amp;nbsp;que acompaña la página con el titulo dentro del libro y actúa como frontispicio en &lt;em&gt;La Célestine, Tragi-Comédie de Calixte et Mélibée&lt;/em&gt; de Fernando De Rojas, traducido al francés por &lt;span&gt;A. Germond de Lavigne, publicado por Les Compagnons du Livre (1949).&amp;nbsp;&lt;br /&gt;&lt;strong&gt;Biblioteca Nacional de Francia:&lt;/strong&gt;&amp;nbsp;FRBNF32580638000000X&lt;br /&gt;Número de acceso: &lt;strong&gt;OCLC:&lt;/strong&gt;&amp;nbsp;459891432&lt;br /&gt;&lt;br /&gt;Ver &lt;em&gt;Celestinesca&lt;/em&gt; 2000, Vol. 24 Num. 1-2, Snow, Joseph T. (ed.), p. 86. ISSN 0147-3085 &lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/2000/VOL%2024/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/2000/VOL%2024/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504054754/http://parnaseo.uv.es/Celestinesca/Numeros/2000/VOL%2024/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;https://web.archive.org/web/20180504054754/http://parnaseo.uv.es/Celestinesca/Numeros/2000/VOL%2024/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Placa conmemorando el lugar donde se imprimió la primera edición de La Celestina en Burgos (1500, c.)</text>
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                <text>La placa conmemora el taller de F&lt;span&gt;adrique de Basilea&lt;/span&gt;, y el lugar donde se imprimió la primera edicion de &lt;em&gt;La Celestina.&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;En la placa se puede leer: "En esta Casa estuvieron los Talleres de F&lt;span&gt;adrique de Basilea&lt;/span&gt; y Juan de Burgos, impresores. 1483-1489. De aquí salió la 1a edición de La Celestina".</text>
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                <text>Portada de la edición de Grotta: Buenos Aires, 1998</text>
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                <text>En la portada están representados Calisto a la izquierda, Celestina al centro y Melibea a la derecha. Por como aparece representada la Celestina con un ojo de cada color y su mueca, recuerda a la representación de este personaje en &lt;a href="http://celestinavisual.org/items/show/2360"&gt;&lt;span&gt;La Celestina, de Picasso (1904)&lt;/span&gt;&lt;/a&gt;</text>
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                <text>&lt;span&gt;Edición de&amp;nbsp;&lt;/span&gt;&lt;em&gt;La Celestina: Tragicomedia de Calisto y Melibea&lt;/em&gt;&lt;span&gt;, de Fernando de Rojas con prólogo y notas de Nydia M. Grotta (1998). Buenos Aires: Losada.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;ISBN:&amp;nbsp;&lt;/span&gt;&lt;span&gt;8449408210, 9789500373128&lt;/span&gt;</text>
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                  <text>Portadas&amp;nbsp; modernas</text>
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                  <text>Portadas ilustradas de ediciones de &lt;em&gt;La Celestina&lt;/em&gt; de los&amp;nbsp;siglos XIX, XX y XXI</text>
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                <text>Portada de la edición de la Editorial Skla: Bogotá, 2019</text>
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                <text>En la portada de esta edición aparecen una mujer sujetando un libro y dos niños a la izquierda. La imagen de la portada aparece frecuentemente en otras obras publicadas por la editorial también. </text>
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                <text>&lt;span&gt;Edición de&amp;nbsp;&lt;/span&gt;&lt;em&gt;La Celestina&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;span&gt;de Fernando de Rojas. Editorial Skla: Bogotá, 2019.&lt;/span&gt;</text>
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                  <text>Portadas&amp;nbsp; modernas</text>
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                  <text>Portadas ilustradas de ediciones de &lt;em&gt;La Celestina&lt;/em&gt; de los&amp;nbsp;siglos XIX, XX y XXI</text>
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                <text>Rojas, Fernando de (Autor)</text>
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                <text>2017</text>
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                <text>&lt;span&gt;Edición de&amp;nbsp;&lt;/span&gt;&lt;em&gt;La Celestina &lt;/em&gt;de Fernando de Rojas. Serie Literatura Universal, Editorial Comercializadora Cono Sur: Bogotá, 2017.&lt;br /&gt;&lt;br /&gt;ISBN: &lt;span&gt;978-958-56178-5-8&lt;/span&gt;</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>En la portada de esta edición aparecen Melibea y Calisto.</text>
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                <text>Cupón de lotería de la ONCE El Huerto de Calixto y Melibea, Ayuntamiento de Salamanca (2017)</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Cupón diario de lotería de la ONCE el 25 de julio del 2017, &lt;span&gt;Ayuntamiento de Salamanca&lt;/span&gt;. En la imagen del cupón, el huerto de Calixto y Melibea en Salamanca, España.&lt;br /&gt;&lt;br /&gt;"Este jardín está construido sobre la antigua muralla, y ofrece al visitante una buena vista de la ciudad de Salamanca y del río Tormes. Su diseño trata de dar al conjunto un aire romántico y medieval. Cuenta con cientos de variedades arbóreas y florales, y una superficie de 2.500 metros cuadrados. El parque fue inaugurado en 1981. A su entrada hay una estatua que representa a la alcahueta más famosa de la literatura española, y en la que se lee la siguiente inscripción: “Soy una vieja cual Dios me hizo, no peor que todas. Si bien o mal vivo, Dios es el testigo de mi corazón”, palabras sacadas de ‘La Celestina’." (Descripción de la página web de La ONCE, &lt;a href="https://www.once.es/noticias/el-huerto-de-calixto-y-melibea-protagonistas-de"&gt;https://www.once.es/noticias/el-huerto-de-calixto-y-melibea-protagonistas-de&lt;/a&gt;, Archivado en: &lt;a href="https://web.archive.org/web/20210108014255/https://www.once.es/noticias/el-huerto-de-calixto-y-melibea-protagonistas-de"&gt;https://web.archive.org/web/20210108014255/https://www.once.es/noticias/el-huerto-de-calixto-y-melibea-protagonistas-de&lt;/a&gt;).</text>
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                <text>Encontrado en la página web todocolección.net:&lt;br /&gt;&lt;a href="https://en.todocoleccion.net/once-coupons/cupon-once-25-07-17-huerto-calixto-melibea-ayuntamiento-salamanca~x159580862#sobre_el_lote"&gt;https://en.todocoleccion.net/once-coupons/cupon-once-25-07-17-huerto-calixto-melibea-ayuntamiento-salamanca~x159580862#sobre_el_lote&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210108174257/https://en.todocoleccion.net/once-coupons/cupon-once-25-07-17-huerto-calixto-melibea-ayuntamiento-salamanca~x159580862"&gt;https://web.archive.org/web/20210108174257/https://en.todocoleccion.net/once-coupons/cupon-once-25-07-17-huerto-calixto-melibea-ayuntamiento-salamanca~x159580862&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Página web de La ONCE:&lt;br /&gt;&lt;a href="https://www.once.es/noticias/el-huerto-de-calixto-y-melibea-protagonistas-de"&gt;https://www.once.es/noticias/el-huerto-de-calixto-y-melibea-protagonistas-de&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210108014255/https://www.once.es/noticias/el-huerto-de-calixto-y-melibea-protagonistas-de"&gt;https://web.archive.org/web/20210108014255/https://www.once.es/noticias/el-huerto-de-calixto-y-melibea-protagonistas-de&lt;/a&gt;</text>
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                <text>2017</text>
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                <text>&lt;span&gt;Otras obras que también se situan o inspiran en el jardín de Melibea en Salamanca incluyen: &amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/59"&gt;Estatua de la Celestina en el Huerto de Calisto y Melibea, Salamanca, de Casillas (1976)&lt;/a&gt;&lt;/span&gt;&lt;span&gt;,&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2200"&gt;Fotoserie&amp;nbsp;&lt;em&gt;La historia de Melibea,&amp;nbsp;&lt;/em&gt;de Constantinou (2014, c.)&lt;/a&gt;,&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2199"&gt;Foto en el Huerto de Calixto y Melibea, de Culla (2016)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/3280"&gt;"El vuelo de Calixto" Ensoñación artística para el Jardín de Melibea en Salamanca, de d’Ors (2010)&lt;/a&gt; y &lt;a href="http://celestinavisual.org/items/show/2912"&gt;Representación del programa turístico-cultural Salamanca Plazas y Patios, Salamanca (2017)&lt;/a&gt;.&lt;/span&gt;</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Varia celestinesca</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Calisto rezando por ver a Melibea, de Garci-Gómez (2020)</text>
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                <text>Garci-Gómez, Miguel (1932-)</text>
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                <text>Imagen en&amp;nbsp;&lt;em&gt;La Celestina o Tragicomedia de Calisto y Melibea&lt;/em&gt; de Fernando de Rojas, Ed. de Julio Cejador, con notas de Miguel Garci-Gómez. Acto 01.&lt;br /&gt;&lt;a href="http://torocitydesigns.com/~garci/cibertextos/ROJAS-FD/CELESTINA/index.html"&gt;http://torocitydesigns.com/~garci/cibertextos/ROJAS-FD/CELESTINA/index.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210106143559/http://torocitydesigns.com/~garci/cibertextos/ROJAS-FD/CELESTINA/index.html"&gt;https://web.archive.org/web/20210106143559/http://torocitydesigns.com/~garci/cibertextos/ROJAS-FD/CELESTINA/index.html&lt;/a&gt;</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>La ilustración representa a Calisto tumbado en una cama rezando . A la parte de arriba a la izquierda, aparece Melibea representada como una ilusión. Esta representación es un buen ejemplo de la lectura que ve el encuentro como un sueño. &lt;br /&gt;&lt;br /&gt;Para más información ver: Castells, Ricardo. 2000. &lt;em&gt;Fernando de Rojas and the Renaissance Vision&lt;/em&gt;. University Park: The Pennsylvania State UP.</text>
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                <text>Ilustración.</text>
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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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                <text>La Celestina, de Arnás Lozano (2012)</text>
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                <text>Arnás Lozano, Vicente (1949-)</text>
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                <text>Descripción de la obra por parte del autor: "La tragicomedia de La Celestina es un referente en lengua castellana, reflejo de la sociedad de su tiempo y sus personajes, en particular, la propia celestina, esa mitad bruja y hechicera me atrae mucho y cuadra perfectamente con el tipo de personajes oníricos que suelo representar en mi pintura." (Correspondencia particular con el autor).</text>
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                <text>Con permiso del autor.</text>
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                <text>Óleo.</text>
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                  <text>Varia celestinesca</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>"El vuelo de Calixto" Ensoñación artística para el Jardín de Melibea en Salamanca, de d’Ors (2010)</text>
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                <text>d’Ors, Esperanza (1949-)&#13;
Castelló, Chema (Fotógrafo)</text>
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                <text>Con permiso de la autora. </text>
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                <text>Descripción de la obra por parte de la autora: "Como habrá podido ver en mi web trabajo a partir de la mitología considerando dicha fuente inacabable para la reflexión sobre lo que somos y las aspiraciones latentes de todo ser humano. Es decir como arquetipos de comportamiento humano. De todos mis mitos que siempre permanecen abiertos, Ícaro ha sido el que ha tenido mejor acogida a lo largo ya de cuarenta años de esculturas. Ícaro somos todos porque queremos volar con nuestros sueños. Y como dice Borges &lt;br /&gt;"No habrá nunca una puerta &lt;br /&gt;Estas adentro, y el alcázar abarca el universo &lt;br /&gt;Y no tiene anverso ni reverso &lt;br /&gt;Ni estrecho muro &lt;br /&gt;Ni secreto centro." El deseo de volar del que nos habla también Foucault... &lt;br /&gt;Como los griegos creo que el arte es público o no es, por lo que centro mis esfuerzos en la introducción de esculturas en la cuidad contemporánea. Visité Salamanca y el Jardín de Melibea y realicé esta ensoñación que titulé "El vuelo de Calixto," conocedora del trágico final de dicha pareja. Nunca se ha realizado como obra pública pero si se vendieron los 6 originales del boceto pequeño fundido en bronce." (Correspondencia particular con la autora). &lt;br /&gt;&lt;br /&gt;Para más información, véase: &lt;a href="https://www.laescena.es/lo-que-yace-en-la-ciudad/"&gt;https://www.laescena.es/lo-que-yace-en-la-ciudad/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210102124748/https://www.laescena.es/lo-que-yace-en-la-ciudad/"&gt;https://web.archive.org/web/20210102124748/https://www.laescena.es/lo-que-yace-en-la-ciudad/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Web de la autora: &lt;a href="http://www.esperanzadors.com/biografia.html"&gt;http://www.esperanzadors.com/biografia.html&lt;/a&gt;</text>
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                <text>&lt;span&gt;Otras obras que también se situan o inspiran en el jardín de Melibea en Salamanca incluyen:&amp;nbsp;&lt;/span&gt;&lt;span&gt;&lt;a href="http://celestinavisual.org/items/show/3285"&gt;Cupón de lotería de la ONCE El Huerto de Calixto y Melibea, Ayuntamiento de Salamanca (2017)&lt;/a&gt;,&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/59"&gt;Estatua de la Celestina en el Huerto de Calisto y Melibea, Salamanca, de Casillas (1976)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/2200"&gt;Fotoserie&amp;nbsp;&lt;em&gt;La historia de Melibea,&amp;nbsp;&lt;/em&gt;de Constantinou (2014, c.)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/2199"&gt;Foto en el Huerto de Calixto y Melibea, de Culla (2016)&lt;/a&gt; y&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2912"&gt;Representación del programa turístico-cultural Salamanca Plazas y Patios, Salamanca (2017)&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Imagen 31 del libro&amp;nbsp;&lt;/span&gt;&lt;em&gt;Nieuwen ieucht spieghel (Nuevo espejo de aire)&amp;nbsp;&lt;/em&gt;&lt;span&gt;(1617) por Desconocido.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Encontrado en la página web Emblem Project Utrecht.&lt;br /&gt;&lt;a href="https://emblems.hum.uu.nl/nj1617031.html"&gt;https://emblems.hum.uu.nl/nj1617031.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210106013808/https://emblems.hum.uu.nl/nj1617031.html"&gt;https://web.archive.org/web/20210106013808/https://emblems.hum.uu.nl/nj1617031.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Emblimatica Online - Recursos para estudios de Emblemas.&lt;br /&gt;&lt;a href="http://emblematica.library.illinois.edu/detail/emblem/E026518"&gt;http://emblematica.library.illinois.edu/detail/emblem/E026518&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Emblema de cliente pagando a la alcahueta, de Desconocido (1617)</text>
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                <text>La imagen representa una escena de burdel, donde el cliente está pagando a la alcahueta a la izquierda y la prostituta se encuentra desnuda, semi-cubierta en la cama a la derecha. Al lado de la prostituta aparece la figura del necio señalado la transacción de la alcahueta. </text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;em&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;/em&gt;</text>
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von Schwartzenberg, Johann (autor) (1463-1528)</text>
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                <text>Ilustraci&amp;oacute;n en el libro: &lt;em&gt;Das B&amp;uuml;chle Memorial&lt;/em&gt; ("El Memorial B&amp;uuml;chle") de&amp;nbsp;von Schwartzenberg (1533), publicado por Heinrich Steiner. &lt;br /&gt;&lt;br /&gt;El impresor de esta obra (Steiner) esta tambi&amp;eacute;n el impresor de la segunda edici&amp;oacute;n de&amp;nbsp;Wirsung de&lt;em&gt; La Celestina&lt;/em&gt; al alem&amp;aacute;n en 1534.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Este grabado representa a una mujer joven (Judith) con una espada en su mano derecha y la cabeza de un hombre joven (Holophernes) en su mano izquierda. Est&amp;aacute; entregando la cabeza de Holofernes a su criada. La criada, a la derecha, est&amp;aacute; representada con arrugas, y esto la hacen vieja.</text>
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                <text>Museo Metropolitano de Arte, Nueva York, Estados Unidos.&lt;br /&gt;&lt;a href="https://www.metmuseum.org/art/collection/search/668091"&gt;https://www.metmuseum.org/art/collection/search/668091&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201228005126/https://www.metmuseum.org/art/collection/search/668091"&gt;https://web.archive.org/web/20201228005126/https://www.metmuseum.org/art/collection/search/668091&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de acceso:&amp;nbsp;&lt;span&gt;31.54.2&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Judith_with_the_Head_of_Holophernes,_from_Das_B%C3%BCchle_Memorial_MET_DP849320.jpg"&gt;https://commons.wikimedia.org/wiki/File:Judith_with_the_Head_of_Holophernes,_from_Das_B%C3%BCchle_Memorial_MET_DP849320.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201228005641/https://commons.wikimedia.org/wiki/File:Judith_with_the_Head_of_Holophernes,_from_Das_B%C3%BCchle_Memorial_MET_DP849320.jpg"&gt;https://web.archive.org/web/20201228005641/https://commons.wikimedia.org/wiki/File:Judith_with_the_Head_of_Holophernes,_from_Das_B%C3%BCchle_Memorial_MET_DP849320.jpg&lt;/a&gt;</text>
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                <text>Grabado sobre madera.&#13;
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                <text>&lt;span&gt;Galer&amp;iacute;a Nacional de Arte Antiguo,&amp;nbsp;&lt;/span&gt;&lt;span&gt;Palazzo Barberini&lt;/span&gt;&lt;span&gt;, Roma&lt;/span&gt;, Italia.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&amp;nbsp;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Francesco_Furini_-_Judith_and_Holofernes_-_WGA08323.jpg"&gt;https://commons.wikimedia.org/wiki/File:Francesco_Furini_-_Judith_and_Holofernes_-_WGA08323.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20150509230900/https://commons.wikimedia.org/wiki/File:Francesco_Furini_-_Judith_and_Holofernes_-_WGA08323.jpg"&gt;https://web.archive.org/web/20150509230900/https://commons.wikimedia.org/wiki/File:Francesco_Furini_-_Judith_and_Holofernes_-_WGA08323.jpg&lt;/a&gt;</text>
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                <text>Esta imagen representa la escena bíblica donde Judith decapita a Holofernes. Judith está representada en el centro de la imagen sentada en la cama y con la espada en su mano. A su derecha se encuentra el cuerpo de Holofernes todavía en la cama, menos su cabeza que se encuentra en el suelo. A la derecha aparece una mujer mayor que puede ser su criada. Los personajes que aparecen en el cuadro recuerdan a las escenas típicas celestinescas, donde aparecen la alcahueta, el cliente y la protegida. </text>
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                <text>El verdugo con la cabeza de Juan el Bautista, de Dobson (1640, c.)</text>
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                <text>Galer&amp;iacute;a de Arte Walker,&amp;nbsp;&lt;span&gt;Liverpool, Reino Unido.&lt;br /&gt;&lt;a href="https://www.liverpoolmuseums.org.uk/news/press-releases/baroque-art-rome-england"&gt;https://www.liverpoolmuseums.org.uk/news/press-releases/baroque-art-rome-england&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;WAG 2993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:William_Dobson_-_The_Executioner_with_the_Head_of_John_the_Baptist_-_Google_Art_Project.jpg"&gt;https://commons.wikimedia.org/wiki/File:William_Dobson_-_The_Executioner_with_the_Head_of_John_the_Baptist_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201223233901/https://commons.wikimedia.org/wiki/File:William_Dobson_-_The_Executioner_with_the_Head_of_John_the_Baptist_-_Google_Art_Project.jpg"&gt;https://web.archive.org/web/20201223233901/https://commons.wikimedia.org/wiki/File:William_Dobson_-_The_Executioner_with_the_Head_of_John_the_Baptist_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Este cuadro de Dobson representa a Salom&amp;eacute; recibiendo la cabeza decapitada de San Juan Bautista, seg&amp;uacute;n la escena b&amp;iacute;blica. En esta representaci&amp;oacute;n, Salom&amp;eacute; aparece a la derecha sosteniendo una bandeja, mientras que un hombre joven sostiene la cabeza de San Juan sobre la bandeja. A la derecha de Salom&amp;eacute; aparece una mujer mayor, y un ni&amp;ntilde;o ilumina la escena con una vela. Esta representaci&amp;oacute;n recuerda a im&amp;aacute;genes con temas celestinescos, ya que aparece una mujer joven, una mayor y un hombre joven.&lt;br /&gt;&lt;br /&gt;C&amp;oacute;digo de Iconclass: 73C1334&amp;nbsp;&lt;a href="http://www.iconclass.org/rkd/73C1334/"&gt;http://www.iconclass.org/rkd/73C1334/&lt;/a&gt;&lt;br /&gt;"Salome is given the head of John the Baptist by the executioner" ("Salom&amp;eacute; recibe la cabeza de Juan el Bautista por el verdugo")</text>
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                <text>Decapitación de Juan el Bautista mientras Salomé mira, de Rubens (1609, c.)</text>
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                <text>Instituto Holand&amp;eacute;s de Historia del Arte, La Haya, Pa&amp;iacute;ses Bajos.&lt;br /&gt;&lt;a href="https://rkd.nl/en/explore/images/37886"&gt;https://rkd.nl/en/explore/images/37886&lt;/a&gt;&#13;
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                <text>Este cuadro representa la escena b&amp;iacute;blica cuando Salom&amp;eacute; recibe la cabeza decapitada de San Juan Bautista. En esta representaci&amp;oacute;n, Salom&amp;eacute; aparece a la derecha rodeada de otros personajes, como una mujer mayor que sujeta la bandeja donde est&amp;aacute; la cabeza de San Juan, una mujer joven en segundo plano que mira la escena, un hombre joven con una espada, tumbado en el suelo y bajo este joven, el cuerpo decapitado de San Juan Bautista, y un par de hombres mayores en segundo plano. Los personajes principales del cuadro (la mujer joven, mujer mayor y hombre joven) recuerdan a cuadros con temas celestinescos.&lt;br /&gt;&lt;br /&gt;C&amp;oacute;digo de Iconclass: 73C1334&amp;nbsp;&lt;a href="http://www.iconclass.org/rkd/73C1334/"&gt;http://www.iconclass.org/rkd/73C1334/&lt;/a&gt;&lt;br /&gt;"Salome is given the head of John the Baptist by the executioner" ("Salom&amp;eacute; recibe la cabeza de Juan el Bautista por el verdugo")</text>
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                <text>Palacio Real de Madrid, Madrid, Espa&amp;ntilde;a.&amp;nbsp;&lt;br /&gt;Encontrado en la p&amp;aacute;gina web del Patrimonio Nacional (Espa&amp;ntilde;a):&lt;br /&gt;&lt;a href="https://www.patrimonionacional.es/en/colecciones-reales/pintura/salome-con-la-cabeza-del-bautista"&gt;https://www.patrimonionacional.es/en/colecciones-reales/pintura/salome-con-la-cabeza-del-bautista&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201223222423/https://www.patrimonionacional.es/en/colecciones-reales/pintura/salome-con-la-cabeza-del-bautista"&gt;https://web.archive.org/web/20201223222423/https://www.patrimonionacional.es/en/colecciones-reales/pintura/salome-con-la-cabeza-del-bautista&lt;/a&gt;&lt;br /&gt;&#13;
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                <text>Esta obra representa la escena b&amp;iacute;blica donde Salom&amp;eacute; sujeta la cabeza decapitada de San Juan el Bautista. En este cuadro de Caravaggio, Salom&amp;eacute; est&amp;aacute; representada por una joven que sujeta la cabeza en una bandeja en el centro del cuadro. A la derecha aparece un hombre joven mirando la cabeza del Bautista y detr&amp;aacute;s de Salom&amp;eacute; aparece una mujer vieja. Esta representaci&amp;oacute;n recuerda a la tem&amp;aacute;tica celestinesca, por la presencia de una mujer y un hombre j&amp;oacute;venes y una mujer mayor.&lt;br /&gt;&lt;br /&gt;C&amp;oacute;digo de Iconclass: 73C13341&amp;nbsp;&lt;a href="http://www.iconclass.org/rkd/73C13341/"&gt;http://www.iconclass.org/rkd/73C13341/&lt;/a&gt;&lt;br /&gt;"Salome with the head of John the Baptist on a dish" ("Salom&amp;eacute; con la cabeza de Juan el Bautista en una bandeja")</text>
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                <text>Encontrado en la p&amp;aacute;gina web Sotheby's:&lt;br /&gt;&lt;a href="https://www.sothebys.com/en/auctions/ecatalogue/2019/master-paintings-evening-n10007/lot.57.html"&gt;https://www.sothebys.com/en/auctions/ecatalogue/2019/master-paintings-evening-n10007/lot.57.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200128061052/https://www.sothebys.com/en/auctions/ecatalogue/2019/master-paintings-evening-n10007/lot.57.html"&gt;https://web.archive.org/web/20200128061052/https://www.sothebys.com/en/auctions/ecatalogue/2019/master-paintings-evening-n10007/lot.57.html&lt;/a&gt;</text>
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                <text>Este cuadro representa a Salom&amp;eacute; mientras recibe la cabeza cortada de San Juan Bautista, basado en la escena b&amp;iacute;blica. Sosteniendo la cabeza se encuentra un hombre joven y &amp;eacute;ste est&amp;aacute; acompa&amp;ntilde;ado por un hombre mayor. A la derecha de Salom&amp;eacute; se encuentra una mujer mayor. La representaci&amp;oacute;n de una mujer joven acompa&amp;ntilde;ada por una mujer vieja y un hombre joven recuerda a las im&amp;aacute;genes con temas celestinesco. &lt;br /&gt;&lt;br /&gt;C&amp;oacute;digo de Iconclass: 73C1334&amp;nbsp;&lt;a href="http://www.iconclass.org/rkd/73C1334/"&gt;http://www.iconclass.org/rkd/73C1334/&lt;/a&gt;&lt;br /&gt;"&lt;span&gt;Salome is given the head of John the Baptist by the executioner" ("Salom&amp;eacute; recibe la cabeza de Juan el Bautista por el verdugo")&lt;/span&gt;</text>
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                <text>Título completo: Bordellszene, die junge Frau bietet den im Hintergrund stehenden Freiern ein Glas Wein an, die Kupplerin umklammert mit einer erotischen Geste den Flaschenhals ("Escena de burdel, la joven ofrece a los pretendientes de pie en el fondo una copa de vino, la alcahueta agarrando el cuello de la botella con un gesto erótico").&#13;
&#13;
El cuadro representa una escena típica con tema celestinesco, en la que aparecen una mujer joven, una vieja y un un hombre. La mujer vieja actúa como alcahueta como se puede ver en el título. </text>
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                <text>Óleo sobre madera.&#13;
Dimensiones: 27 × 27 cm</text>
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                <text>Museo&amp;nbsp;Museumslandschaft Hessen Kassel, Alemania&lt;br /&gt;&lt;a href="https://altemeister.museum-kassel.de/32147/"&gt;https://altemeister.museum-kassel.de/32147/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201123012753/https://altemeister.museum-kassel.de/32147/36333/alle/0/b1/0/0/objekt.html"&gt;https://web.archive.org/web/20201123012753/https://altemeister.museum-kassel.de/32147/36333/alle/0/b1/0/0/objekt.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;GK 184&lt;/span&gt;</text>
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                <text>Lienzo.&#13;
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                <text>Título original: Eine alte Kupplerin bietet einer jungen Frau Juwelen an ("Una vieja alcahueta le ofrece a una joven joyas").&#13;
&#13;
Esta obra representa a una mujer joven y una mujer mayor. Por el título sabemos que la mujer mayor actúa como alcahueta, y le ofrece joyas a la joven. </text>
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                <text>Vogel, Hermann (1856-1918)</text>
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                <text>Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Hermann_Vogel_Gef%C3%A4llt_Sie_ihnen.jpg"&gt;https://commons.wikimedia.org/wiki/File:Hermann_Vogel_Gef%C3%A4llt_Sie_ihnen.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200915231708/https://commons.wikimedia.org/wiki/File:Hermann_Vogel_Gef%C3%A4llt_Sie_ihnen.jpg"&gt;https://web.archive.org/web/20200915231708/https://commons.wikimedia.org/wiki/File:Hermann_Vogel_Gef%C3%A4llt_Sie_ihnen.jpg&lt;/a&gt;</text>
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                <text>¿Le gusta a usted?, de Vogel (1900, c.)</text>
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                <text>Título original: Gefällt sie Ihnen? ("¿Le gusta a usted?").&#13;
&#13;
Esta obra representa una escena con tema celestinesco. En ella aparece un hombre, una mujer joven desnuda y una mujer vieja que actúa como alcahueta de la joven. </text>
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                <text>Imagen del libro&amp;nbsp;&lt;em&gt;Nieuwen ieucht spieghel (Nuevo espejo de aire)&amp;nbsp;&lt;/em&gt;(1617) por Desconocido.&lt;br /&gt;&lt;br /&gt;Emblimatica Online - Recursos para estudios de Emblemas.&lt;br /&gt;&lt;a href="http://emblematica.grainger.illinois.edu/oebp/ui/#/results?ekeywords=death&amp;amp;tab=emblemdetail&amp;amp;eskip=144&amp;amp;emblemid=nj1617035&amp;amp;bookid=huygens.knaw.nl_3Aemitx_3Anj1617"&gt;http://emblematica.grainger.illinois.edu/oebp/ui/#/results?ekeywords=death&amp;amp;tab=emblemdetail&amp;amp;eskip=144&amp;amp;emblemid=nj1617035&amp;amp;bookid=huygens.knaw.nl_3Aemitx_3Anj1617&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201115225737/https://emblems.hum.uu.nl/static/images/nj1617/pictura/843B24_167.jpg"&gt;https://web.archive.org/web/20201115225737/https://emblems.hum.uu.nl/static/images/nj1617/pictura/843B24_167.jpg&lt;/a&gt;</text>
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                <text>Este emblema representa una típica escena Celestinesca donde una mujer joven desnuda reposa sobre una cama mientras un hombre joven se acerca a ella de la mano de una mujer vieja que actúa de alcahueta. La descripción en Latín dice: &#13;
&#13;
"Est meretrix dicta quæ reddit verbula ficta Exterius picta verum interius maledicta, Attrahit vt viscus, sed decipit vt basiliscus. Incidit in crimen, meretricis tangere limen Qui non horrescit, imprimis dum juuenescit Scribatur portis: meretrix est janua mortis."&#13;
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                    <text>Gauguin, Paul (1848-1903)</text>
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                    <text>Encontrado en la p&amp;aacute;gina web Regard eloigne:&lt;br /&gt;&lt;a href="https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html"&gt;https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200622002315/https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html"&gt;https://web.archive.org/web/20200622002315/https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html&lt;/a&gt;</text>
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                <text>Mana&amp;ograve; tupapa&amp;uacute; (l esp&amp;iacute;ritu de los muertos vela)&lt;br /&gt;&lt;br /&gt;&lt;span class="f-artwork-year"&gt;Galer&amp;iacute;a de arte Albright-Knox:&lt;br /&gt;&lt;a href="https://www.albrightknox.org/artworks/19651-mana%C3%B2-tupapa%C3%BA-spirit-dead-watching"&gt;https://www.albrightknox.org/artworks/19651-mana%C3%B2-tupapa%C3%BA-spirit-dead-watching&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200805201725/https://www.albrightknox.org/artworks/19651-mana%C3%B2-tupapa%C3%BA-spirit-dead-watching"&gt;https://web.archive.org/web/20200805201725/https://www.albrightknox.org/artworks/19651-mana%C3%B2-tupapa%C3%BA-spirit-dead-watching&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;1965:1&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:Paul_Gauguin-_Manao_tupapau_(The_Spirit_of_the_Dead_Keep_Watch).JPG"&gt;https://en.wikipedia.org/wiki/File:Paul_Gauguin-_Manao_tupapau_(The_Spirit_of_the_Dead_Keep_Watch).JPG&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;Imagen 2:&lt;br /&gt;Encontrado en la p&amp;aacute;gina web Regard eloigne:&lt;br /&gt;&lt;a href="https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html"&gt;https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200622002315/https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html"&gt;https://web.archive.org/web/20200622002315/https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>El cuadro representa una mujer joven desnuda tumbada en una cama y al fondo aparece una mujer mayor. La figura del fondo no es una alcahueta sino un fantasma o el espíritu de la muerte. Sin embargo, el cuadro se conecta con el famoso cuadro Olympia en que hay una criada que, sin ser tampoco una alcahueta, sigue una tradición de joven desnuda y alcahueta.&#13;
&#13;
La segunda imagen es una hoja de la página del cuaderno Noa Noa del artista. Nótese que el tema de un personaje misterioso femenino se repite en otras de sus imágenes de Tahiti y a veces recuerdan a las alcahuetas pintadas en Europa en la época. </text>
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                <text>P&amp;aacute;gina web Mutualart.com:&lt;br /&gt;&lt;a href="https://www.mutualart.com/Artwork/Salome-receiving-the-head-of-Saint-John-/49D4776A2D23E7CE"&gt;https://www.mutualart.com/Artwork/Salome-receiving-the-head-of-Saint-John-/49D4776A2D23E7CE&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201109172443/https://www.mutualart.com/Artwork/Salome-receiving-the-head-of-Saint-John-/49D4776A2D23E7CE"&gt;https://web.archive.org/web/20201109172443/https://www.mutualart.com/Artwork/Salome-receiving-the-head-of-Saint-John-/49D4776A2D23E7CE&lt;/a&gt;</text>
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                <text>Salomé recibiendo la cabeza de San Juan Bautista, de Seghers (1650, c.)</text>
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                <text>Esta imagen representa la escena bíblica donde Salomé recibe la cabeza cortada de San Juan Bautista. Otras personas están representadas en el cuadro, como otra joven junto a Salomé, una anciana sosteniendo la cabeza y a la izquierda un soldado.&#13;
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                <text>Herodías mutila la cabeza cortada de San Juan Bautista sostenida por Salomé, de Grebber (atribuido a) (1640, c.)</text>
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                <text>Grebber, Pieter Fransz de (c. 1600 - c. 1653) (atribuido a)</text>
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                <text>Wellcome Collection, Londres Reino Unido&lt;br /&gt;&lt;a href="https://artuk.org/discover/artworks/herodias-mutilating-the-severed-head-of-saint-john-the-baptist-held-by-salome-125941#"&gt;https://artuk.org/discover/artworks/herodias-mutilating-the-severed-head-of-saint-john-the-baptist-held-by-salome-125941#&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201109165732/https://artuk.org/discover/artworks/herodias-mutilating-the-severed-head-of-saint-john-the-baptist-held-by-salome-125941"&gt;https://web.archive.org/web/20201109165732/https://artuk.org/discover/artworks/herodias-mutilating-the-severed-head-of-saint-john-the-baptist-held-by-salome-125941&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de acceso:&amp;nbsp;&lt;span&gt;44824i&lt;/span&gt;</text>
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                <text>Esta pintura representa una escena bíblica donde Herodías perfora la lengua de Juan el Bautista mientras su cabeza cortada descansa sobre un plato sostenido por Salomé.&#13;
La representación de la mujer joven, la mujer mayor y un hombre recuerda las imágenes de Celestina.</text>
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                  <text>Portadas ilustradas de ediciones de &lt;em&gt;La Celestina&lt;/em&gt; de los&amp;nbsp;siglos XIX, XX y XXI</text>
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                <text>&lt;span&gt;&lt;em&gt;La Celestina&lt;/em&gt;, Fernando de Rojas.&lt;br /&gt;&lt;/span&gt;Editorial &amp;iquest;?: Probablemente Mexico&lt;br /&gt;&lt;span&gt;A&amp;ntilde;o: 1978&lt;/span&gt;&lt;br /&gt;&lt;span&gt;P&amp;aacute;ginas: 278&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Encontrado en la p&amp;aacute;gina web Mercado libre:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://articulo.mercadolibre.com.mx/MLM-638553384-libro-la-celestina-fernando-de-rojas-ano-1978-278-pa-_JM#position=5&amp;amp;type=item&amp;amp;tracking_id=4a287321-9044-402b-9349-384c285be0c3"&gt;https://articulo.mercadolibre.com.mx/MLM-638553384-libro-la-celestina-fernando-de-rojas-ano-1978-278-pa-_JM#position=5&amp;amp;type=item&amp;amp;tracking_id=4a287321-9044-402b-9349-384c285be0c3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201028170529/https://articulo.mercadolibre.com.mx/MLM-638553384-libro-la-celestina-fernando-de-rojas-ano-1978-278-pa-_JM"&gt;https://web.archive.org/web/20201028170529/https://articulo.mercadolibre.com.mx/MLM-638553384-libro-la-celestina-fernando-de-rojas-ano-1978-278-pa-_JM&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>En la portada aparece lo que parece un busto de una estatua Greco-Romana. El busto aparece con pelo largo y barba. </text>
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                <text>En la portada aparece una mujer joven desnuda en una cama y a su lado una mujer mayor, posiblemente su alcahueta. </text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>Rembrandt, Harmensz. van Rijn (1606-1669)</text>
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                <text>Museo de Louvre, Paris, Francia:&lt;br /&gt;&lt;a href="https://collections.louvre.fr/en/ark:/53355/cl010060453"&gt;https://collections.louvre.fr/en/ark:/53355/cl010060453&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20080509074453/http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT%3C%3Ecnt_id=10134198673225939&amp;amp;CURRENT_LLV_NOTICE%3C%3Ecnt_id=10134198673225939&amp;amp;FOLDER%3C%3Efolder_id=9852723696500813&amp;amp;fromDept=true&amp;amp;baseIndex=157&amp;amp;bmUID=1189640367439&amp;amp;bmLocale=en"&gt;https://web.archive.org/web/20080509074453/http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT%3C%3Ecnt_id=10134198673225939&amp;amp;CURRENT_LLV_NOTICE%3C%3Ecnt_id=10134198673225939&amp;amp;FOLDER%3C%3Efolder_id=9852723696500813&amp;amp;fromDept=true&amp;amp;baseIndex=157&amp;amp;bmUID=1189640367439&amp;amp;bmLocale=en&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia commons:&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:Rembrandt_Harmensz._van_Rijn_016.jpg"&gt;https://en.wikipedia.org/wiki/File:Rembrandt_Harmensz._van_Rijn_016.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20161223204616/https://en.wikipedia.org/wiki/File:Rembrandt_Harmensz._van_Rijn_016.jpg"&gt;https://web.archive.org/web/20161223204616/https://en.wikipedia.org/wiki/File:Rembrandt_Harmensz._van_Rijn_016.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de &lt;span&gt;inventario&lt;/span&gt;:&amp;nbsp;&lt;span&gt;MI 957&lt;/span&gt;</text>
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                <text>En esta representación de Betsabé, Rembrandt la representa como una mujer joven desnuda sosteniendo una carta del Rey David. Bañando a la mujer joven, una mujer mayor inspirada en el personaje de la Celestina a la izquierda. &lt;br /&gt;&lt;br /&gt;Este tema también lo trata Picasso en Bethsabée (d'après Rembrandt 1966 OPP.66:017) y otras pinturas en las cuales representa a un personaje claramente inspirado en la Celestina.&amp;nbsp;Para más información consultar el enlace:&amp;nbsp;&lt;a href="https://www.newyorker.com/magazine/2007/03/26/rembrandts-ghost"&gt;https://www.newyorker.com/magazine/2007/03/26/rembrandts-ghost&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180830055810/https://www.newyorker.com/magazine/2007/03/26/rembrandts-ghost"&gt;https://web.archive.org/web/20180830055810/https://www.newyorker.com/magazine/2007/03/26/rembrandts-ghost&lt;/a&gt;</text>
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                <text>Esta imagen de Rembrandt está relacionada con el grabado&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/1167"&gt;&lt;span&gt;Bien tirada está, de Goya (1797, c.)&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Encontrado en la p&amp;aacute;gina web Foursquare.com: &lt;br /&gt;&lt;a href="https://foursquare.com/v/la-celestina/5a56bdd508815812bb4f30db/photos"&gt;https://foursquare.com/v/la-celestina/5a56bdd508815812bb4f30db/photos&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201021155209if_/https://foursquare.com/v/la-celestina/5a56bdd508815812bb4f30db/photos"&gt;https://web.archive.org/web/20201021155209if_/https://foursquare.com/v/la-celestina/5a56bdd508815812bb4f30db/photos&lt;/a&gt;</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>Museo Nacional del Prado, Madrid, Espa&amp;ntilde;a&lt;br /&gt;&lt;a href="https://www.museodelprado.es/coleccion/obra-de-arte/luchar-por-la-vida/5c8fdc15-e4a5-43f7-9de0-d7d0df7fd471"&gt;https://www.museodelprado.es/coleccion/obra-de-arte/luchar-por-la-vida/5c8fdc15-e4a5-43f7-9de0-d7d0df7fd471&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190407025105/https://www.museodelprado.es/coleccion/obra-de-arte/luchar-por-la-vida/5c8fdc15-e4a5-43f7-9de0-d7d0df7fd471"&gt;https://web.archive.org/web/20190407025105/https://www.museodelprado.es/coleccion/obra-de-arte/luchar-por-la-vida/5c8fdc15-e4a5-43f7-9de0-d7d0df7fd471&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de cat&amp;aacute;logo:&amp;nbsp;&lt;span&gt;P006634&lt;/span&gt;</text>
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                <text>Luchar por la vida, de Torre y Estefanía (1895)</text>
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                <text>Torre y Estefanía, Rafael de la (1890-1934)</text>
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            <description>An account of the resource</description>
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                <text>"&lt;span&gt;La cultura acad&amp;eacute;mica del siglo XIX espa&amp;ntilde;ol introdujo el concepto de decencia en la representaci&amp;oacute;n del desnudo femenino. Durante la Restauraci&amp;oacute;n proliferaron las im&amp;aacute;genes de mujeres que, por necesidades econ&amp;oacute;micas, se ve&amp;iacute;an obligadas a posar desnudas para los artistas y estos, en contrapartida, ocultaron conscientemente sus rostros para preservar su dignidad. En esta obra la modelo esconde con gesto dram&amp;aacute;tico su desnudez. El abatimiento es subrayado por la presencia de una mujer mayor de extracci&amp;oacute;n humilde que parece recordarle su situaci&amp;oacute;n de necesidad. El pintor adjudica a las telas que cubren a la modelo un protagonismo equiparable al de su cuerpo, lo que parece ironizar sobre la consideraci&amp;oacute;n de objetos que tanto los pa&amp;ntilde;os como los desnudos tuvieron en la formaci&amp;oacute;n acad&amp;eacute;mica de los artistas." (&lt;/span&gt;Descripci&amp;oacute;n del&amp;nbsp;Museo Nacional del Prado, Madrid, Espa&amp;ntilde;a,&amp;nbsp;&lt;a href="https://www.museodelprado.es/coleccion/obra-de-arte/luchar-por-la-vida/5c8fdc15-e4a5-43f7-9de0-d7d0df7fd471"&gt;https://www.museodelprado.es/coleccion/obra-de-arte/luchar-por-la-vida/5c8fdc15-e4a5-43f7-9de0-d7d0df7fd471&lt;/a&gt;, Archivado en:&amp;nbsp;&lt;a href="https://web.archive.org/web/20190407025105/https://www.museodelprado.es/coleccion/obra-de-arte/luchar-por-la-vida/5c8fdc15-e4a5-43f7-9de0-d7d0df7fd471"&gt;https://web.archive.org/web/20190407025105/https://www.museodelprado.es/coleccion/obra-de-arte/luchar-por-la-vida/5c8fdc15-e4a5-43f7-9de0-d7d0df7fd471&lt;/a&gt;&lt;span&gt;)&lt;br /&gt;&lt;br /&gt;La mujer mayor al lado de la modelo podr&amp;iacute;a tambi&amp;eacute;n representar una alcahueta.&amp;nbsp;&lt;/span&gt;</text>
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                <text>Óleo sobre lienzo.&#13;
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                  <text>Portadas ilustradas de ediciones de &lt;em&gt;La Celestina&lt;/em&gt; de los&amp;nbsp;siglos XIX, XX y XXI</text>
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                <text>Encontrado en la p&amp;aacute;gina web de la Librer&amp;iacute;a de la U:&lt;br /&gt;&lt;a href="https://www.libreriadelau.com/la-celestina-con-cuaderno-de-actividades-difusora-larousse-de-colombia-ltda-plan-lector/p#caracteristicas"&gt;https://www.libreriadelau.com/la-celestina-con-cuaderno-de-actividades-difusora-larousse-de-colombia-ltda-plan-lector/p#caracteristicas&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201019152953/https://www.libreriadelau.com/la-celestina-con-cuaderno-de-actividades-difusora-larousse-de-colombia-ltda-plan-lector/p"&gt;https://web.archive.org/web/20201019152953/https://www.libreriadelau.com/la-celestina-con-cuaderno-de-actividades-difusora-larousse-de-colombia-ltda-plan-lector/p&lt;/a&gt;&lt;br /&gt;&#13;
&lt;p&gt;ISBN:&amp;nbsp;9786077445838&lt;/p&gt;</text>
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                <text>Grupo editorial Patria </text>
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                <text>Representación de&amp;nbsp;&lt;em&gt;La Celestina&lt;/em&gt;, por la compañía de María Jesús Valdés, y José María Mompín, estrenada en el Teatro Infanta Isabel, Madrid en 1956. &lt;br /&gt;&lt;br /&gt;También fue representada como parte del Festival de Teatro y Danza en Cuenca (c. 11 de agosto, 1956). Información del periódico Madrid, (11 de agosto, 1956):&lt;br /&gt;&lt;a href="https://www.teatro.es/estrenos-teatro/la-celestina-2328461/documentos-on-line/prensa"&gt;https://www.teatro.es/estrenos-teatro/la-celestina-2328461/documentos-on-line/prensa&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;También fue representada en Cádiz, España, el 21 de Agosto, 1956.&lt;br /&gt;&lt;br /&gt;Fotógrafo:&amp;nbsp;Luis Arenas&lt;br /&gt;&lt;br /&gt;Elenco: &lt;br /&gt;María Jesús Valdés, &lt;br /&gt;Adela Carbone&lt;br /&gt;José María Mompín</text>
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                <text>&lt;em&gt;"La Celestina". Szenische Graphiken Fernando de Rojas zu Ehren II&lt;/em&gt;. Europ&amp;auml;ische Profile, 49. Edici&amp;oacute;n Reichenberger Kassel, 1998. Ilustraciones de Theo Reichenberger.</text>
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                <text>En la casa&amp;nbsp;&lt;span&gt;Chatsworth,&amp;nbsp;Derbyshire&lt;span&gt;, Reino Unido&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Samson_delilah.JPG"&gt;https://commons.wikimedia.org/wiki/File:Samson_delilah.JPG&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200117045751/https://commons.wikimedia.org/wiki/File:Samson_delilah.JPG"&gt;https://web.archive.org/web/20200117045751/https://commons.wikimedia.org/wiki/File:Samson_delilah.JPG&lt;/a&gt;</text>
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                <text>En Banco Commerciale Italiana&lt;br /&gt;&lt;br /&gt;Encontrado en Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Samson_und_delilah.jpg"&gt;https://commons.wikimedia.org/wiki/File:Samson_und_delilah.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20161001230140/https://commons.wikimedia.org/wiki/File:Samson_und_delilah.jpg"&gt;https://web.archive.org/web/20161001230140/https://commons.wikimedia.org/wiki/File:Samson_und_delilah.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>En el Museo&amp;nbsp;&lt;span&gt;Kunsthistorisches, Viena, Austria.&lt;br /&gt;&lt;a href="https://www.khm.at/objektdb/detail/645/?offset=0&amp;amp;lv=list"&gt;https://www.khm.at/objektdb/detail/645/?offset=0&amp;amp;lv=list&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Anton_van_Dyck_-_Samson_and_Delilah_-_Google_Art_Project.jpg"&gt;https://commons.wikimedia.org/wiki/File:Anton_van_Dyck_-_Samson_and_Delilah_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190613170808/https://commons.wikimedia.org/wiki/File:Anton_van_Dyck_-_Samson_and_Delilah_-_Google_Art_Project.jpg"&gt;https://web.archive.org/web/20190613170808/https://commons.wikimedia.org/wiki/File:Anton_van_Dyck_-_Samson_and_Delilah_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de inventario:&lt;/span&gt;&amp;nbsp;&lt;span&gt;Gemäldegalerie, 512&lt;/span&gt;&lt;/span&gt;</text>
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                <text>&lt;span&gt;Este cuadro representa la famosa escena bíblica de Dalila cortándole el pelo a Sansón.&amp;nbsp;Sin embargo, en esta representación de la escena, Dalila no está cortando el pelo de Sansón, está siendo tomado por soldados con cuerdas mientras Sansón y Dalila intentan permanecer juntos.&amp;nbsp;Nótese la criada que aparece a la izquierda cerca de&amp;nbsp;Dalila&amp;nbsp;en la escena. La criada se parece a la alcahueta representada en el cuadro de&amp;nbsp;&lt;/span&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>&lt;span&gt;Este cuadro representa la famosa escena b&amp;iacute;blica de Dalila cort&amp;aacute;ndole el pelo a Sans&amp;oacute;n.&amp;nbsp;En esta representaci&amp;oacute;n de la escena, Sans&amp;oacute;n se acuesta en el regazo de Dalila&amp;nbsp;mientras los soldados se acercan a ellos. N&amp;oacute;tese la criada que aparece a la izquierda cerca de&amp;nbsp;Dalila&amp;nbsp;en la escena. La criada se parece a la alcahueta representada en el cuadro de&amp;nbsp;&lt;/span&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>&lt;span&gt;Museo de Arte de Cincinnati, EEUU&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.cincinnatiartmuseum.org/art/explore-the-collection?id=18382983"&gt;https://www.cincinnatiartmuseum.org/art/explore-the-collection?id=18382983&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200819222251/https://www.cincinnatiartmuseum.org/art/explore-the-collection?id=18382983"&gt;https://web.archive.org/web/20200819222251/https://www.cincinnatiartmuseum.org/art/explore-the-collection?id=18382983&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;1973.740&lt;/span&gt;</text>
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                <text>Sansón y Dalila, de Matham  (1609, c.)</text>
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                <text>&lt;span&gt;Este cuadro representa la famosa escena b&amp;iacute;blica de Dalila cort&amp;aacute;ndole el pelo a Sans&amp;oacute;n, excepto en esta imagen, es un sirviente cortando el pelo a Sans&amp;oacute;n mientras &amp;eacute;ste est&amp;aacute; acostado en el regazo de Dalila. N&amp;oacute;tese la criada que aparece a la derecha sosteniendo la vela en la escena. La criada se parece a la alcahueta representada en el cuadro de&amp;nbsp;&lt;/span&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit decapitando a Holofernes, de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>&lt;span&gt;Este cuadro representa la famosa escena b&amp;iacute;blica de Dalila cort&amp;aacute;ndole el pelo a Sans&amp;oacute;n, excepto en esta imagen, es un sirviente cortando el pelo a Sans&amp;oacute;n mientras &amp;eacute;ste est&amp;aacute; acostado en el regazo de Dalila. N&amp;oacute;tese la criada que aparece a la izquierda sosteniendo la vela en la escena. La criada se parece a la alcahueta representada en el cuadro de&amp;nbsp;&lt;/span&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit decapitando a Holofernes, de Caravaggio (1598, c.)&lt;/a&gt;</text>
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